Oscar Volley: Is production design best or most this year?

Team Experience has been pairing up to discuss Oscar categories. Here's Cláudio and Mark talking Best Production Design. Totally my fault that this went up late but enjoy this digestif since we just talked Best Picture - Editor

CLÁUDIO: Since the start of our new era of an expanded Best Picture ballot, it's become harder and harder for movies not nominated for the big category to win elsewhere. Even so, it's not unusual to see one sole production succeeding against the apparent odds, nabbing a couple of prizes in categories dominated by more beloved titles. This year that could be the case for Babylon in Best Production Design. After its BAFTA victory, I'm inclined to predict the Chazelle's polarizing chronicle of Old Hollywood, but the mightiness of Best Picture nominees Avatar: The Way of Water, All Quiet on the Western Front, Elvis, and The Fabelmans looms large over the race...

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Oscar Volley: Biopic Breakout or Heartfelt Comeback in "Best Actor"?

Team Experience has been teaming up to discuss the various Oscar races. Here's Christopher James, Abe Friedtanzer and Nathaniel R...

CHRIS: It's been a while since Best Actor was the most exciting and unpredictable race of the evening. Heading into last weekend, it was truly a three man race between Austin Butler (Elvis), Brendan Fraser (The Whale) and Colin Farrell (The Banshees of Inisherin). Now that both BAFTA and SAG have made like Brendan Gleeson and passed over Farrell, I sadly feel like he has dropped out of contention for the win. Of the nominated five, he was my personal vote. He knows how to dramatize Pádraic's hurt, while also finding the comedy in his tragedy. With just the crinkle of an eyebrow, he communicates such emotional vulnerability, a level to which we don't often see men rewarded for showing.

The race is now a photo finish with BAFTA/Globes winner Austin Butler and SAG/Critics Choice winner Brendan Fraser. This mirrors the 2011 Best Actress showdown, where Meryl Streep (The Iron Lady) had both BAFTA and Golden Globes wins and Viola Davis (The Help) took home SAG and Critics Choice prizes. In the end, Streep won, which is hopeful for Butler. However, the SAG/Critics Choice combo was a successful path to victory for Jessica Chastain (The Eyes of Tammy Faye) last year, so Fraser is certainly not out of the running...

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Oscar Volley: Best Documentary Feature captures the real world

Team Experience is teaming up to discuss each Oscar category. Here's Glenn Dunks and Baby Clyde...

GLENN: Hi Baby Clyde, are you ready to talk documentaries? I just published my best documentaries of the year feature here at The Film Experience so I am ready to tie this year's world on non-fiction in a bow.

Will Laura Poitras win a second Oscar to go with her Golden Lion?

First things first, what do you think of this year's batch of nominees for Best Documentary Feature? As is pretty common for this category as of late, I don't think there's a bad film in the bunch, with a good coverage of American and international fare. It's a line-up that even has the added bonus of featuring the best documentary of the year in its ranks (that would be Laura Poitras' All the Beauty and the Bloodshed). Last time that happened was just two years back with Collective so the category, for me, continues to remain strong and getting stronger as the number of contenders rises and rises...

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Oscar Volley: Supporting Actress confounds and divides

Team Experience is discussing the various Oscar categories. Here's Eurocheese, Mark Brinkerhoff, and Cláudio Alves on the volatile Best Supporting Actress race.

EUROCHEESE: Hello Gents - With the SAG awards throwing us a curveball, this might be the most exciting race this year! I have no idea who's taking the win. Before we get into it, any thoughts on these five nominees? 

MARK: Any thoughts? All the thoughts!

I honestly did not expect for this race to be as exciting and, dare I say, unpredictable as it appears to be now. A month ago, it seemed like Angela Bassett’s to lose, a long coronation to a storied—and underrewarded—career, and now…I don’t know what to make of it, following Kerry Condon’s win at BAFTA and Jamie Lee Curtis’ gobsmacking upset at SAG...

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Oscar Volley: Best Original Screenplay...the "alternative Best Picture" award?

Team Experience is teaming up to discuss each Oscar category. Here's Mark Brinkerhoff and Elisa Giudici...

TÁR in the act of creation

MARK: Hello, hello! Get a look at the Best Original Screenplay nominees this year—all five are also Best Picture Oscar nominees. Now of course this isn’t unprecedented, namely in the modern era of (up to) 10 Best Picture nominees, but it *is* unusual. (2020 was the other year this complete overlap occurred.) Typically we’ll get at least one inspired, left-field choice in Best Original Screenplay (think Bridesmaids, The Lobster, Nightcrawler, etc.). Not this year, unfortunately.

So where does this leave us? With a pretty sterling lineup of nominees overall! Among the five—The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Tár, Triangle of Sadness—which strike you as the real deal this year?

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