Abe’s AFI Fest Wrap

By Abe Friedtanzer

This was my first year covering AFI Fest, and also my first time covering a virtual festival during the festival itself. It was a positive experience on both fronts, and the viewing platform I used – the AFI Fest app for Roku – worked pretty well and including plenty of interesting conversations with talent.

AFI announced the following winners:

Audience Award - Narrative Feature WOLFWALKERS (DIR Tomm Moore, Ross Stewart)
Audience Award - Documentary Feature 76 DAYS (DIR Hao Wu, Weixi Chen, Anonymous)
Audience Award - Short Film LONELY BLUE NIGHT (DIR Johnson Cheng)
Grand Jury Prize – Animation TIGER AND OX (호랑이와 소) (DIR Seunghee Kim)
Grand Jury Prize – Live Action PILLARS (DIR Haley Elizabeth Anderson)
Special Mention - BLACK GOAT (DIR Yi Tang)
Special Mention  MAALBEEK (DIR Ismaël Joffroy Chandoutis)
Special Mention UMBILICAL (DIR Danski Tang)

I personally had the chance to screen 17 films, which represent a third of the features shown. I also saw 6 of the other films at Sundance, but it hardly seems fair to include some of my favorites, like Nine Days and Farewell Amor, in this piece since I already cited them in my Sundance wrap. Without further ado, I submit my choices for the best of this year’s AFI Fest...

Abe’s 'Jury-of-One' Top Five AFI Fest 2020 Films 

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AFI Fest: Notturno

By Abe Friedtanzer

Italian documentarian Gianfranco Rosi’s last film, Fire at Sea, was released right around the time of the 2016 election. The Oscar-nominated film was a poignant and timely look at the implications of severely restricted immigration worldwide. Unlike popular recent documentaries like American Factory and Free Solo, Rosi’s work didn’t feature much dialogue or even a formed argument of any kind. Instead, plainly documenting what was happening was powerful enough to speak on its own. Rosi’s follow-up, Notturno, has a different focus but is much the same… 

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AFI Fest: I’m Your Woman

 By Abe Friedtanzer

Career-defining roles are a blessing but one with a downside. Audiences can have trouble separating actors from those parts in subsequent projects. Rachel Brosnahan is a great example of this, taking off as the title character in The Marvelous Mrs. Maisel when it premiered in 2017. Even her CIA agent character in a Sundance selection from this past year, Ironbark, now titled The Courier, felt like she could easily have been a comedienne who decided to go into espionage later in life. Fortunately, the opening night film of this year’s AFI Fest, I’m Your Woman, indicates that Brosnahan may be indeed be branching out and trying something different…

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AFI: Riz Ahmed in "Sound of Metal"

by Eurocheese

When putting together my list of films to catch at the festival, I threw this film in because I’d heard that it had an incredible sound design. Nobody told me that Riz Ahmed gives one of the best leading male performances that we’ve seen in years. Nobody told me that this passion project would have me emotionally on edge from start to finish, or that I’d leave feeling that it was unlike any film I’d seen before. The fact that the sound design buzz on the sound design proved true was the delicious cherry on top.

Ahmed plays Ruben, a drummer in a rock band, and the movie kicks off immersing us in one of his performances...

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AFI Fest: (Second Opinion) "Nine Days"

AFI FEST (Virtual) Presented by Audi runs October 15th-22nd.

by Abe Friedtanzer 

The meaning of life is something many have sought to define over the course of history. One of the central problems with making an argument for what life means is that it’s only possible to observe it while living. It would theoretically be easier to appreciate what life offers in some sort of separate space or place. That’s part of the premise of Nine Days, which made its world premiere back in January at Sundance and is now screening at AFI Fest.

Will (Winston Duke) is a man who was once alive. Now, he sits in a house surrounded by nothing in a desert watching old-fashioned TV screens and rewinding VHS tapes. He is watching people’s lives, apparently recorded from their perspectives...

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