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Monday
Jan272020

Grammys and the Movies

by Eric Blume

Gaga wins again

The Grammy Awards have three categories that tie to moves and TV, and if you think the Oscar committee is myopic and predictable, they seem like the edgiest crew around in comparison with Grammy nominators.  Let's take a look at what was nominated and what won at last night's annual Grammy Awards...

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Monday
Jan272020

Horror Actressing: Ronee Blakley in "A Nightmare on Elm Street"

by Jason Adams

Marge Thompson is such a weirdo. Less than ten years after her Oscar nomination for Robert Altman's classic Nashville the singer turned actress Ronee Blakley was playing the Mom in a slasher flick. Some might disparage that turn of events -- say she was "reduced to" playing the Mom in a slasher flick. I am not one of those people. Especially when you see the gloriously strange performance that Blakley turned in. There's nothing unmemorable about the final girl Nancy Thompson's momma -- she'll haunt your dreams!

A Nightmare on Elm Street is about the sins of the parents being visited, rather traumatically, upon their children, a symbiotic theme that Craven would come to visit time and again with his horror films...

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Monday
Jan272020

Toni Collette is winning in "Dream Horse"

Abe Fried-Tanzer reporting from Sundance...

Toni Collette is an incredibly versatile actress. In just the last two years, she has enthralled indie horror fans in Hereditary, hilariously parodied GOOP excess in Knives Out, and impressed Netflix viewers with her tremendous turn as a no-nonsense cop in Unbelievable. In comparison, her latest turn as a Welsh bartender with big dreams, may seem tame or even unchallenging. Yet Collette is always up to the task and prepared to deliver... 

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Monday
Jan272020

Almost There: Michelle Yeoh and Zhang Ziyi in "Crouching Tiger, Hidden Dragon"

by Cláudio Alves

History repeats itself, especially when it comes to the Academy Awards. Throughout its 92 years, very few Asian actors have been recognized, even when their films were otherwise embraced. This year, the victim of the insidious trend was Parasite, which won the SAG for Best Ensemble but couldn't muster enough support for a single acting nomination at the Oscars. Thinking back to the last non-English speaking Asian production to score a Best Picture nomination, we see the same phenomenon.

In 2000, Ang Lee's Crouching Tiger, Hidden Dragon conquered a remarkable 10 nominations, including for Picture and Director but none of the nods were for acting. In the end, the blockbuster won four of its categories. Despite the acting branch's oversight, Michelle Yeoh and Zhang Ziyi received many nominations elsewhere, including the BAFTAs. The younger actress even conquered the Independent Spirit Award for Best Supporting Actress…

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Monday
Jan272020

Unlucky 13 ???

Everyone keeps saying we're "bitter" in the comments this year, even though we're not (listen, final time saying it: 1917 is a good picture, it'll make a non-embarrassing winner but it's just a little disappointing when they had a chance to make history with a real masterpiece staring them right in the face and gently blowing peach scrapings at them while doing next to unthinkable box office numbers in the current moviescape for subtitled features!)  

ANYWAY let's lean in to the bitter in a silly numbers way and talk about something potentially icky, the infamous "unlucky number" 13. Is 13 an unlucky number with Oscar or not?  Let's find out...

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