Winona Ryder @ 50: "The Age of Innocence"

by Cláudio Alves

It didn't take long for Winona Ryder to capture the Academy's attention. In 1990, Mermaids marked the young actress' first brush with awards buzz, and, three years later, The Age of Innocence cashed in on that promise. For playing May Welland, the fiancée, then wife, of Daniel Day-Lewis' Newland Archer, Winona Ryder was nominated for the Best Supporting Actress Oscar and probably came quite close to winning. She won the Golden Globe and Anna Paquin's win at the Oscars for The Piano was considered a surprise at the time. And yet, reading reviews from the time and even modern considerations, it's clear that Ryder's performance isn't as universally beloved as her victories might imply. Indeed, it's divisive work…

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"Passing" and "The Lost Daughter" lead Gotham Awards nominations

by Nathaniel R

It was a good year for forthcoming Netflix content helmed by actresses turned directors with the juries of the Gotham Awards. Rebecca Hall's artful black and white drama Passing and Maggie Gyllenhaal's artful thorny adaptation of the novel The Lost Daughter led the nominations. They'll hit Netflix on November 10th and December 31st respectively. With both the Gotham Awards and the often slighlty more mainstream Spirit Awards it can be hard to know exactly what is eligible. Usually budgets make all the difference in film (for example Power of the Dog was ineligible) which creates a fuzzymath accounting line between mainstream and 'indie. But how do they decide with television? Did they not like Mare of Easttown (which scored zero nominations) or was it just not eligible though its chief Emmy rival The Queens Gambit obviously was since Anya Taylor Joy was nominated. 

Nominations and commentary are after the jump...

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Oscar Chart Updates - All Acting Categories

by Nathaniel R

I'm just back from the Middleburg Film Festival, which we'll tell you more about soon, so I've mostly caught up with the Oscar hopefuls that have screened to date. The only true mysteries for us Oscar pundits now, other than how precursors will react, is the films that haven't screened very much or at all: West Side Story, Nightmare Alley, Licorice Pizza, Being The Ricardos, House of Gucci, and Don't Look Up. So let the revised punditry commence. The links go to the charts...

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Almost There: Ann Dowd in "Compliance"

by Cláudio Alves

Here, at The Film Experience, there's a lot of love for Ann Dowd. The actress has been celebrated numerous times, interviewed, and she even took over the blog for a day in 2015. With Fran Kranz's Mass in theaters, Dowd may finally be poised to receive her first Oscar nomination after decades doing superb work on stage and on screens of all sizes. For years, despite the consistent quality of her performances, Dowd went unrecognized. In 2012, however, it all changed when Craig Zobel's Compliance generated widespread critical acclaim for the thespian, inspiring her to start a self-funded awards campaign. Making formidable use of this career momentum, Dowd quickly became a recognizable character actress powerhouse and an Emmy winner. Even so, all these years later, Compliance remains one of her greatest achievements…

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Smackdown '37: Bossy Women and Fragile Wrecks

Welcome back to the Supporting Actress Smackdown. Each month we pick an Oscar vintage to explore through the lens of actressing at the edges. This episode takes us back to 1937, which was only the second year of the category. 

THE NOMINEES  It was only the second year of the Supporting Actress category yet the tropes and shortlist makeup were already falling into place. Oscar voters went with a mix of industry veterans (Alice Brady the first consecutive nominee in this category), stage stars transferring to film (Dame May Whitty), fresh faces (Anne Shirley), and rising talent (Andrea Leeds, Claire Trevor) to play an array of familiar types: the martyr mom, the tetchy elder, the sad / confused daughter, the insecure actress, and the complicated hooker...

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