Review: Sebastian Stan devours horror-romance 'Fresh'

by Matt St Clair

The new horror/romance hybrid Fresh chiefly functions as a viable kidnapping thriller that still  gets one thing right about our modern dating scene. It can be a literal terror show. It’s especially horrifying in our era of dating apps. The constant hoping for a companion as you keep sending messages saying “Hello” that get no response can make you wonder if people read the actual profile. It’s easy to judge a book by its cover and message someone based on how they look in their photo. But do people bother to read our bios for a better idea on what we might be like? 

As Noa (Daisy Edgar-Jones) finds out the hard way, meeting people in real life can be just as rough...

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POWER RANKING - The Many Faces of "Death on the Nile"

By Christopher James

Which member of the "Death on the Nile" is capable of murder? Only Hercule Poirot (Kenneth Branagh) can crack the case.

Who doesn’t love a good murder mystery? Kenneth Branagh returns to fill the shoes (and moustache) of the legendary Agatha Christie character Hercule Poirot in Death on the Nile, which opened in theaters this past weekend. Branagh’s stern detective finds himself aboard a glorious ship, S.S. Karnak, chartered to celebrate the nuptials of Linnet Ridgeway (Gal Gadot) and Simon Doyle (Armie Hammer). Their event is marred by death, and everyone is a suspect.

A murder mystery is only as good as its suspects, and Death on the Nile is bursting with persons celebrities of interest. So which suspects turned up the heat, and which others floundered about? Read for our power rankings of the cast (some spoilers ahead)...

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Doc Corner: 'Janet Jackson.' and 'Poly Styrene: I Am a Cliché'

By Glenn Dunks

British X-Ray Spex frontwoman Poly Styrene and American pop superstar Janet Jackson are two very different musicians. It stands to reason that any biographic documentary about either would be wildly unalike. Although both artists are boundary-pushing women of colour in music, on very basic metrics, Poly Styrene: I Am a Cliché and Janet Jackson. are indeed very different. One is a exploration of a punk icon’s chaotic life and early death in all of its subject’s messy, unglamorous glory. The other is a sprawling, four-part work of popumentary that venerates and celebrates with high-gloss entertainment. However, it is in the areas where these projects intersect where one project finds its strengths and the other, unfortunately, falters...

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Sundance: 'The Territory' is a winner!

by Cláudio Alves

Settlers fight their way into the land. Inspired by colonialist ideals of manifest destiny, they go on a journey of discovery and conquest. This is how new countries are born, with blades cutting down the wilderness and burning paths. However, the settlers are not alone. Deep in the mysterious unknown, indigenous people reside in a land that's been their home for millennia. These adventurers wear cowboy-like hats while their enemies, abstracted into an exotic other, fight with feathers in their hair. The two forces clash, but theirs is not a fight of equals. Invaders calling themselves heroes have numbers and firepower on their side, centuries-old systems built to perpetuate violent domination. Even their bodies carry weapons, sicknesses they spread to the natives, killing them in active genocide. 

No, this is not an old-fashioned western of less enlightened days nor a chronicle of historical crimes. This is the story of our days. This is The Territory…

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Sundance: Thandiwe Newton finally gets a film worthy of her with 'God's Country'

by Matt St Clair

Thandiwe Newton has been a riveting screen presence throughout her career whether or not the films haven’t matched her level of excellence. With just a sharp glance or an emotive line reading, she always finds ways to grab your attention . The new Sundance thriller God’s Country, helmed and co-written by Julian Higgins, is finally a star vehicle worthy of her beguiling gifts...

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