FYC: Tiffany Haddish for "Girls Trip"

by Chris Feil

Tonight Tiffany Haddish will be hosting Saturday Night Live in what some are hoping will be the beginning of a Best Supporting Actress campaign for her breakthrough role in Girls Trip. While it’s been unclear if the studio would be campaigning her, Haddish deserves the kind of groundswell effort that makes awards groups take notice.

How likely are her chances? Melissa McCarthy’s Bridesmaids nomination has been the obvious comparison, at least in terms of recent Oscar history - summer hit, female ensemble comedy, a presumptive “unlikely” narrative. But in her performance I see much more than that. To this viewer, she recalls the hilariously warped pathos of Madeline Kahn, the lovability of Octavia Spencer, and the imposing confidence of Rita Moreno. That’s high praise for sure, but gets at the full spectrum of her work that I’d wager hasn’t been fully explored...

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Emmy FYC: Judith Light, "Transparent"

by Chris Feil

Most of the awards talk over Transparent’s three seasons has orbited around Jeffrey Tambor’s genius work at its center. This past season was its best acted among the entire ensemble, with emotionally raw complexity from Jay Duplass and Amy Landecker that also deserves Emmy’s attention. But the most rewarding powerhouse performance this time was Judith Light as fraught matriarch Shelly. Many months ago, she became my favorite performance of the TV year and remained so ever since.

The third season brought Shelly closer to the forefront, detailing further the abuse she suffered as a child and her quickly developing romance with the increasingly suspect Buzzy (Richard Masur). When Buzzy’s manipulations come to light and her family continually shrugs off her abrasive attempts at connection, we see not only her mounting disappointments but a growing ability to stand on her own two feet. It’s how Light makes her knees wobble as she does so that makes the season arc so moving. She's a brand!

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