[Editor's Note: I told you we'd have two correspondents in Venice this year. Doubleplusgood. You've already heard from Ferdi from Italy. Now we have Manolis from Greece. We're very happy to have them both covering the fest this year. Show them comment love. -Nathaniel R.]
Hello Film Experience fans. I’ve been a reader myself for many years and i am happy that this year i have the chance to cover the festival for Nathaniel and for the Greek site
Cinema News. English is not my native language but I hope you'll enjoy my coverage.
DAY 1: Venice at this time of the year is at its finest and busiest. The festival is of course the main attraction but there are many unaware tourists that are wondering what all these people with the badges around their necks are here for. The event of the day was the opening ceremony of the Festival with the premiere of George Clooney’s The Ides of March. Even though The Ides of March is a political film the atmosphere at the press conference was not heavy at all. Most of the questions were aimed at George Clooney who once more ‘played’ the room as he answered questions with wit and humor. What else could he do when the questions varied from "Is this movie a comment about Dominique Strauss Kahn?" to "Have you ever thought of running for president?". He also joked about the amount of research he did for his character in Ocean’s 11 -- "I spent years researching for this role in Las Vegas" -- and he joked that the right side of the movie's poster was better looking than the left.
Which side do you prefer?He also said that Gosling was his first choice for the role and that the production of the film was postponed because after Barack Obama’s win everybody was very hopeful about the future of polictics in the U.S. and the timing wasn’t right for it.
Of Day One's three other press conferences, the most compelling was the Jury of the Competition Section. This year's president Darren Aronofsky and his jury members were here to discuss how they will pick their winners. Todd Haynes got the most interesting question when asked how partial he could be in judging Kate Winslet’s performance in Carnage so soon after working with her in Mildred Pierce (which is also showing at the festival).
He answered politely and predictably and persuaded nobody.
I am happy to say that The Ides of March is a very good film, directed with passion and care for detail. However it's the kind of film that everyone likes and respects but nobody is really passionate about. Ryan Gosling is excellent in the lead role and has the audience on his side even when he makes the wrong decisions; he could very well be nominated. One of the difficult things to judge is whether the supporting players will feature in the Oscar race. I would say that Clooney has the best chance in the Supporting Actor category, as he portrays a charismatic character (not an acting stretch, I know) that has faults and is vulnerable. Paul Giamatti and Phillip Seymour Hoffman are marvelous actors but they don’t do anything we haven’t seen them do before. (Giamatti and Marisa Tomei are in very little of the movie.) Evan Rachel Wood on the other hand has an important role and a lot of screen time and has a good shot at a nomination. If I had to pick the surest nomination that would be in the Adapted Screenplay category since the dialogue is excellent and the the scipt (Written by Clooney and his creative partner Grant Henslov) is the strongest element of the movie.
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Sunday, February 3, 2013 at 12:06PM 
When Best Picture locks up each year -- which usually happens sooner than February 2nd so we should count our blessings that this year had more drama! -- the best thing that one can do is find a way to make peace with it. I've followed the Oscars long enough to know that when your absolute favorite in a category wins you should feel rapturous but treat it like its as rare as Brigadoon since you might never see it's like again. The trick to staying sane (not that I've actually mastered this, mind you) is to enjoy the annual awards festivities without caring about the winners so much as the journey to crown them. In its better moments the awards season circus provides plenty of entertainment, delectable star-gazing, and even the occasional conversational or critical insight into what makes particularly movies great or what makes people love particular movies despite their unfortunate lack of greatness.
