Audra, please make more movies

by Cláudio Alves

With Rustin now on Netflix, cinephiles worldwide can enjoy one of the season's top Best Actor contenders. However, one shouldn't presume there's no more to George C. Wolfe's picture than Colman Domingo's spirited turn. Indeed, there's a vast pool of brilliant Black actors around him, breathing life into civil rights icons left and right. Among them, Broadway's First Lady and Tony champion Supreme stands out, the one and only Audra McDonald as Ella Baker. She's only in a couple of scenes but leaves a lasting impression, embodying strength and conveying a rich history between the activists that goes beyond the narrative's limited scope.

As of late, that's McDonald's big screen specialty, serving excellence for a scene or two, and then – poof – she's gone. Just look at her other 2023 movies…

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Interview: 'The Missing' director Carl Joseph Papa and actor Gio Gahol on making Oscar history for the Philippines

by Juan Carlos Ojano

Carlo Aquino and Dolly de Leon.

Carl Joseph Papa's Oscar submission The Missing (original title: Iti Mapukpukaw)  centers on a mouthless young man whose life is rocked when a familiar alien returns to his life. In telling this deeply personal story using animation, Papa examines the long-term effects of childhood trauma on people and how far kindness could go in helping them in reclaiming their voice. The Missing is the Philippines' official submission for Best International Feature Film at the 96th Academy Awards, becoming the country's first animated feature film to represent the country (out of 33 submissions). Out of the eight countries that submitted for the category's first competitive year in 1956, only the Philippines is yet to be nominated.

In this in-depth discussion, writer-director Carl Joseph Papa and actor Gio Gahol tackle the taboo topic of childhood sexual abuse in the country, pulling off the feat of shooting the film within four days, the artists that inspired them in their craft, and working with BAFTA nominee Dolly de Leon (Triangle of Sadness)...

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Wyler, Kazan, Ashby, Scorsese – Who's Next?

by Cláudio Alves

Barbra Streisand in FUNNY GIRL was the last performance William Wyler directed to an Oscar win.

As stated in the Scorsese at the Oscars write-up, the Killers of the Flower Moon auteur is one of only four directors to have helmed Academy Award-winning performances in all acting categories. The others are William Wyler, Elia Kazan, and Hal Ashby, with the former having the record to end all records. Across 32 years, Wyler directed fourteen victorious turns, including multiple champions in the four races. Such a feat won't likely be equaled, but that doesn't mean the quartet is bound to stay put forever. Some directors are on the cusp of joining the ranks of Wyler, Kazan, Ashby, and Scorsese…

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Yes No Maybe So: "Mary & George"

by Nick Taylor

Hello you disgusting Royalists. As the final season of The Crown makes its way onto Netflix at a dignified pace, I can guess what some of you will be thinking as you watch it. “God, I hate having to look between the TV for  highly pedigreed British drama and my phone for high-quality artworks of men having sex. Who will finally, FINALLY give me both options at the same time!?!?” 

Worry not, dear reader, for a happy medium has slotted itself between these two pillars of your psychologically wrought Eiffel Tower. Mary & George, a miniseries based on the true story of Countess Mary Villiers molding her son George to suck and fuck his way to the graces of King James I of England, comes to Starz sometime in 2024. Created by playwright D.C. Moore and directed by Oliver Hermanus, the first trailer dropped earlier today, and we here at The Film Experience decided to give it the proper once-over it clearly deserves...

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Peter Dinklage Is Made for Romance

by Cláudio Alves

Rebecca Miller's new film, She Came to Me, is a bit of a mess, stitching themes and storylines, wild tonal swerves, and overwrought ideas that don't fit together all that well. This fate's especially disappointing because the project seemed ripe with promise and potential. Most of all, it looked like an excellent opportunity for Hollywood to embrace actor Peter Dinklage as a romantic figure. Though he reached peak fame by playing Tyrion Lannister in Game of Thrones, a performance of wit and projected stratagem, it can be argued that his best calling card is an ability to illustrate the heart's amorous yearnings…

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