Podcast Special: 25th Anniversary of Madonna's "Truth or Dare"

Nathaniel, Nick, and Joe revisit the seminal rock documentary by Alek Keshishian  Madonna: Truth or Dare (1991). The film was a blast in 1991, became one of the biggest documentary hits of all time, and proved prophetic thereafter for celebrity culture and reality TV narcissism which hadn't been invented yet. Well, reality TV hadn't; Narcissism precedes Madonna.

Topics include but are not limited to: Our first viewings, Warren Beatty's terror at the project, the Antonio Banderas fixation, celebrity cameos, and Madonna's relationship to both the camera and LGBT culture.

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the convo in the comments...

• What's the story of your first viewing? 
• Have you watched it recently (Hint: it's streaming on Netflix!)? 
• Do you think Blonde Ambition is Madonna's best era?

 

Truth or Podcast

Interview: The Filmmakers, and Stars of 'Strike a Pose' Talk Madonna, Dance Moves and Movie Stars

We're celebrating the 25th anniversary of "Truth or Dare" this week. Here's Jose having a brilliantly fun chat with its dancers who have an unofficial sequel, if you will, making the festival rounds...

Clockwise from top: Carlton, Madonna, Luis, Gabriel (RIP), Jose, Kevin, Oliver, and Salim (aka "Slam")

Jose here. I was four years old when Madonna went on her Blonde Ambition Tour, but I distinctly remember being hypnotized by the woman with the pointy bra on TV that was making the Pope very upset. Fast forward a couple of decades and not only am I a huge Madonna fan, but I’ve made more sense of that specific era in her career thanks to the revolutionary documentary Madonna: Truth or Dare. So I was thrilled when I found out Dutch filmmakers Ester Gould and Reijer Zwaan had made Strike a Pose, a documentary about the male dancers that were so prominently featured in the tour and the film. For Madonna fans, the names of Carlton Wilborn, Kevin Stea, Oliver S Crumes III, Salim "Slam" Gauwloos, Jose Gutierez Xtravaganza, Luis Xtravaganza Camacho and the late Gabriel Trupin (1969-1996), are akin to those of Christ’s disciples. Not only for the devotion that comes with fandom, but also because we have each developed our own mythologies about who these men were (they choreographed the “Vogue” video!)

Read the conversation after the jump...

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The Furniture: That Hamilton Woman's High Ceilings

It's another episode of "The Furniture," Daniel Walber's new series

75 years ago, the United Kingdom was standing nearly alone against the growing might of Nazi Germany. It remained unclear whether the United States would enter the war. And so, from within Hollywood, Alexander Korda set out to help sway American public opinion toward the Union Jack.

That Hamilton Woman was released on April 30th, 1941. Its propagandistic portrayal of Lord Horatio Nelson and his victory over Napoleon’s navy nearly got Korda into very real legal trouble as a foreign agent. His appearance before the Senate Foreign Relations Committee was scheduled for December 12th, but the attack on Pearl Harbor saved the director’s skin. Three quarters of a century later, its reputation rests not on its patriotism, but on its lush melodrama. It continues to enchant as a ravishing portrait of adulterous romance, art imitating the lives of stars Laurence Olivier and Vivien Leigh. He’s Nelson, she the titular Emma, Lady Hamilton who stole his heart and paid the price. [More...]

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United 93, ten years on

David here, looking back at one of 2006's most contentious films ten years down the line.

I don't imagine many of us have watched United 93 more than a couple of times in the ten years since it debuted. Five years on from 9/11, it felt painfully raw and keenly sensitive, its depiction of the tragic events rendered with a wrenching immediacy borrowed from the handheld footage that had dominated the news coverage of events. It was, gruesomely, a cultural moment that instituted the world of smartphones and social media, news bursting from unpredictable sources, the traditional media outlets left as responsive collators of private material. United 93 showed us the reality of events with such intimacy that cinema's own mannered approaches towards realism rapidly became outmoded.

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Happy Birthday, Robin Wright

Tim here. Robin Wright turns 50 today, and it's my good fortune to wish her a very happy birthday on behalf of the Film Experience. She's entering the decade of her life that generally finds actresses facing the worst odds they ever get from the powers that be in Hollywood (there's that infamous stat that only two women have ever won a Best Actress Oscar in their 50s), but for my tastes, she's never been more interesting than in the past few years.

Indeed, it's been only in this decade that Wright has gotten some of her best-ever movie roles, on top a key performance in the Netflix hit House of Cards, and really gotten to show off as an actress. Some of her best film work, sadly, has been in underperforming movies that most people have never seen or heard of; what better excuse than a birthday to go out and track one of these down?

In 2010, Wright appeared as the title character in The Conspirator, director Robert Redford's story of an idealistic young lawyer defending Mary Surratt, whose boarding house sheltered John Wilkes Booth and company as they devised their plot to assassinate Abraham Lincoln. It's hard to go to bad for the movie as a whole, which wants very badly to be a history lesson rather than a piece of cinematic entertainment. Certainly, Redford's very prim and precise direction of James D. Solomon's research paper-feeling screenplay turn this into a social studies diorama rather than a living, breathing character drama.

But!...

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