Yes No Maybe So: "Joker: Folie à Deux"

by Nick Taylor

Remember the fucking hubbub around Joker when it premiered at Venice back in 2019? Stephanie Zachareck fearing MRA riots? Lucrecia Martel giving it the Golden Lion? Leading the Oscar nominations with a whopping eleven citations, with Mark Friedberg’s incredible sets somehow left out in the cold? Winning Best Actor for Joaquin Phoenix and Original Score for Hildur Guðnadóttir? Wild times!

Although Joker: Folie à Deux was first announced roughly two years ago, it feels as though the spectre of it has been haunting us for so much longer. At long last, the sequel is on its way, in just over two months. The first full-length trailer dropped less than 24 hours ago, and we here at The Film Experience are ready to dig in to whatever the hell is going on...

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Venice Main Competition Round-Up (plus London and NYFF Openers)

by Nick Taylor

BLITZ (2024) Steve McQueen

So many film festivals the past few days have come to make an announcement! Steve McQueen’s Blitz, about Londoners trying to survive a bombing during WWII starring Saoirse Ronan and Harris Dickinson, has been named the opening film for the London Film Festival. Meanwhile, the New York Film Festival will open with Nickel Boys, an adaptation of Colson Whitehead’s Pulitzer Prize-winning novel helmed by Hale County This Morning, This Evening director RaMell Ross.

A lot of films have been announced for TIFF, and will presumably keep being announced until the festival starts in September. We’ve also received word of the full lineup for the 81st Venice Film Festival, and since they’ve got much fewer releases than TIFF, I’ll be doing a quick run-down of which titles are most exciting to me personally. While I won’t be able to attend Venice, you can still see me watching them take off from the sidelines, like a 20th century mother waving to her children as they set sail on a voyage to a new country, hoping for the absolute best but steeling myself to be strong, just in case of disaster...

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"Sing Sing" Is a Moving Showcase For One of 2024's Best Ensembles

by Nick Taylor

Sing Sing, the sophomore feature by Greg Kwedar, is beginning its theatrical run in the US almost a year after it debuted at TIFF 2023. This weekend it begins a limited release rollout, culminating in a wide release on August 2nd. Based on a 2005 Esquire article by John H. Richardson entitled "The Sing Sing Follies", the film follows a group of men incarcerated in Sing Sing Correctional Facility who are members of the Rehabilitation Through the Arts program, also known as the RTA. The development of their latest production comes with the usual stresses of putting a show together along with new disruptions to their membership, their hierarchies, and their routines. If the summaries and trailers and evangelizing reviews haven’t already convinced you this is the real deal, let me add my two cents. Sing Sing is a moving, heartfelt, sometimes despairing film, one you should see with a packed theater if you get the chance . . . .

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Yes No Maybe So: "Gladiator II"

by Nick Taylor

You the readership may have forgotten we here at The Film Experience are aware of current releases, or really anything besides Nicole Kidman. And who can blame you! It’s perfectly understandable, and the only way to shock the system out of this belief is to proposition you with lots and lots and lots of men in a swords and sandals epic. That’s right, the subject of today’s Yes No Maybe So is Ridley Scott’s Gladiator II, set for release in November 2024. Trailer and first reactions below the cut . . . .

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Review: "The Vourdalak" is a Gothic throwback with its own soul

by Nick Taylor

We love 19th century gothic horror, don’t we folks? One of the most durable subgenres of all time. Influential to our current understanding of what horror is and how to depict it in ways so finely woven into the genre we couldn’t possibly begin to disentangle it from contemporary media.

Director Adrien Beau, making his feature film debut with The Vourdalak following a handful of spooky shorts, has created a vampire film equally indebted to the rhythms and moods of the gothic novella and the style of a Hammer horror flick. There’s no self-aware pastiche, no riffing on the genre, just an immersive attempt to bring some very particular sensibilities back from the dead. After premiering at the 80th Venice Film Festival last year, The Vourdalak is getting a theatrical release this summer. It works beautifully, mordant and sensually detailed, and it’s exactly the kind of gem folks should remember from this part of the year when we’re overwhelmed by December releases...

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