The Oscars' real people problem

by Cláudio Alves

I don't know about you, but I'm pretty tired of the biopic domination of the acting Oscar categories. Admittedly, such distaste comes from my general dislike of prestige cinema's biographical genre, but the situation is truly glaring. This year, 45% of the nominated performances are of real people whose lives were dramatized on-screen, exercises in actorly mimicry, and direct emulation. It's not that these achievements aren't impressive or worthy of awards, but that they're over-represented a great deal. Most narrative films aren't dramatizations of actual events or the lives of celebrities no matter how much AMPAS' selection might make us think otherwise. It's a pity that other kinds of character construction tend to be underappreciated while biopic roles become frontrunners before anyone has even seen the movie…

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2020: Essie Davis in "Babyteeth" and "True History of the Kelly Gang"

by Nick Taylor

Been a lot of chatter about this year’s supporting actress race. You can check out the comments section of any given post on this site over the past year and probably find this category poking its head into an entirely unrelated conversation. Can’t imagine why! To give a quick word on the race, I think this is a remarkably strong lineup, boasting five incredibly talented women who tangibly elevate their films. The sheer number of contenders popping up at other ceremonies makes these nominations feel truly earned - no one coasted to their slot, and the variations of genre, roles, career trajectory, and screen time are delightfully eclectic. A film or two may be sketchy, but the work isn’t, and every one of those actresses would make a fine winner. 

As per the tradition of my companion pieces to the Supporting Actress Smackdown (coming in a week!), I’ve decided to bypass anyone with visible buzz in favor of an actress whose work I loved and wish had gotten more attention than it did. This category‘s already had plenty of airtime lately, so I’m sticking to just one write-up. Luckily, my favorite supporting actress of the year gave two performances worth talking about...

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A virtual Youn Yuh-Jung retrospective

by Nathaniel R

If you're done catching up with the Oscar nominated films, here's a edifying diversion for you. Film at Lincoln Center is doing a mini 5 film Youn Yuh-jung celebration for her Oscar run in Minari. Unfortunately the series only looks at her work as a revered senior citizen actress, but it's still worth noting. Films are $12 to stream (except Minari which is $19.99) or $32 for a bundle of four...

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On the SAG winners: History making but will they prove Oscar & Emmy influential?

by Nathaniel R

Riz Ahmed was one of handful of stars hat operated as inadvertent hosts by having bits of an interview spliced in all throughout the show about their careers and such.

We watched the SAG awards last night with a mix of fascination and relief. Fascination at the winners chosen and relief that the ceremony accepted that it couldn't be a normal one and therefore became merely a swift presentation of wins with acceptance speeches on Zoom. Aside from swift "bits" where famous actors talked about their headshots or the "special skills" on their resumes, it was all just actors talking about the nominated actors and then the winners beaming from their homes on Zoom. It ran just a single hour long...

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What's the worst case of "category fraud"?

by Cláudio Alves

Some people don't care about "category fraud" and that's understandable. I'm a big proponent of just being happy that great artists are honored, ignoring the categorization of their work, especially when it's all so subjective. However, when it comes to the Oscar acting prizes, it does feel wrong that awards specifically created to honor character actors are now regularly dominated by stars in leading roles. Instead of opening avenues to highlight those performers with less narratively-prominent parts, the Supporting categories have become a way for leading actors that couldn't crack the leading prizes to still win gold. This game of fraudulent campaigning may have just hit its apex with this year's slew of Best "Supporting" Actor and Actress nominees.

To organize my thoughts and hopefully make the arguments clearer, here's a ranking of the "category fraud" cases of the year from least to most egregious. This is all subjective, though I'd side-eye anyone who tried to argue for the legitimacy of that top choice... 

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