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Entries in Cannes (92)

Wednesday
May282014

Cannes Coverage is a Wrap

Leila Hatami, Jane Campion, and Nicolas Winding Refn finishing up their jury duties at the closing ceremony2014 marked our most Cannes coverage ever, with one team member on the ground as well as retrospectives and tidbits from afar (mostly NYC). We hope you enjoyed. Here's the index of our two week-long cinephile dream that is the Cannes Festival...

Diana in Cannes
Arrival - Opening night
Grace of Monaco - Nicole's troubled princess movie
Mr Turner & Timbuktu -two reviews
Amour Fou & The Blue Room -deadly unrequited love
The Homesman Press Conference - Tommy Lee Jones, curmudgeon
The Homesman -reviewed
Maps to the Stars, Two Days One Night, Mommy - Best Actressy reviews
Foxcatcher & Sils Maria - two reviews
Leviathan, Lost River, The Rover - three reviews 

Cannes Specials & Retros
Top Ten Palme d'Or Winners - Team Experience on the greatest films to ever win the festival from La Dolce Vita and The Umbrellas of Cherbourgh through The Piano
Closing Night Ceremony -arrivals & winners
Fahrenheit 9/11, Ten Years Later - Michael C looks back at the controversial 2004 win
Monologue, Certified Copy - Andrew asks what is real and what is fake but why does it matter when Juliette Binoche's brilliance is involved?
Monologue, Secrets & Lies -'sweetheart' Brenda Blethyn
Monologue, Norma Rae - Sally Field is one of only 4 women to win both Cannes & Oscar
Tidbits 2 - Mommy surprises, Foxcatcher wows, and Lost River annoys
Tidbits 1 - Jane Campion presides, Nicole Kidman arrives, Amy Adams sells
Podcast Preview - salivating over the competition and Un Certain Regard lineups  
Podcast Finale - grilling Guy Lodge about his favorites at the festival 

the very actressy "Clouds of Sils Maria" premieres: Kristen Stewart, Juliette Binoche, Chloe Moretz and director Olivier Assayas

Cannes Beauty
27 Dresses - gowns from the Croisette 
Party Girls - Naomi, Julianne, Lupita & Rooney 
Jess + Jess - Besties on the red carpet 
It's All About Jessica Chastain - sigh

Tuesday
May272014

Podcast: Cannes Aftermath with Special Guest Guy Lodge

For this quickie edition of the podcast Nick and Nathaniel speak to Guy Lodge on the last day of the festival about his experience, from favorites to disappointments, festival politics and even a little Oscar buzz. He answers the really important questions like: is Kristen Stewart really that much of a revelation in Clouds of Sils Maria?; is Hitchcock's The Birds is a fair comparison for the Hungarian dog movie White God?; Which movie convinces you that Xavier Dolan is the real deal?

00:01 Winter Sleep and the politics of being "overdue"
05:00 Leviathan & Mommy: late bows and multiple raves
07:45 Acting Prizes: Julianne Moore in Maps and Timothy Spall as Mr Turner
13:00 "Foxcatcher is really terrific!"
18:00 Un Certain Regard: The Tribe and White God
22:00 Competition quality and surprises: Party Girl winning Camera D'Or and the media praise for Channing Tatum and Kristen Stewart
28:00 Last words, movies missed.

You can listen to the podcast here at the bottom of the post or download the conversation on iTunes. Continue the conversation in the comments... and while you're at it listen to the last couple of week's of the podcast which were two of my favorite episodes and weirdly less remarked upon than usual.

Cannes 2014 in Review

Tuesday
May272014

Cannes Diary: 3 Men Against The System – Leviathan, Lost River & The Rover

Diana Drumm reporting from Cannes... or rather flying home from Cannes as you read this...

As people, we are defined by how we cope with the world’s cruelty, injustice and unfairness. In a leap of metaphysics, the same can be said about films, being judged by how they handle the subject and in turn how their protagonists handle their conflicts and struggles. At this year’s Cannes, there were more than a few films in the thick of existential waters and questions of morality, with protagonists leading the way against a larger society. In Timbuktu, a farmer and his family grapple with a newly inserted regime to dire results. In Amour Fou, a young poet stakes the life of himself and his “lover” on an escapist higher philosophical notion he’s concocted. In Foxcatcher, an “ornithologist, philatelist, philanthropist” attempts to fabricate a more successful legacy for himself and melts down after reality and other people’s free will gets in the way. Here are three more that tackle the issues of male insecurities when faced with a larger, opposing system (from the great to the already infamously bad to the steady).  

Andrey Zyvagintsev’s Leviathan, Ryan Gosling's Lost River, and David Michôd's The Rover after the jump...

Click to read more ...

Monday
May262014

Cannes Monologue: Norma Rae

Andrew's Cannes-inspired subseries in our Monday Monologue tradition ends with Sally Field in Norma Rae, one of only four Best Actresses to win both Cannes and the Oscar...

 

Is Julianne Moore finally going to get that Oscar? Blame it on the human urge to tie everything down to laurels, but it seems that's biggest wishful-thinking question coming out of Cannes after the awards ceremony. It’s not enough that she’s recently joined Juliette Binoche as one of the few  “European Best Actress Triple Crown” winners –the allure of Oscar is hard to resist. Cannes and Oscar rarely measure up, of course, but it seems like a good excuse to look back to one of only two performance to manage both Best Actress wins in the last 50+ years: Sally Field in Norma Rae (1979)...

Click to read more ...

Monday
May262014

Wet Hot Linky Monday

Things That Are Not Cannes-Related
Vanity Fair Leonardo DiCaprio in space: the auction! I love it whenever Katey Rich's inner Titanic fangirl comes out.
Coming Soon Wet Hot American Summer to be a series on Netflix now. And, much better news: its now middle aged original cast members will all be playing high school versions of themselves. Love it. Can't wait to see Paul Rudd's sloppy french-kissing again. That movie is such a scream
Playbill oooh, here's a fun unexpected list. Ten artists that are a Tony Award short of the EGOT  from Kate Winslet through Julie Andrews and on to um... Martin Scorsese?

Comics Alliance on how Quicksilver, not a major fan favorite superhero, was suddenly a hot property with two major motion pictures in the space of a year
Star-Ledger interviews Dan Callahan on that Vanessa Redgrave book we told you about a couple of weeks ago
Playbill Jim Parsons on coming out and how The Normal Heart affected his life
Vanity Fair Emma Thompson gives her usual great interview promoting her new comedy with Pierce Brosnan The Love Punch

I’d rather have root canal treatment FOR THE REST OF MY LIFE than join Twitter"

Cannes -Cannes-Cannes
though everyone's flown home
Notebook Miriam Bale on her Cannes experience, David Cronenberg's Map to the Stars and Jean Luc-Godard
In Contention best and worst of the fest 
Critic Wire averages out the grades for this year's slates at Cannes. Highest grades go to Leviathan, Foxcatcher, The Tribe, Whiplash, Two Days One Night, Force Majeure, Wild Tales, Tu Dors Nicole and A Hard Day (the last two of which I haven't previously heard a peep about online.) 
The Telegraph Leila Hatami (A Separation) had to apologize for a public kiss on the cheek at Cannes which angered some Iranians. This world is madness and so wretched to women time and again.
Variety the 7 biggest surprises at Cannes Parties from Leonardo DiCaprio (all business even when peeing) to Lindsay Lohan getting kicked off a yet (um... how does the latter qualify as a 'surprise'?)

And the sales...
The Tribe the tough Ukranian picture The Tribe (the one in sign language without subtitles) has three major European countries nailed down (+ Japan) for distribution. Will we get it in the US? Pretty please? 
The Wonders, the Grand Jury Prix winner is also selling briskly to multiple markets

And a final P.S. on the sales. Sony Pictures Classics who got three of the buzziest Sundance titles early this year were also buying at Cannes. I guess they want a handful of Oscars and not just to dominate the foreign film and documentary again. At this writing here's their upcoming slate:

  • Land Ho! - Sundance comic hit about two old pals vacationin in Iceland [July, review]
  • Magic in the Moonlight - the latest from Woody Allen, which we just discussed [July]
  • Love is Strange - if it's handled delicately and smartly and the critics rally it could be a dark horse Oscar player. Either way, it's going to become a classic down the road. [August, review]
  • Whiplash - Sundance and Cannes hit a father and son drama with Miles Teller as a drummer with a tough dad [October]
  • Foxcatcher - a good bet for multiple Oscar noms but is it too chilly to win statues? [November, review]
  • Mr Turner - this handsome art biopic could be a major player for Mike Leigh [December, review]
  • Infinitely Polar Bear - their only purchase that baffled me at Sundance. But it's got recognizable stars [Opens TBA, reviewed]
  • The Salt of the Earth - buzzy Cannes documentary [Opens TBA]
  • Red Army -another Cannes doc about the Soviet Union hockey team during the Cold War [Opens TBA]
  • Jimmy's Hall - the new Ken Loach from Cannes [Opens TBA]
  • Saint Laurent - YSL biopic from Cannes [Opens TBA]
  • Wild Tales - the Argentinian comedy won major raves at Cannes [Opens TBA]
  • Leviathan - this Russian film from the director of The Return and Elena was expected to win big at Cannes had to settle for Screenplay. I always worry when these things happen post-buy that the distributor will then put them on the backburner. Hope that isn't the case here. [Opens TBA]

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