True Blood 4.10 "Burning Down The House"

when you came in the air went out and every shadow filled up with doubt ♫  I think I'll miss the theme song most of all when True Blood goes bye-bye in a couple of weeks. We're nearly at the end of Season 4. You can tell because things get crazy crazier craziest craziestest (where we are now) before the wrap. Finales have a way of bringing most of the characters back together where they should be. Quoth Tara when Sookie, Jason, Lafayette and Jesus arrive at the Moon Goddess Emporium where ⅘ of the cast is by the time the credits roll...

Reinforcements!"

They've arrived to save Tara and assorted humans from being blown to smithereens when the vamps arrive to take out Marnie once and for all. But I've jumped ahead since we're doing this wrap up quickest-like.

"Burning Down The House"
The episode begins with an assassination attempt at the Dorchester, as possessed Eric and King Bill fight it out until Sookie finally intervenes with her fairy powers, saving Bill from death and accidentally curing Eric's amnesia. Nan confronts Bill about it later with the very sensible question:

What's the deal with your little dairymaid and her lightning trick?

Since Bill doesn't answer her, I will.

You see Nan it's like this. Sookie's powers are now True Blood shorthand for "We've written ourselves into a corner and plus we can't kill off the main characters so here is a blast of fairy dust power which Sookie doesn't understand and which we don't either but it sure helps us to advance the plotline!"  Done!

With Marnie/Antonia's assassination of Bill foiled, Nan and Bill go to war over what to do next "Bill. Image!" Nan reminds him and the glamouring of the town begins so that they'll forget all the bloodshed; what happens at the Dorchester stays at the Dorchester!

FORGETTING. We soon realize that dead necromancer Antonia who was possessing Marnie doesn't want to remember the bloodshed either. ZOMG, it's Marnie who is now running the show!!! Jason, as it turns out, would also like to forget the previous episodes fucking/fighting mess . Jessica doesn't appreciate his request to be glamoured, continuing her delicious character arc in Season 4 to embrace her inner vampire. "Fucking humans. I'm going to go find somebody to eat."

Feel Her Vibrations!

In other important developments: Sookie still loves Billzzzzz and Eric isn't happy aboutzzzzz; Terry stages an intervention to help Andy with his V addiction; Holly the witch (Lauren Bowles) continues to be a great addition to the cast and convinces Tara to trust her own fury - "There aint no spell that can't be undone if you got the juice" -- and lord knows Tara is overflowing with fury juice!; Tommy dies from internal bleeding (or too much skin walking?) which sets Sam and Alcides on a vengeance spiral against wolf-pack leader Marcus who is now hitting on Alcides ladyfriend (though no one knows this yet); 

But most of all Episode 10 is about Fiona Shaw's awesomeness and her delicious vocal control -- weird Spanish accent aside -- in displaying all those internal psychotic breaks and shifts from Marnie to Antonia. She's continuing the slow morphing from meek dim Marnie to superior why-do-people-question-my-awesomeness Marnie? Which results in all sorts of great line readings like the self righteous/needy "I have put my soul at risk to destroy the night beasts for you" and the delightfully boasty "We've got our very own vampires in the ladies room!" and the grinning madness "Have you ever seen me so happy?"... well, yes Fiona, like that time you were an even bigger loon in Black Dahlia; That Cheshire grin is scarier than any Jack-o-Lantern that's every come before. 

Line Reading Hall of Fame

Fate brought us together to fight evil. Did you really think no one was going to get hurt?

At episode's end Jesus has broached Marnie's protection spell, but not her dark heart and he's relayed the new sit'ch back to the other reinforcements. Marnie is the Big Bad, not Antonia the dead ghost possessing her. But then Marnie suddenly teleports everyone ... where? Cue the vampires arriving to blow shit up. Cue: credits.  

Body Count: 1 nameless vampire and 1 skinwalker (Goodbye Tommy! Goodbye rich comic opportunities for other actors to pretend to be him pretending to be them. Sniffle); Sex Scenes: 0 (what!?!); Best Sookie Moment: "I never promised that." Anna Paquin is good with the hard honesty and cleft heart; Funniest Moment: Nan's inner 5 year old tyrant comes out, every vampire pissing her off. "True Death for you, too!"; Episode MVP: Marnie; Episode Grade: B+

Previously on True Blood
4.1 "She's Not There"  MVP: Marnie; Grade: C
4.2 "You Smell Like Dinner"  MVP: Eric; Grade: A
4.3 "If You Love Me Why...?"  MVP: Eric; Grade: B+
4.4 "I'm Alive and On Fire"  MVP: Sookie; Grade: B+
4.5 "Me and the Devil"   MVP: Arlene; Grade: A-
4.6 "I Wish I Was the Moon"  MVP: Pam; Grade: B
4.7 "Cold Grey Light..."   MVP: Jessica; Grade: B- 
4.8 "Spellbound" MVP: The Fortenberrys (Hoyt & Maxine); Grade: B+ 
4.9 "Let's Get Out of Here" MVP: Sam; Grade: B 

My Missing Whedon: "Angel"

This morning I read all 3,040 words of "Angel by the Numbers" an essay by Dan Kerns, who started on Joss Whedon's vampire series Angel as Best Boy and worked his way up to Gaffer. I discovered the article through Whedonesque and I heartily recommend it. During the reading I consumed ½ a cup of coffee (I've successfully narrowed down my daily consumption to 2 cups!), ignored the urge to pee twice, and thought of 4 other television shows: my beloved Buffy the Vampire Slayer (which sits comfortable at #1 of my all time favorite tv shows), one-of-a-kind Firefly, fascinating but uneven Dollhouse, and the non-Whedon series Dexter because "Darla" (Julie Benz) was mentioned and I just watched the first three episodes of Season 5 and it's just not the same without her... (and maybe it's the kind of repetitive series that should've wrapped with Season 4?)

Buffy, Angel and Faith.

Before I move on to work on 4 pending articles, I feel the need to admit that I've only seen 19 episodes of Angel, despite seeing literally every other episode -- even the unaired ones including the aborted Buffy pilot where Willow was not Alyson Hannigan (!) -- of every other Joss Whedon series and all of his movie work, too! Hell, I've even seen that animated sci-fi bomb Titan A.E. (2000). I've never understood why I couldn't work up much interest in Angel as a series but perhaps it was the procedural stand-alone nature of the early episodes which are the bulk of what I saw. Maybe I was just angry that Buffy received only 1 spinoff and not 2 (At least twice a year I impatiently dream of a 4 season run of "Faith the F*cked Up Vampire Slayer"). Of the 19 episodes I remember only about 6: the one where Oz visits to give him the Ring of Amara, the one where Willow drops in to restore Angelus soul, and any of the times that Eliza Dushku stopped in for a little big city ass-kicking. You get the picture: Crossovers! I tried again 2 times in later seasons and could not understand what the hell was going on.

True Blood 4.8 "Spellbound"

Possessing Ghosts. Confused Mediums. Witchy Necromancers. Restless Werewolves. Angry Humans. Ambivalent Vampires. Horny Shifters. Horny Sookie. True Blood is hugely crowded this year. And busy. There's as many plot elements as characters.

You dropped something.

True Blood Season 4 has thrown a lot of balls in the air but remarkably the only one it seems to have dropped is the one it needed to (were-panthers). All hell broke loose on Sunday night's episode so now the show is not only juggling but juggling while running at vamp speed. 

"Spellbound"
"Did I do that?" Jessica asked over the bloody body of Bill's guard Bucky after Jason saves her from self-immolation (see last week). Yup. Another thing for her to cry those bloody tears about. In many ways, Jessica is the most human of all the characters this season, continually plagued by self-doubt, regret and romantic confusion. She thinks about her actions and their affect on people. Like Hoyt.

Poor little-boy Hoyt... 

Please love me!

Or is it... Cruel big-man Hoyt?

Click to read more ...

Julianne is Dope. Also: Links

The Far From Heaven team cleaning up at the Indie Spirits in 2003IndieWire so it looks like it's really happening *sniffle* Julianne Moore is moving to television. After that Sarah Palin telefilm turn she's doing a pilot for an HBO series called Dope.

But it's not all bad news: Todd Haynes and Christine Vachon are involved so it's essentially the great Far From Heaven team. Cross your fingers that it's worthy of their collective gifts! It'll have to be really really special to be that. 

The series would be set in the 1950s and is based on this novel. Publishers Weekly describes Moore's character like so.

Josephine "Joe" Flannigan, is a former heroin addict and hooker who has recast herself as a petty thief and con. Working her home turf, New York City's Hell's Kitchen, she is taken up by a mysterious well-to-do couple to find their addict daughter, expelled from Barnard and lost to the streets. 

So there's room for great acting. We shall see.

The Linkies
The Wrap Patti Smith is working on a biopic of sorts -- it's based on her memoirs of her early years with photographer Robert Mapplethorpe in the late 60s/early 70s -- with screenwriter John Logan. Who on earth could play Patti Smith? She's kinda strange looking and Hollywood only hires beauties. Here's what they looked like when the movie would take place.

ArtsBeat David Cronenberg's A Dangerous Method will get a gala screening at the NYFF.
Latina Antonio Banderas on his long artistic separation from Pedro Almodóvar 'tween Tie Me Up! Tie Me Down! and The Skin I Live In (coming soon... and also getting a gala NYFF screening).

And speaking of Almodóvar, how amazing is this Rossy de Palma wall art by Adrian Valencia? I went to his site via a series of Lady Gaga drawings that are just stellar. 

© Adrian Valencia, 2011

 The Funnies
Ultra Culture "Cowboys and Aliens Fact Sheet"
My New Plaid Pants Quote of the Day from Jean Claude Van Damme [nsfw] 
The Hairpin an amusing review of Rise of the Planet of the Apes with drawings 
I09 "ten vestigial traits you didn't know you had". Robert Gonzalez, who wrote this, is funny. 
Bachmanneyezed a new tumblr  

This & That: Pop Songs, Oscar Campaigns, Carnage Poster

Bill Pullman's new roleAV Club is success spoiling AMC? More rumors and commentary on the increasingly troubled network of Mad Men and Breaking Bad.
Macleans also reacts to this 'blame Mad Men' meme going around
i09 expresses shock that Bill Pullman is so amazing as a creepy motivational speaker/murderer on Torchwood: Miracle Day. I haven't seen it yet because we don't get Starz but Bill Pullman can do anything. Why are people surprised? Oh, right. Nobody goes to the theater. Pullman's performance on Broadway in The Goat: Or, Who Is Sylvia? is one of the greatest performances I've ever seen, I kid you not. (pun!) The movie roles obviously didn't challenge him enough.

The Hairpin has an interview with Kate Beaton who writes what may be my favorite webcomic "Hark, A Vagrant!"
Cinema Blend I was just talking about Patrick Wilson to a friend last night and bingo: today there's news that he's joined the cast of Ridley Scott's Prometheus. I should talk about actors who don't get enough good parts every night before I sleep so they'll be cast the next morning.
Inside Movies A story that the web will undoubtedly love: Andrew Garfield on the size of Spider-Man's package.

Oooh, lookie. It's the first poster for Roman Polanski's Carnage.

That's a weird loud poster but at least it's interesting. The moody faces are kind of an interesting way to get at the play's rollercoaster tonal shifts and convey that it's an actor's piece.

The Campaigning Begins
Gold Derby is already claiming the Best Actor Oscar for Leonardo DiCaprio in J Edgar. We'll see. Believe it or not he's still kind of young to win an Oscar. They make the men wait, you know. Different rules for men. Although I suppose it helps that he didn't turn out as elfin gorgeous as he looked like he might back in the days of his youth. Oscar likes his women drop dead gorgeous but doesn't like his men too purty. Just ask Paul Newman how long he had to wait. Or Brad Pitt who still hasn't won.
IndieWire Glenn Close to receive the lifetime achievement award at the San Sebastian Film Festival. Festival honors of the career variety are a standard stop on the way to would be Oscar glory. 
Just Jared just posted this promotional pic of Michelle Williams for My Week With Marilyn but labelled it a "still". If it's really a still in the proper sense than the movie is taking some adventurous chances with its look. 

For Laughs... Movie|Line is listing four reimaginings of princess movies that it never wants to see.

And in other news... True Blood has been renewed for a fifth season. Yay! Get caught up on The Film Experience commentary. 

Best Song of the 1980s?

Music makes the people come together.... yeah  ♪
Critical Condition's Ultimate Pop Song Tournament has come down to the final four: Madonna's "Like a Prayer" (89), Cyndi Lauper's "Time After Time" (84), Michael Jackson's "Billie Jean" (82) and Journey's "Don't Stop Believin'" (81) This has been such fun for the past few weeks and it also just goes to show you how classic the 1980s are in the cultural canon since songs from other decades were eligible. You already know who I voted for, duh. Go and vote yourselves. May your favorite win... unless it's different than mine.
Boy Culture conjecture about Madonna's upcoming schedule
Examiner DC This is a good piece on the music industry's ability to keep the public interested in the classics, and the film industry's inability to do the same. A provocative mystery, that, right?