Cannes Diary #08: Huppert, Damon, "Titane", and peculiar babies...

by Elisa Giudici

Today a dream of mine came true: I was finally able to attend an event with Isabelle Huppert. She is quite popular on the film festival circuit but lately she is working in theatre a lot (right now some Chekhov, just like the protagonist of Drive My Car), so I was so excited to finally meet her at the "Rendez-vous avec Isabelle Huppert" event. Let me fangirl a little. She is truly a charismatic person with a serious attitude and kind smile. Her event had two moderators but they were quite nervous (I totally understand!) so the conversation was a bit repetitive if still interesting. The most iconic moment was when someone asked her if she ever experienced stage fright or if she was ever a little scared by the legendary directors she worked with. She immediately answered that she never feels intimidated by anyone. It is an attitude she is not interested in exploring; I wish my brain would listen and be more like that! On Haneke, she said that he obsesses over realistic movements, and gives actors a lot of boundaries but almost never any advice  on how to act...and she likes it that way,

In these kind of events moderators are crucial to create an interesting dialogue. I am not that much into Matt Damon's filmography but I found his Rendez-vous a memorable experience, too, because the interviewer prepared the list of questions well so that the whole event was engaging. Of course Damon's friendly attitude helped. He is a charming person and knows how to make an audience happy revealing small inside details from his long carrier. 

On to the movies...

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Cannes Red Carpet, mid week edition

by Nathaniel R

Sharon Stone is at Cannes!

The sartorial splendor of closing weekend events is just ahead of us but let's catch up on recent Cannes fashion. If you missed the previous reports they are here (opening night) and here (first few days). Now let's take a look at the glamour of midweek. Who takes your best-dressed crown? You can click on any of the images to enlarge them...

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Cannes Diary #07: The French Dispatch, a Boomer, and a lot of "I liked it, but..."

by Elisa Giudici

Three Floors (Nanni Moretti)

Cannes Film Festival has a color coded hierarchy. The lowest of the low are Yellow pass holders. With their slightly less powerless Blue cousins, they spend a lot of time (aka hours) in queue, hoping for a miracle. Pink journalists arrive later, having a high priority pass that lets them sleep a little more. At the top of journalist hierarchy, the aristocracy of pass holders: legendary Le Blanche, aka White pass holders. They can arrive at the last minute, waving their credentials to open every door.

The tales say so though I've never witnessed this with my own eyes. This year, with the (still not that reliable but definitively improved) ticketing system, things were a bit different. Even I, a humble yellow pass holder, was able to see almost every single movie on my list. Here are the four competition films I saw today...

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Cannes at Home: Day 8

by Cláudio Alves 

What an exciting day to be at Cannes this must have been. Asghar Farhadi unveiled a new picture to critical acclaim, with some even stating that A Hero is his greatest work since A Separation. In the main competition, Julia Ducournau also presented her sophomore feature, Titane. After Raw, the new film seems like it will continue the director's exploration on the limits of body horror. As for some sidebar prospects, Miguel Gomes opened his latest work in the Director's Fortnight. The Tsugua Diaries was co-directed with Maureen Fazendeiro and represents Gomes' first feature since Arabian Nights. Unfortunately, another project called Savagery remains incomplete since the pandemic forced the production to halt. In any case, for our homebound Cannes alternative, let's explore the past and best works from these filmmakers…

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Cannes Diary #06: Or, I Took the Night Off

by Elisa Guidici

Cannes partygoers watching the game on a phone -- photo vis Scott Feinberg's Twitter

Yes, I took last night off. I'm not exactly a socialite during festivals: I spend the majority of my time in screenings and what's left desperately trying to write as much as possible about the movies I saw. I really envy colleagues who are able to balance work and social life at a festival as it's a skill I completely lack.

Having said so, come on, European football championship finals with Italy against England: every other Italian journalist was planning to see the match. Poor Nanni Moretti, had to present his latest movie just one hour before the match. I spent the night at a local pub with a group of Italian colleagues, watching the match and having my first dinner actually seated at a table and not hiding somewhere near the press room eating a baguette-with-something since the very first day. And Italy won, so it was a beautiful night. And now my voice is almost gone.

And the movies, Elisa, the movies? Well, I saw only two movies, but one is the longest in competition, so...

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