Kirk Douglas Centennial: The Bad and the Beautiful

Here's Dancin' Dan to continue our mini Kirk Douglas  fest. The actor turns 100 this Friday.

For every performer, a film lover has THAT performance. The one that makes you fall in love with them. Or, short of that, the moment you totally understand why they became a star.

I had seen a few Kirk Douglas films before Vincente Minnelli's The Bad and the Beautiful, most notably Spartacus and 20,000 Leagues Under the Sea, but I was not a great lover of the man himself even when I liked the films. That changed when watching Minnelli's behind-the-Hollywood-scenes epic. Whether it was due to the match of actor to character, the quality of the film, or Douglas's performance itself, who can say, but this performance made me a believer...

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The Furniture: Designing Dignity in "How Green Was My Valley"

"The Furniture" our weekly series on Production Design. Here's Daniel Walber

Filmmaking is often an art borne of flexibility. Tim Burton built Sleepy Hollow from scratch when he couldn’t find just the right town in the real world. Vincente Minnelli was forced to make Brigadoon indoors in Hollywood, because the studio wouldn’t pay for an expensive production in Scotland. Both films are likely better for it, too.

The same is perhaps true for How Green Was My Valley, which premiered 75 years ago this week. John Ford wanted to make shoot it on location in Wales, but World War II intervened. Instead, the production team built an entire mining town in the Santa Monica Mountains. This condensed and idealized version of the setting of Richard Llewellyn’s 1939 novel is among the most emotionally resonant sets of its era.

The film won five Academy Awards, including Best Picture and Best Art Direction.

The design team consisted of Richard Day, Nathan H. Juran and Thomas Little, no stranger to Oscar success. They based their village on Gilfach Goch, a quintessential Welsh mining town, but they dramatically reduced the size and jammed the houses much closer to the colliery...

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Look Who's in Marie Antoinette!

It's Marie Antoinette week: We're celebrating the Queen Consort of France each afternoon for a week for the 223rd anniversary of her death and the 10th anniversary of the Sofia Coppola biopic.  

by Murtada

The casting in Marie Antoinette is imaginative and to die for. You could say it’s not hard to imagine Kirsten Dunst in the title role especially since she had already worked with Sofia Coppola. Jason Schwartzman as Louis XVI is not that far fetched since he’s the director’s cousin. However putting Rip Torn, Molly Shannon, Judy Davis and Asia Argento together in 1790s France took some chutzpah...

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Jack Arnold Centennial

Tim here. Today is the 100th anniversary of the birth of director Jack Arnold, and if your response to hearing that name is a polite look of blank incomprehension, I wouldn't feel bad. Arnold's not exactly a household name and never has been, but you wouldn't want to imagine what classic sci-fi would look like without him. For a short time in the 1950s, Arnold was possibly the most admirable genre film director in Hollywood. I can't think of any better way to demonstrate how singularly iconic his work has been than to point out that he's the only filmmaker to have two different films named dropped in "Science Fiction/Double Feature", the opening number from The Rocky Horror Picture Show.

Undoubtedly the film for which Arnold remains best-known is the 1954 Creature from the Black Lagoon (and it's dimwitted first sequel, Revenge of the Creature, but it wouldn't be sporting to hold that against him), and it's fairly easy to argue that it's his best work, too.

on the set of The Black Lagoon

But however impressively he handled that last gasp of the Universal Horror machine, it's by no means his only noteworthy achievement...

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Marie Antoinette Week: The Musical Stylings of Sofia Coppola's Biopic

Editor's Note: On this very week in 1793 the Queen Consort of France Marie Antoinette (born Maria Antonia Josepha Johanna von Habsburg-Lothringen -whew) stood "trial" and was guillotined during the French Revolution. She's haunted popular culture ever since. On this very week ten years ago in 2006, Sofia Coppola's undervalued and unconventional biopic Marie Antoinette began its trip to movie theaters. We're celebrating every day at 3 PM EST for a week. Party.

Lynn Lee looks back at Marie Antoinette's (2006) controversial use of music...

First come the fast, bracing guitar chords, followed by the almost-too-on-point Gang of Four lyrics - “The problem of leisure, what to do for pleasure?” - as the opening credits roll in bright hot pink against a black background.  We catch a quick shot of a reclining Marie Antoinette (Kirsten Dunst), tasting one of an array of sumptuous cakes as she tries on a shoe and gives a saucy sideways glance into the camera as if to say “Let me eat cake.”  It’s our first tip-off that this isn’t going to be your standard historical costume drama...

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