Regina King @ 50: Stealing the spotlight in "Ray"

by Cláudio Alves

Despite having leading roles in her resume and a just-released directorial effort, it feels appropriate that this weekend's birthday-girl Regina King's Oscar is for Best Supporting Actress. From the very start of her career, she's been a consummate scene-stealer, adding energy and blinding charisma to the margins of her productions. One remembers the actress' superb comedic debut in Boyz n the Hood, the unimprovable hilarity of Jerry Maguire, the two awards-winning turning points in her career, TV's American Crime and the big screen's If Beale Street Could Talk. Still, it's hard not to wish that her big break had come sooner since the quality has always been there. In other words, how in the hell did King get next to no awards buzz for her captivating performance in Best Picture-nominee Ray?...

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The 25 Oldest Nominees of All Time in Best Supporting Actress

by Nathaniel R

Since Claudio was just discussing Ellen Burstyn's estimable Oscar history and the fact that she'd become the oldest acting nominee of all time (in any of the four categories) if the Academy picks her for Pieces of a Woman, we figured it was time for an Oscar list. (Cue talkback: when isn't it time for an Oscar list, Nathaniel?)

Which older women has Oscar gazed at fondly in the Supporting Actress category? Supporting (for both men and women) typically skews older than Lead since Hollywood prefers midtwenties to mid fortysomethings for protagonists. Herewith the women who broke through the wall of ingenues, girlfriends, wives, and mothers, to score Oscar nominations in Best Supporting Actress category later in life... 

25 OLDEST NOMINEES IN BEST SUPPORTING ACTRESS 

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Ellen Burstyn's Oscar history

by Cláudio Alves

At 88 years of age, Ellen Burstyn is back on the hunt for gold and she might just become the oldest acting Oscar nominee of all-time for her work in Kornél Mundruczó's Pieces of a Woman. (The record is currently held by Christopher Plummer in All the Money in the World, who had just turned 88 at the time but Burstyn would be just a bit older). Burstyn's film, now streaming on Netflix, concerns Vanessa Kirby's Martha, a woman dealing with the unimaginable pain of having lost her newborn daughter. Burstyn plays the protagonist's mother, a severe matriarch whose disapproval of her daughter's life choices is an incandescent force, blinding in its intensity.

The actress breathes life into this supporting role, illuminating the brittleness, the scars of past woes, and the terror brought upon by the first signs of dementia. It's a showy performance, complete with an Oscar clip-ready monologue that unspools from Burstyn like a torrent of misdirected fervor. As we ponder if AMPAS will grace the thespian with another honor, let's look at her record with the Academy. Ellen Burstyn has been nominated six times and won once… 

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Review: Vanessa Kirby is a tour de force in "Pieces of a Woman"

by Matt St Clair

British thespian Vanessa Kirby has been on a steady rise, having earned an Emmy nomination for playing Princess Margaret on The Crown while kicking action ass in both Mission Impossible: Fallout and Hobbs & Shaw. With Pieces of a Woman, Kirby is finally given a project where she takes center stage and she emerges as the shining star of a picture that’s drenched in darkness due to its distressing subject matter.

The first major sequence in Pieces of a Woman involving Martha's (Kirby) home birth will be a deal-breaker for some viewers...

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Oscar Chart Updates: Are the critical leaders in "Supporting" Oscar bound or not?

by Nathaniel R

Is there a stranger 'big eight' Oscar category situation this year than the Supporting categories? Both of them appear to have a weird dearth of mainstream contenders. Meanwhile the critics awards or "precursors" have (thus far) been laser-focused on upping the Oscar viability of just two (or three if we're being generous) arguably non-traditional options in those categories: Maria Bakalova's comic improv genius in Borat Subsequent Moviefilm, Paul Raci's weary mentor in the hard-edged indie Sound of Metal, and Youn Yuh-Jung's spirited grandmother in Minari. 

Which brings up the natural but loaded question of what part critics do or don't / should or shouldn't play in the televised awards races. There are no doubt complicated reasons why critics all across the nation vote so uniformly in some years but we'd argue that it's never from a lack of good options as hundreds of movies starring plentiful gifted actors come out each year...

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