Best Supporting Actress 1938: Getting to know the nominees

by Cláudio Alves

The Supporting Actress Smackdown of 1938 is approaching. Unlike more recent years, when the nominees are well-known personalities to all of us, it's understandable that contemporary audiences might not be too familiar with these actresses from the 30s. Considering that, here's a little primer on each of the five women, their careers, their filmographies, and their legacies. They make up an exceedingly impressive lineup that includes Broadway stars, an opera sensation, and some of the most reliable character actresses of Hollywood's Golden Age…

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We're puzzled by the Dear Evan Hansen casting...

by Nathaniel R

They could play sisters!

Have you heard the news that Julianne Moore will be play Heidi, the awards-ready role of Evan Hansen's stressed out single mom in the feature adaptation of Dear Evan Hansen? Normally we'd applaud our beloved Julianne getting a juicy part but we find this puzzling given her lack of musical experience. You see there are two mom characters in the melodramatic high school set musical, Heidi and Cynthia, whose children become entangled. The show opens with a duet between them "Anybody Have a Map?" but Cynthia's role recedes thereafter and she never gets a solo while Heidi gets the 11th hour showstopper "So Big / So Small".

Here's the weird part...

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Emmy Review: Supporting Actress in a Drama

By Abe Friedtanzer

The nominations in this category were mostly expected save for the snub, once again, of Rhea Seehorn from Better Call Saul. Julia Garner, Thandie Newton, Samira Wiley, and Laura Dern have all won Emmys for these roles but only Newton and Wiley have ever competed against each other (and both lost). There’s no clear frontrunner but a handful of possibilities who could win here in a category that features a lot of very strong choices.  

I’ll try to avoid major plot details in my analysis – but if you’d like more spoiler-filled descriptions, click on the episode titles. Let’s consider each nominee…

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Smackdown '05: Amy, Catherine, Frances, Michelle, and Rachel Weisz

The Supporting Actress Smackdown series picks an Oscar vintage -- 2005 this time -- and explores. 

THE NOMINEES 
A pregnant meercat obsessive, a gaslit housewife, a reckless activist, a tough union rep, and the perceptive companion to a famous writer.  For the Best Supporting Actress slate of 2005, the Academy went with two then fresh faces (Amy Adams in Junebug, Michelle Williams in Brokeback Mountain), and one mid-career actress stepping up her game (Rachel Weisz in The Constant Gardener). They filled out the remainder of the field with familiar players, an Oscar regular (Frances McDormand in North Country) and a previous nominee (Catherine Keener in Capote)

THE PANEL  
Here to discuss these actresses and films of 2005 are from left to right: cinephile and actress obsessive Ali Benzekri, Los Angeles Times' Justin Chang, Awards Daily's Joey Moser, the actress Kerry O'Malley (Snowpiercer, Boardwalk Empire, Strange Angel) and your host at the The Film Experience, Nathaniel R. Let's begin...

2005
SUPPORTING ACTRESS SMACKDOWN + PODCAST  
The companion podcast can be downloaded at the bottom of this article or by visiting the iTunes page...

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Shelley Winters @ 100: A Patch of Blue (1965)

We're celebrating the centennial of Shelley Winters. Here's Nathaniel...

Int. Nathaniel's apartment. Two best friends are bored, realizing it's another "exciting" COVID summer night of what will we eat for dinner / watch on TV?. Nathaniel presents a few movie options (inevitably related to whatever TFE projects are in development). His friend's choice surprises him, "I think I'm really in a Shelley Winters mood." Nathaniel wonders for a split-second what a 'Winters mood' is before realizing he already knows... and approves! Up goes the movie and within seconds they glance at each other. "Shelley is going hard!" Nathaniel proclaims, half-stunned. He really shouldn't be. Going hard is, after all, a Winters mood and specialty.

Still and all, performances that begin at the pitch the Oscar winner risks for her introductory scene in A Patch of Blue rarely have anywhere go to thereafter...

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