The One-Inch Barrier: The Finale

by Cláudio Alves

After covering 74 years of Best International Film winners, nominees, and other contenders, Juan Carlos Ojano has brought The One-Inch Barrier podcast to an end. The project was a fantastic opportunity to explore world cinema through the prism of Oscar history, though it often went beyond that limit, too. It featured a varied slew of guests that spanned from critics to academics, film students, filmmakers, and even an Academy member. I was lucky enough to appear five times through its course, talking 2001, 1983, 1961, 1954, and, now, this special farewell episode. You can check out our wrap-up conversation in audio format here or click on the video below:

Thank you, Juan Carlos Ojano, for this formidable podcast. Thank you to all the listeners and every world cinema lover out there.

The One Inch Barrier: 'Nights of Cabiria' and 'The Seventh Seal'

by Nathaniel R

While we're sad about the current state of Oscar we still have 93 other years of Oscar history to obsess over. So I'm happy to share that I was invited back for a final appearance on "The One-Inch Barrier". Juan Carlos Ojano's podcast has looked at every Oscar race for Best International Feature Film while moving backward in time. Well almost every. There's still a few episodes to go. For this episode Juan Carlos and I talked about the nominated films of 1957 including The Gates of Paris (France), the noir The Devil Strikes at Night (Germany), the musical melodrama Mother India (India), the WW II survival drama Nine Lives (Norway), and the winning film Federico Fellini's enchanting Nights of Cabiria (Italy).

Ingmar Bergman's influential early classic The Seventh Seal was also submitted for the Oscars that year but the Academy unwisely passed. I have words about that. Hope you enjoy...

A peek at what's playing at the 72nd annual Berlinale

please welcome new contributor John Lynn-Fernandez

M Night Shyamalan, Ryûsuke Hamaguchi, and Connie Nielsen are on the jury

The Berlin Film Festival kicked off last night. It's the second of the "Big Five" film festivals each year (after Sundance, before Cannes). In this preview, some films that stand out as potential highlights of the festival. But, of course, you never know which discoveries or films will emerge as the triumphs until audiences are watching them...

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Oscar Volley: Best International Film is a pundit's nightmare

With less than a week until nominations, Cláudio Alves and Elisa Giudici discuss Best International Feature…

Italy's THE HAND OF GOD

Cláudio Alves: Before we delve into the finalists for Oscar's Best International Feature Film competition, I must comment on the fact that we each come from a record-holding country in this category's history, albeit opposite ends of the success spectrum. As far as victories, Italy (your home) is the all-time champion, having won this prize 14 times. On the other hand, Portugal (mine) is still waiting for its first nomination, being the unnominated country with the most submissions. In fact, we've never even gotten as far as the shortlist stage (cries inconsolably)!

Anyway, since we're on the topic of our countries, I'm interested in knowing whether you think it's safe to predict Paolo Sorrentino's return to the Academy's favour with The Hand of God. I can't say I'm entirely convinced about the picture's merits...

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An exhaustive Italian guide to Paolo Sorrentino’s 'The Hand of God'

by Elisa Giudici

As your Italian correspondent here at The Film Experience, it's my duty to give you an exhaustive guide to our current Oscar finalist. Or, at least, it is my attempt. I am not from Naples and The Hand of God is a movie that's deeply connected to Neapolitan folklore and culture. Let’s start from the beginning though we hope you've already screened the movie on Netflix...

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