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Entries in Cannes (355)

Saturday
Jul172021

Cannes Diary #10: Au Revoir, Cannes!

Another round of applause, please, for Elisa Giudici for giving us such great on-the-ground Cannes coverage this year. She reviewed the entire Competition slate! Can you believe it? What follows are her last two reports, condensed into one - Editor

by Elisa Giudici

I will miss the French summer -- hot and breezy. Yes, it is time to say goodbye to the Cannes Film Festival. Already? Finally! A little bit of both. My first time here was incredible but I think I am quite close to the limit of my cinematic intake without compromising the ability to enjoy the films. After years of enviously reading reportage by friends and colleague, this was everything I thought it would be. I fear I was even spoiled. There were no infinite queues where I thought I might be shut out and (a little brag is coming, but please allow it) I was able to see the whole competition lineup despite having a yellow pass! Insanity.

It was amazing being able to write this diary every day and read the comments from such a passionate audience. I hope I was able to give you a little glimpe into the movies that are coming as well as the feeling of seeing them at this majestic Festival. It was all quite demanding (I covered the Festival for a couple of italian magazines, too) but I am incredibly happy as a completist that I never skipped a day's entry. A lot of these diary entries were written in the middle of the night or near dawn so a huge thank you to Nathaniel for the editing to make them comprehensible to you; After 2 AM my English tends to be even more convoluted than usual.

So final round. SEVEN movies! Ready?

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Saturday
Jul172021

Cannes Closing Ceremony *Live Blog*

by Nathaniel R

7:57 We begin with the awards already in progress. (It's always difficult to find a link that works here in the US. Hence the delay) The jury has arrived with their always amusing individual strut ins. The actors and actresses (Song Kang Ho, Tahar Rahim, Maggie Gyllenhaal, etc...) are always relaxed and practiced at this but the directors often look vaguely mortified that they have to display themselves -- have you ever tried walking while everyone is staring at you or you're aware a camera is on. It's disconcerting! Brazil's brilliant Kleber Mendonça Filho (Aquarius, Bacurau) is visibly uncomfortable but Spike Lee, a "star" director, in a suit of many colors, is an old pro at being in the spotlight. He addresses the crowd but since this is a French live feed you can't actually hear the English being spoken because the translators are always speaking over the English. We'll do our best to understand...

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Saturday
Jul172021

Cannes Closing Ceremony (Arrivals) *Live Blog*

by Nathaniel R

LIVE CEREMONY

6:26 Most of the people we're seeing on the red carpet are people from the 2020 Cannes that was cancelled. It's a nice tribute to invite all of them. They wave before the 2021 stars begin crowding the carpet... 

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Saturday
Jul172021

Cannes at Home: The Best Palme d'Or Winners Ever!

by Cláudio Alves

It's time to end the Cannes at Home project. Hopefully, these daily posts haven't been a bore. For me, as a writer and film lover, they've been a blast, a sparkling antidote to Cannes-induced FOMO. Thank you so much for reading along. Finally, to end on something special, I decided to rank all Palme d'Or winners from 1949 to 2019, eighty winners in all. For brevity's sake and because it's my birthday and I don't want to dwell on negativity, this write-up is only focused on the top ten, my absolute favorites of the bunch. If you're interested, the complete ranking's on my Letterboxd or you can read an old version of it on the Portuguese website Magazine.HD. And now, without further ado, here are my choices for the best Palme d'Or winners of all time…

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Saturday
Jul172021

The Queer Palm goes to "La Fracture"

by Nathaniel R

Catherine Corsini celebrates her Queer Palm win

The Queer Palm jury this year was led by actor Nicolas Maury (Call My Agent), and included Josza Anjembe, Vahram Murayan, Roxane Mesquida, and Aloïse Sauvage. They've given their prize to La Fracture / The Divide by Catherine Corsini (reviewed here) which is about a fifty-something lesbian couple (inspired by Corsini's own relationship) who are trying to survive a night in a chaotic hospital during a yellow vest protest. The film is also rumored to be a contender for a prize tonight when Spike Lee's jury hands out their awards in the main competition.

The other eligible feature films vying for the unofficial prize were...

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