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Entries in TV (368)


15 Tweets: Wes, Thor, Shearer, Dietrich, Bond Girls

It's that time again. An incredibly random collection of the week's best showbiz themed tweets. Or at least the best ones that we happened to see on our timeline at incredibly random times of the day. Herewith a dozen byte-sized amusements curated just for the TFE crowd for those with similarly truncated attention spans that made us laugh or think or nod this week. 

Please note that we already shared the Julianne-centric tweet from our friend Ali Arikan that wins the week all weeks which is why you don't see it here.

Anyway, proceed...  

 more enjoyables follow. You know you wanna see them all. It's just a little click and you have the time.

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Empire Mania (and Other Links)

Arts Beat Kerry Washington to star in HBO film Confirmation about Anita Hill. Great casting
Playbill Not that it was ever in doubt but Disney is officially at work on Frozen 2
Comics Alliance Robert Downey Jr presents a one arm kid Avengers fan with an Iron Man arm. Sweet
Broadway World talks to the legendary Ben Vereen about new projects, Bob Fosse movies, and the return of the movie musical

D Listed Steve Carell as Fabio? Fabulous. Especially the low-fi hair blowing... which is particularly funny since we just saw the same "effect" in Paris is Burning 
Pajiba Courtney schools Lindsay Lohan on photoshop manipulation for her Instagram account
Disney promises no more smoking in their films ever. That's fine but if they digitally erase the smoking in their archive like in 101 Dalmatians we will feel murderous
/Film PETA wants new ending for Tim Burton's Dumbo remake and though we'd prefer the movie not be made at all, we'd like to co-sign this proposal
Howard Stern Show I keep hearing this very lengthy Madonna interview is awesome but I haven't listened yet. I'm too busy mainlining "Rebel Heart" now that it's here in full (favs: Living For Love, Ghost Town, Rebel Heart, and I think I might love the totally filthy and juvenile Holy Water but I haven't decided yet)
MNPP I never talk about John Barrowman since he doesn't make movies but I L-O-V-E him and here's Jason paying tribute in a crotch-grabbing way that I think Barrowman himself would enjoy

Today's Moment of Nostalgia
Elle Magazine reminisces about Winona Ryder's "Lydia Deetz" as fashion icon and talks to Beetlejuice costumer Aggie Guerard Rodgers about working with Tim Burton and creating the looks.

Unlike the rogue Babysitter who tired of the Club or Brenda when she finally stopped seeking Kelly's approval, Lydia Deetz was actually an original. And whether she was wearing a schoolgirl outfit stuffed with crinoline, a nondescript painter's smock, or a blood-red wedding dress to match her evil stepmother's, there was something aspirational about how few fucks she actually gave. 

 Mania - Some Links, Several Thoughts

Towleroad Some fan has made a video of Empire meant to ape the Dynasty opening. I appreciate the connection since I turned to the Boyfriend a few episodes of this show and said "I feel like this writer's room really studied Dynasty - best nighttime soap in forever." but this mashup is not really a great visual match. I grew up on Dynasty (my parents were horrified at how obsessed I was with it) and you have to have those vertical line splits and the sectional images for it to really read as Dynasty Reincarnated.
Good Black News Ratings for the show are up for the record-breaking 9th straight week. It's now starting to rival TV's mega hit The Walking Dead (!!!) I'm so happy for Lee Daniels. But I hope he doesn't quit movies because we need him there with his crazy ass Paperboy/Precious/Butler provocations.
Xfinity Jussie Smollett talks about "the closet" or rather his lack of one on Ellen. He's beyond adorable, really. And the third best reason to watch Empire after 1) Taraji of course 2) how worthy it is as a night time soap giant overall. (The Smolletts are so talented. Remember how great his sister Junee was on Friday Night Lights?) This is my favorite performance of Jussie's on Empire thus far. I may have listened to it four times as I was typing this. 

"But what are the fourth and fifth best reasons to watch the show, Nathaniel?" you ask. SINCE YOU ASKED. 4) the music . 5) the guest stars are fabulous. Courtney Love and Naomi Campbell were superbly well cast and just killing it to cite two examples. Though we probably shouldn't mention new guest star Jennifer Hudson. That girl cannot act, sorry AMPAS. The past 9 years have proven otherwise. Great voice, though. 


Brandy. Whitney. Bernadette. It's Cinderella... Again

Cinderella Week continues with Andrew Kendall on a true event in showbiz history...

On our journey through Cinderellas we take a stop in 1997 for an unlikely entry in the canon. Unlike the animated version it did not change a cinematic form, nor like the Julie Andrews version did it launch a star. When the 1997 TV production of Rodgers and Hammerstein’s Cinderella premiered in 1997 it was hailed as one of the most successful TV musicals in years and audiences did, love it, 60 million of them. But, it has endured as little more than a footnote on the résumé of its fêted cast and crew.

This would be the second remake of the Rodger and Hammerstein’s Cinderella written for Julie Andrews in 1957 (the first remake a Lesley Ann Warren version in 1965). And, still, I’d swear on the altar of all things magical that this is the finest adaptation of the Cinderella story. Myriad reasons, but principally because this Cinderella has more on its mind than just the girl at the centre…

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Looking for Glory: “You’re not what’s wrong in the gay community”

Manuel here wishing I could borrow Kevin’s puppy sweater to discuss this week’s Looking episode. “Looking for Glory” begins just as “Looking for Returns” did, with the blissful domesticity of Kevin and Patrick, though the latter’s breakfast in bed disaster lets us know this won’t be a smooth return to normal after the events of the last two episodes. 

Thus, in an attempt to begin telling people that they’re now “a thing,” we get to witness the awkwardness that follows during a work meeting when they finally spill the beans. “I just hope it won’t affect our company culture of fairness and that heterosexuals won’t be discriminated against” says Meredith who later went to chat with HR; might this be a sign of more drama for Kevtrick? (Pattin? There really is no good couple portmanteau for them, is there?)


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Rodgers & Hammerstein's Cinderella (1957)

Cinderella Week continues with Manuel on a true event in showbiz history...

How's this for a televised live event: on March 31st 1957, more than 107 million people watched Rodgers & Hammerstein's written-for-television musical Cinderella starring none other than not-yet-household name Julie Andrews. Critics and networks have bemoaned the increasingly fractured TV landscape and when you look at numbers like that (aided, of course by novelty as well as lack of choice) you can't help but marvel at what that must have felt like. Think of the snarky tweets and memes 107 million people could have come up with! This is, of course, what NBC has been trying to accomplish with its musical events (kickstarted not coincidentally with another Julie Andrews vehicle and followed, oddly enough, with the production that gave CBS the idea in the late 50s to produce a new musical for a Sunday night broadcast).


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Double the Looking: Looking for Gordon Freeman & Looking for a Plot

Hello everyone, Manuel here to recap Looking's newest episodes. We took a little break last weekend since it was the Holy Night of Awards (may this be your daily reminder that Julianne Moore has an Oscar!) and so we’re back this week with two brand new episodes. And boy were they good! I’m actually happy I can talk about these two episodes in tandem. One a comedic showcase the other a dramatic detour, one a sprawling ensemble set-piece, the other an almost bottle-episode character-driven piece, they exemplify the strong work Haigh & co. have been doing this season. 


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Black History Month: The Rise of Taraji 

Our Oscary spotlight on Black History Month continues with Matthew Eng on the currently very hot Taraji P. Henson

It’s one thing to nab yourself a lead role on a juicy, mega-hit network drama with a mind-blowing, week-to-week ratings surge. But to be the undeniable breakout star of said TV show, to act circles around your leading man and everyone else on screen, to inspire tepid critics to unanimously single out your performance, to remain the number one (some would say only) reason to tune in, and to snatch yourself an actual catchphrase within the pilot? That’s a whole other heap of achievements entirely.

Taraji P. Henson is having a great year, which is an especially exciting thing to write, because, to my mind, few working actresses (much less working actresses of color) deserve it more. Henson’s such a reliably loose, shrewd, and engrossing performer that she carries a certain kind of built-in assurance for audiences: no matter the part or project, you can be sure that at least one professional has showed up to work and you better believe she will be giving it her absolute all. This kind of noticeable, on-camera go-for-broke-ness can often be applied for better and worse, but Taraji’s almost certainly in the former camp; she knows when to reign it in and how to modulate this quality from scene-to-scene and film-to-film, while remaining an exciting and involving on-screen presence.

It’s strange then and somewhat disappointing that the performance for which Henson received her first and (so far) only Oscar nomination as Best Supporting Actress for David Fincher’s The Curious Case of Benjamin Button is, in many ways, one of her most boring. Had Oscar voters not seen through the fraudulent "supporting" campaign for Kate Winslet, Taraji might not have been there at all for this true-blue supporting performance...

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