Interview: Bao Nguyen on "Be Water" and the cultural resonance of Bruce Lee

by Nathaniel R

Bao Nguyen's Be Water premiered on ESPN this past summer and has touched a lot of people since then. It's a lovely meditation on Bruce Lee's life, his relationships to both the East and the West, and the meaning of his legacy and activism. Be Water is one of 238 films eligible for the Oscar this year in Best Documentary Feature. We were thrilled to sit down with Bao Nguyen, over Zoom of course, to discuss his picture and the man and myth that is Bruce Lee.

Be Water was five years in the making, though things sped up considerably once ESPN signed on two years or so ago. Originally Be Water was supposed to come out around Bruce Lee's 80th birthday this past November but demand was so great for new movies during quarantine that the release was moved up to June. Nyugen, had a strange year (didn't we all!) but one recurring joy was hearing from and seeing photos of multigenerational families watching the film together. He describes the film as "connective tissue" and the parents and kids and grandparents could then discuss what Bruce Lee meant to them...

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"Gold List" Outstanding Asian and Pacific Islander (API) achievements

by Nathaniel R

Despite all the amazing advances in diversity in film over the past few years one group that remains extremely underrepresented in American cinema is people of Asian descent. Even when an Asian-centered film breaks through to major success, awards are compartmentalized. You've probably noticed that even if said film wins Best Picture (Parasite, Slumdog Millionaire, The Last Emperor) no actors are nominated in the acting categories. Only three actors of Asian descent have ever won Oscars: Miyoshi Umeki for Sayonara (1957), Ben Kingsley for Gandhi (1982), and Dr Haing S Ngor for The Killing Fields (1984). We hope Parasite's Oscar win at the start of 2020 was a fine omen of changes to come considering that the year that followed was actually a strong one for Asians in movies.

CAPE (Coalitions of Asian Pacifics in Entertainment) and Gold House have teamed up for a first, we hope annual, group of awards called the "Gold List" honoring Asian Achievements in (mostly) English language cinema. Please note that is not a critics group, but an industry-group (creatives, executives, and "other entertainment leaders"). Their list of ten categories (with two winners in each) is after the jump... 

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