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Oscar History

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Oscar Horrors: Kathy Bates in Misery

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Entries in TV (483)


Eva Green's Peculiar Children and Geena Davis Returning to TV

Laurence here with a couple of juicy actress news tidbits. After a string of well-cast disappointments, we're all hoping for a return to Tim Burton magic this year with his new film Miss Peregrine's Home for Peculiar Children. We finally have some images from the film, which has what might be Burton's most formidable (live-action) cast since Big Fish, including Judi Dench, Samuel L. Jackson, Allison Janney, Terence Stamp, Kim Dickens and Rupert Everett. Whoa.

Most importantly, though, here's Eva Green in the title role. [More...]

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Oscar Telecast Ratings Hit Eight-Year Low

We’re currently awash in Oscar numbers and statistics, but there’s another Oscars number to be taken into account. After much discussion of the Academy as an entity leading up to Sunday night, it seemed like public interest would be high going into the ceremony, particularly given the Leo narrative and some high-grossing nominees like The Revenant, The Martian and Mad Max: Fury Road. But numbers for the Oscars telecast for this year have come in, and the Chris Rock-hosted show fell 6 percent to 34.3 million viewers in preliminary numbers and an eight-year ratings low...

If you haven’t already read Kieran’s analysis of Rock’s hosting stint you definitely should, because he gets at a lot of reasons why the ceremony was so uneven and might have put people off watching. But the most telling aspect of the ceremony’s ratings is that the 18-49 demographic only dropped 5 percent, which means that much of the lost audience was older viewers...

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50 Years Ago Right Now ~ An Evening With Carol Channing !

Imagine your parents or maybe your grandparents gathered 'round a 21 inch television on February 18th, 1966 on ABC to watch this.  If you were born in October 1966 I apologize that the weirdest things got your parents frisky.

Wowee Wow. Here's Our Dolly now! 🎵 

There were only three channels in 1966 and, I mean, why would ANYONE have been watching anything else? She was on Broadway at the time with Hello Dolly. Broadway had such a cache back then. Can you imagine a Broadway star getting a whole hour of television to promote their celebrity today?

Some highlights...
04:10 Wanna hear where Lady Bunny got her voice. It's right here. 
12:22 David McCallum (The Man From U.N.C.L.E.) reads T.E. Lawrence and speaks multiple languages with Carol, cracking each other up
24:20 Mona Lisa musical comedy sketch. The takeaway: the 1960s were a very strange and alien time from an alternate Earth. Possibly another Galaxy altogether
33:00 Los Angeles, skewered. Must see if you've ever hated on L.A.
50:30 George Burns & David McCallum join Carol for the finale. "The Monkey Rag"


Cynthia Nixon's Emily Dickinson Dwells In Possibility of Miranda Hobbes

Daniel Crooke here, new contributor. As daily updates make their way stateside from the Berlinale, certain titles that can’t help but infiltrate and overtake your curiosity. One such film is Terence Davies’ A Quiet Passion. What a time to be alive when the promise of a film starring the soulfully efflorescent Cynthia Nixon as the spiritually untethered Emily Dickinson exists on this planet. While reactions to the poet’s biopic have been highly mixed, the overlapping of these two mustang personas is an undeniable attraction.

Obviously much of Dickinson’s public face continues to be debated – that’ll happen when you like what you like and forget the rest – but there’s still a respected wealth of fascinating, cogent theories about the manner in which Emily lived. And no study needs a peer review about how perfectly Nixon’s signature role encapsulates this iconoclast who ditched polite society for a personal universe of her own reckoning.

The ultimate role research for Emily Dickinson lies in playing the sage and self-determined Miranda Hobbes for six seasons of Sex and the CitySix reasons why after the jump...

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Interview: Josh Singer on pushing deep with Spotlight's Screenplay and his time on The West Wing

Tom McCarthy and Josh Singer at the Gothams. It would not be the last award for their SPOTLIGHT screenplayAs we head toward Oscar night in an unusually complicated Oscar race, Spotlight is one of the films that's still in the thick of it. And with good reason. This finely tuned gripping account of the Boston Globe's long investigation into sex-abuse coverups was, by any measure, one of the most acclaimed films of the year.

The director Tom McCarthy is a flexible talent -- he acts, writes, and directs -- so it was something of a surprise that he shared writing duties on Spotlight with Josh Singer (The West Wing, The Fifth Estate). But that's somehow perfect since the film places such beautiful emphasis on community and teamwork. And when I began to speak with Singer about his involvement this communal spirit was also obvious. He immediately began deferring praise to the actors, and Tom's gift with them, and was so pleased that they'd been honored already this awards season. 

Here's our interview, edited for length and clarity...

NATHANIEL R: Spotlight is unusual in that the lead character is really the investigation itself

JOSH SINGER: It’s really an ensemble piece. Tom wanted this to be about the Spotlight team. It made me nervous early on, not having one or two protagonists. We have six!

NATHANIEL: Tom McCarthy doesn’t usually collaborate on his screenplays. So tell me what happened there.

 more after the jump...

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TV MVP of the Week: Younger, The Magicians, Grandfathered... 

I keep trying to get Team Experience to tell you what they're watching but they're weirdly shy about the small screen. But with the lines continually more blurred between screens we're trying to give television more room here. Nevertheless most of us do watch TV when we can squeeze it in between movies. 

Here's a few of our favorite things from the past week's viewing...

Patricia Field & Jacqueline Demetrio, Costume Design of Younger
Not since the glory days of Sex and the City has a show relied so beautifully on costumes (OK maybe Gossip Girl is up there, too) but in Younger they serve a purpose beyond aesthetics. Take for example the warrior-like costumes Miriam Shor's character wears, glittery armors, oversized jewelry and in one case a McQueen scarf that seemed to have the skulls of all her victims. That the very scarf was used by another character to reveal her weaknesses was pure brilliance.
-Jose Solis 

Gillian Anderson in The X-Files
We may quibble with the overall quality of this protracted sequel season of The X-Files but we should never complain about having more Gillian Anderson in our lives. [More...]

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In Appreciation of "American Crime"

It's a common beliefe that there’s a ceiling to how poignant and brutally honest network television can be.  The often accurate stereotype is that the hour-long dramas that inspire debate and passion are found on pay or premium cable; network TV is for rote procedurals and other series unwilling or unable to truly push the envelope.

Yet In the month since it has premiered, the second season of Academy-Award winning writer John Ridley’s (12 Years a Slave) “American Crime” has been flying in the face of pre-conceived notions about the limitations of network television. [More...]

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