Review: Mexico's Oscar Submission "Tótem" Is Finally In Theaters - See It As Soon as Possible

by Nick Taylor

You may have noticed the Oscar nominations were announced last week. I’m not super enthused about this year’s lineups, which has some predictable excellence without giving me any surprises to be psyched about. I’ve spent this week catching up on the International Film category, and for the second year in a row, I’m mostly underwhelmed by Oscar’s choices. But rather than solely ragging on the Academy’s choices, I’m here for celebration and advocacy. Tótem, the second film by writer/director Lila Avilés and Mexico’s Oscar-shortlisted submission, has been slowly rolling out in the US and other countries for the past week, and thank God for that. It’s one of the very best films of 2023 and deserves as big of an audience as it can get. Go watch it...

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Review: ‘Argylle’ is a Lot

By Abe Friedtanzer

I find that going into movies knowing as little as possible is always an advantage, though it can be difficult when something has a big budget and has been relentlessly advertised. Fortunately and perhaps miraculously, all I knew of Argylle before sitting down to watch was the tagline from the billboards I’ve seen plastered all over Los Angeles:

“The greater the spy, the bigger the lie.”

With those expectations, I imagined excess and entertainment, which this film sort of delivers…

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Sundance Review: Getting Through Life and COVID with ‘Stress Positions’

By Abe Friedtanzer

John Early in "Stress Positions"

Since March 2020, a number of films and TV series have addressed the life-altering COVID-19 pandemic in their storylines. Often it’s fodder for comedy, since looking back at people furiously wiping down groceries and staying far, far apart from each other can be humorous in retrospect. In some cases, it’s just an extra obstacle to make life a little bit harder and more complicated. In filmmaker Theda Hammel’s feature debut, Stress Positions, staying afloat in a chaotic and isolating time is a considerable challenge for its memorable characters.

John Early stars as Terry, a recently divorced Brooklyn resident watching over his nineteen-year-old nephew from Morocco, Bahlul (Qaher Harhash), as he recovers from an accident...

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Sundance Review: Tracing the History of the Police in ‘Power’

By Abe Friedtanzer 

Police reform is a hot-button issue, with calls from the left to "defund the police" and responses from the right that “blue lives” matter. Complicating those concepts is the fact that every American has grown up with the police as an established reality. Considering what something else could look like requires an acknowledgment that it hasn’t always been this way and perhaps shouldn’t be. Yance Ford’s documentary Power looks at the history of the police and how that’s shaped where we as a country now.

So much of present-day policing stems from racist institutions, beginning with slave catchers as the original model for police forces, which first began in Boston and quickly spread throughout the country...

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Animated Short Finalists, Ranked

by Nathaniel R

"Once Upon a Studio" brings decades of Disney together

We love animation but we know we give it short shrift here at the site. So let’s rectify that, at least in miniature during this final quiet moment before the official Oscar nominations. I've recently seen all but one of the finalists for Animated Shorts (the missing piece: I'm Hip by two-time Oscar nominee John Musker). Though no one asked, I've ranked them in ascending order of preference after the jump. It's worth mentioning that to get to the finals you've already bested nearly 100 other contenders so the overall quality is high. I say that so you aren't offended if #14 is your favourite, which it very well might be! Each person's personal rank would surely vary.

Okay, now on to the nostalgia exercizes, sentimental messages, surreal head trips, disturbing images, and slapstick antics...

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