My Fair Linky

The Poison Pen on the shifting gaze of cinema, objectifying men and, specifically, Gene Kelly's ass
Stale Popcorn Nicole Kidman goes totally 'My Fair Lady' for the races in Australia
The Advocate another gay role for Benedict Cumberbatch. He'll play the "fifth Beatle"  Brian Epstein in a new biopic
Movie City News David Poland talks to Sally Field for Lincoln 

Vulture considers the Looper effect. New time travel films are coming, one from Leonardo DiCaprio's company
Movie|Line talks to the LEOgend. She's in everything lately including Flight. 
/Film Paul Thomas Anderson screens 20 extra minutes of The Master, to be included on the DVD release 
Guardian Skyfall is breaking records well before its US box office debut 
Empire a look at Ben Kingsley as The Mandarin in Iron Man 3 
Cinema Blend Maggie Smith's recent health scare was, very thankfully, much exaggerated by rumors. But there's still no word on whether she'll return to Downton Abbey for a fourth season.

Finally, have you seen Elizabeth Olsen on the set of Oldboy? She's giving you Maggie Gyllenhaal realness.

Right? I also love that she's standing by a Catering and Extras sign. As if.

Thirteen Links About Eleven Things

Antagony & Ecstasy remembers Whit Stilllman's great comedy Metropolitan (1990)
Monkey See Kevin Kline and a puppy because... well... Kevin Kline and a puppy!
Empire Ben Kingsley will provide the mustache twirling for Iron Man 3
Telegraph Tim Robey sees an expo reel from Ridley Scott's Prometheus 
MNPP who wore it best? 'cubist memory disintegration' with Colin Farrel & Jake Gyllenhaal

Movie|Line sums up all the "will Gary Ross direct The Hunger Games sequel Catching Fire?" serialized drama that's been syndicated all over the internet. I've ignored it until this recap because who has time for meaningless speculation that reverses itself each day?
World of Wonder "The Hunger GAYmes"
Coming Soon Woody Harrelson joining the cast of Out of the Furnace (the new film from Crazy Heart director Scott Cooper) as the villain
Cinema Blend still more Woody news. He's signed on for a cable series with his BFF Matthew McConaughey that sounds like a prestigey version of Cold Case. Why? His film career is going so well at the moment... stranger still is that Cary Fukunaga who has directed two terrific movies (Sin Nombre and Jane Eyre) and needs to keep stoking the early fires of his screen career has signed on to direct it.

The Mary Sue Tim Burton may be lining up another stop motion movie Night of the Living
24 Frames no full frontal this time for Jason Segel in Five Year Engagement
Flavorwire has an interesting list of the best platonic boy/girl friendships on tv. It is an underexplored realm.
Playbill Margaret obsessives take note. Kenneth Lonergan's next play "Medieval Play" opens in May. It's a story of two French knights described thusly.

A story of friendship, love, noble feats of arms, indiscriminate brutality, the progressive refinement of medieval table manners and the general decline of the chivalric ideal at the onset of the Great Papal Schism of 1378.

So in other words he's going to keep shoving as many ideas as possible into his narratives.

Yes, No, Maybe So: Hugo

Robert (author of Distant Relatives) here. If you, like me, have been wondering how the phrases "Martin Scorsese" and "family-friendly holiday season event film" could possibly fit together ever since the announcement of The Invention of Hugo Cabret...

...later shortened to Hugo Cabret, later shortened to Hugo (by the time the film hits theaters in November it may just be H.) the newly released trailer may answer your questions, though not necessarily satisfactorily, and may leave you with all new ones. Let's discuss.

The name Martin Scorsese was, is, and will continue to be the selling point behind this film, at least for cinephiles who consider each new Scorsese film an event. But the trailer here has definitely been cut for the kind of mass audience that doesn't flock to Scorsese in droves. If you're looking for something non-threatening enough for the kids, but well crafted enough for adults, this trailer is targeting you. And in that sense the trailer does have something of an "instant holiday classic" feel to it. Not to mention some possibly impressive production design by Dante Feretti that could get him noticed again after his Shutter Island snub last season.

Yet while the production design appears promising, there's always the possibility that this busy-looking film will be a gold and teal nightmare. The 3D cinematography is rife with things flying at the camera. In this trailer alone we count at least five: Sacha Baron Cohen's hand, a dog, dragon smoke, a key necklace, and Hugo's hand. (So help me if that scene of Hugo going down a big fun slide is accompanied with a POV shot) Barring the title card there's not much here that feels Scorsese. Sure it's off his genre, but even when he does go off genre, Scorsese explores the same general themes and ideas (once calling The Age of Innocence his most violent picture). So even the slightest hint of a Scorsese touch, like the presence of Ray Winstone, was welcome, though I wanted to shout "No Hugo! Don't go with Mr. French!"

So what is Scorsese doing? Pilling up money for his next project? An academic exercise in trying something new?

Actually what he's doing is a family-friendly holiday season event film in exactly the way Scorsese would do it. Scorsese was never going to do fantasy in the mold of something modern. His films always reference back to the classics. Even Shutter Island disappointed many by possessing the obviousness of an old melodramatic Hammer Horror film instead of something that felt new. But that's what he does. Something tells me that what interested Scorsese in this project was the potential to make an homage to Georges Méliès (played by Ben Kingsley) and the films that birthed the fantasy genre. And those films were indeed intentionally artificial and filled with gimmicks.

So maybe we can't fault Scorsese for inconsistency of vision. We may want Scorsese to be modern and inventive. We may want him to wow us with spectacle like Peter Jackson or Christopher Nolan. But that's the fault of our expectation. What Scorsese clearly wants to do is recreate the magic of the old days. Whether or not you end up liking Hugo may depend on whether you appreciate the note on which the trailer ends, a recreation of the Lumiere's brother's L'arrivée d'un train à La Ciotat this time with the train actually pummelling toward the audience... in 3D.