Smackdown '57: Sayonara, Peyton Place, and Witness for the Prosecution

In the Supporting Actress Smackdown series we take a particular Oscar vintage and explore it with a panel of artists and journalists. This time we're talking 1957

THE ACTRESSES & CHARACTERS
In 1957 Oscar voters were in the mood for fresh faces. Four rising stars (Hope Lange, Carolyn Jones, Miyoshi Umeki, and Diane Varsi) were honored along with one Old Hollywood mainstay, the Bride of Frankenstein herself (Elsa Lanchester). The shortlisted characters were a counter culture partygoer, an exasperated nurse, a Japanese newlywed, and two 18 year-old besties in a small town with both love and grief on their minds.

THE PANELISTS
Here to talk about these performances and movies are filmmaker Q Allan Brocka, theater and film critic Kenji Fujishima, Be Kind Reward's Izzy, film critic Kimberly Pierce, writer/ director/ archivist Brett Wood and your host Nathaniel R. Let's begin...

1957
SUPPORTING ACTRESS SMACKDOWN + PODCAST  
The companion podcast can be downloaded at the bottom of this article or by visiting the iTunes page...

 

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TCA obsesses over "Watchmen" and "Mrs America"

by Nathaniel R

We have mixed, even contradictory, feelings about the Television Critics Association. On the one hand they've exhibited good taste over the years. Their limited categories mean that their awards are focused and precise and uniquely theirs (always a good thing to have your own voice). As a bonus history shows that they value female actors more than male actors. Same, TCA, same.

On the other their narrow focus can also feel like a curse, or even sometimes read as misanthropic stinginess. Consider that not only do they only have two acting categories but they don't divvy up between female and male actors. This means that even in the Golden Age of Television (are we still calling it that?) only 13 actors get name-checked. 13 from hundreds and hundreds of shows (and dozens of them reportedly great)...

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Mira Sorvino Pt 2: A Mini Retrospective

By Nathaniel R

Mira Sorvino in MIghty Aphrodite (1995)

After interviewing Mira Sorvino about her new projects, the Emmy hopeful Hollywood and two recent indies, our conversation drifted back over her whole career. 

For fun, we asked her to program her own mini three or four film retrospective by naming her favourite projects. She acknowledged immediately that Mighty Aphrodite (1995) would be selected for any retrospective since it was her Oscar-winning role, but she wanted to shine the light on lesser-known titles. "I fall in love with every project," she noted, as that three or four film group kept growing and becam eight titles in our conversation. She might have changed the list on another day but here were the titles she hoped people would rediscover or see for the first time that she's very fond of.  How many how these have you seen? 

BARCELONA (1994)
"One of my first movies, shot in Spain. It's beautiful and fun."

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Mira Sorvino Pt 1: On "Hollywood," "Badland" and "Waterlily Jaguar"

Sorvino in Waterlily Jaguarby Nathaniel R

The actress Mira Sorvino has been on our screens both large and small for nearly 30 years now. In the past few years the headlines came for speaking out about sexual harassment and her political activism. Now, with Ryan Murphy's Hollywood campaigning for Emmy nominations, and two recent indies available to stream (Badland and Waterlily Jaguar), the focus is back where it originally began: her acting. We talked to her recently about her newest roles.

She can currently be seen as the co-lead of Melora Walters' Waterlily Jaguar. "It's a really interesting art film about the complicated end of a relationship" she says describing the drama about an alcoholic novelist and his wife. While the movie is anguished by nature, Sorvino is a canny enough entertainer to know just when to liven the mood without betraying the tone, in this case with heartbreakingly forced cheer.

But among her recent projects it's Ryan Murphy's high profile mini-series Hollywood which has reminded the most people of her gift. Even, in a neat life-imitating-art parallel, of her Oscar win...

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On the rise, fall, and general chaos of "Hamilton" as an Oscar contender.

by Nathaniel R

Hamilton won 11 Tony Awards in 2016. Now some fans want that same production to win Oscars, too.Have you been following the story on Hamilton as an Oscar contender? It has not been easy to follow! As you all know, the Academy Awards are in chaos this year due to COVID-19. In addition to pushing the ceremony back and changing the calendar of eligibility, they'd previously announced a bending of their "must play in theaters for a week" rules to allow for streaming films that only MEANT to play in theaters. That loophole was meant to close again after the COVID crisis was over but once you've made a loophole that big, it usually grows in size. Now suddenly everything wants to be an Oscar contender. Or at least fans of everything want their favourite thing to be one. It's yet another reminder of the cultural dominance of the Oscars (despite cries of "irrelevant!" each season) that it's considered the "top" award.

The Oscar rule change about streaming eligibility was meant to make up for movie theaters being closed for months on end but it was always going to be problematic. Exactly how will the Academy enforce a "meant to" clause?

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