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Entries in Reviews (1292)

Wednesday
Jan262022

Sundance: More ‘I Love Lucy’ with ‘Lucy and Desi’

By Abe Friedtanzer

 Have you noticed that, when there’s a major scripted film about a real person from history, there’s often a documentary to go along with it at the same time? One of the very first articles I wrote for this site was about RBG and On the Basis of Sex, where the former was clearly the superior product. Recently, Being the Ricardos opened in theaters and then quickly to Amazon Prime. The movie looks at a (fictionalized) tempestuous week for the TV power couple. The documentary on the same couple, from director Amy Poehler, zooms out to look at their entire story, offering a good amount of added context.

This film’s title gives away its focus, which is that the lives of Lucille Ball and Desi Arnaz were so intertwined, even after they were no longer married, that it’s impossible to truly separate them...

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Wednesday
Jan262022

Sundance: 'The Janes' Brings Context to Modern Women’s Struggles  

by Eurocheese

"The Janes" are a popular topic at the Sundance Film Festival this year, and given the way women’s rights are under attack in the US today, their story remains relevant. Earlier in the festival, the fictional Call Jane highlighted one woman’s story when she became involved with this group. In The Janes, documentarians Tia Lessin and Emma Pildes show the real women who lived this history, detailing the backstory of this group and showing us what a future with restricted women’s rights might look like...

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Wednesday
Jan262022

Sundance: 'Hatching' or Mommy Issues – The Movie

by Cláudio Alves

Motherhood is a subject ripe for horrific extrapolation. Some might regard their offspring as hopeful mirrors, wishing them to be an improved reflection. Disappointment, when it unavoidably comes, is a spiky cruel monster. There are others for whom birthing a mirror is the worst possible fate, the child a magnifying glass of perceived faults. Moreover, the similarity can feel draining, a youthful leech sucking out its mother's lifeforce, a constant reminder of mortality. Hanna Bergholm's Hatching takes these perceptions of motherhood and mixes them with body horror, cranks them up to eleven, and ties everything up in a pink satin bow that reeks of vomit and discarded flesh…

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Wednesday
Jan262022

Sundance: Creative Storytelling in ‘My Old School’ and ‘The Cathedral’

By Abe Friedtanzer

Alan Cumming appears in My Old School

Screening multiple films a day at a festival can lead to the discovery of unexpected thematic connections. Initially, My Old School and The Cathedral, may seem to be completely unrelated films, but, seeing them within twenty-four hours of each other (with two or three others in between), I was surprised by their similarities. They both grapple with memory and history on a very specific level, and do so in inventive manners… 

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Tuesday
Jan252022

Sundance: The elegiac poetry of 'Dos Estaciones' 

by Cláudio Alves

Director Juan Pablo González comes from a family of tequila makers in the Jalisco highlands of Mexico. Though never outright stated, such biographical details inform in his fiction feature debut. Dos Estaciones is a love letter to the region and the noble artisanship of making tequila de old-fashioned way, from the azure expansions of the agave fields to the shiny glass bottle. However, it's also a eulogy, a cry of mourning for a dying world. Foreign pressures threaten the long history of the land, buying the fields and factories from families who've owned them for generations. A Mexican tradition thus becomes an American commodity, and there's little to do but honor what's lost, show people its value, its intrinsic beauty, resist through art and remembering…

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