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Entries in Witness for the Prosecution (2)

Friday
Jul102020

Smackdown '57: Sayonara, Peyton Place, and Witness for the Prosecution

In the Supporting Actress Smackdown series we take a particular Oscar vintage and explore it with a panel of artists and journalists. This time we're talking 1957

THE ACTRESSES & CHARACTERS
In 1957 Oscar voters were in the mood for fresh faces. Four rising stars (Hope Lange, Carolyn Jones, Miyoshi Umeki, and Diane Varsi) were honored along with one Old Hollywood mainstay, the Bride of Frankenstein herself (Elsa Lanchester). The shortlisted characters were a counter culture partygoer, an exasperated nurse, a Japanese newlywed, and two 18 year-old besties in a small town with both love and grief on their minds.

THE PANELISTS
Here to talk about these performances and movies are filmmaker Q Allan Brocka, theater and film critic Kenji Fujishima, Be Kind Reward's Izzy, film critic Kimberly Pierce, writer/ director/ archivist Brett Wood and your host Nathaniel R. Let's begin...

1957
SUPPORTING ACTRESS SMACKDOWN + PODCAST  
The companion podcast can be downloaded at the bottom of this article or by visiting the iTunes page...

 

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Monday
Jul062020

Almost There: Marlene Dietrich in "Witness for the Prosecution"

by Cláudio Alves

1957 was a fascinating year when it comes to the Oscars' acting categories. Thanks to the stultifying Sayonara, Miyoshi Umeki became the only Asian actress to ever win an Academy Award, while silent era Asian-American sex symbol, Sessue Hayakawa, received his first and only Oscar nomination for The Bridge on the River Kwai. In that same year, the Best Actress race saw Elizabeth Tayor receive her first nomination, and Deborah Kerr coming the closest she ever was to win an Oscar, for Heaven Knows Mr. Alison. She lost, but was, at least, nominated, unlike the cast of Best Picture nominee 12 Angry Men. It seems insane to think so, but none of that picture's astounding performances got any love from AMPAS, not even for Henry Fonda's star turn.

That being said, no snub hurt more than that of an actress so confident she had earned Oscar gold, that there was a prerecorded introduction to her Vegas show that mentioned a 1957 nomination. We're talking about Marlene Dietrich in Billy Wilder's Witness for the Prosecution

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