Drag Race RuCap: “Ross Matthews vs The Ducks”

Jewels wasn't the only one yawning through this acting challenge.

CLÁUDIO ALVES: After last week’s shitshow of an episode, the follow-up would necessarily feel like something of a disappointment. Don’t get me wrong - it’s a fine hour of reality TV, but not especially exciting in terms of drama, nor spectacular as far as the queen’s performances are concerned. It culminated in some dubious judging and a tragic elimination, fair as it might have been. Oh well, not every episode can be a winner. Overall, I’m still liking this season, in no small part, because of the contestants. It’s been a while since we had such dynamic characters on Drag Race, messy and rough around the edges, not untalented but generally unpolished. Well, most of them. If you call Samantha Star unpolished, she might just kill you.

NICK TAYLOR: It’s a genuinely great cast, and you can tell because they bring real personal stakes to such a mediocre acting challenge. And the elimination order is still surprising enough I don’t feel totally comfortable predicting a top four. We haven’t had a shocker of a frontrunner going home like Plasma last year, but neither has anyone been as generously over-protected despite some patent limitations as Q was. No one feels like they’ve snuck through the competition to make it this far, and give or take some bold judging, the track records for our seven queens (now six) feel fair to me...

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Doc Corner: 'Truman & Tennessee: An Intimate Conversation'

By Glenn Dunks

I think it is fair to say that Lisa Immordino Vreeland has a preoccupation with the upper class. Beginning with her feature debut in 2011—Diana Vreeland: The Eye Has to Travel about the famed French-American fashion editor (also her own grandmother-in-law)—and on through other titles about more mid-century well-to-dos, Vreeland has carved a niche out of documentary portraits that tend to coast on the infamy of the rich and famous. I have enjoyed some (2017’s Love, Cecil) more than others (2015’s Peggy Guggenheim: Art Addict).

Her latest is Truman & Tennessee: An Intimate Conversation, which finds Vreeland more or less still pre-occupied with high society. A slick twist to the structural formula casts Jim Parsons and Zachary Quinto as unseen mouthpieces for the words of Truman Capote and Tennessee Williams...

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Smackdown '05: Amy, Catherine, Frances, Michelle, and Rachel Weisz

The Supporting Actress Smackdown series picks an Oscar vintage -- 2005 this time -- and explores. 

THE NOMINEES 
A pregnant meercat obsessive, a gaslit housewife, a reckless activist, a tough union rep, and the perceptive companion to a famous writer.  For the Best Supporting Actress slate of 2005, the Academy went with two then fresh faces (Amy Adams in Junebug, Michelle Williams in Brokeback Mountain), and one mid-career actress stepping up her game (Rachel Weisz in The Constant Gardener). They filled out the remainder of the field with familiar players, an Oscar regular (Frances McDormand in North Country) and a previous nominee (Catherine Keener in Capote)

THE PANEL  
Here to discuss these actresses and films of 2005 are from left to right: cinephile and actress obsessive Ali Benzekri, Los Angeles Times' Justin Chang, Awards Daily's Joey Moser, the actress Kerry O'Malley (Snowpiercer, Boardwalk Empire, Strange Angel) and your host at the The Film Experience, Nathaniel R. Let's begin...

2005
SUPPORTING ACTRESS SMACKDOWN + PODCAST  
The companion podcast can be downloaded at the bottom of this article or by visiting the iTunes page...

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Vintage '05

The Supporting Actress Smackdown of 2005 is just a week away so get your votes in! Before we get there it's time for more context of that year in showbiz history. Ready? 

Great Big Box Office Hits:
Franchises of multiple kinds dominated the box office with Harry Potter 4, Star Wars Episode 3, and the launches of Chronicles of Narnia and Chris Nolan's Batman trilogy as half of the top ten list that year. Other huge hits were the romantic comedy Hitch, the Brangelina pairing of Mr & Mrs Smith, the remakes Charlie and the Chocolate Factory, War of the Worlds, and King Kong, and the comedies Wedding Crashers and Meet the Fockers.

Oscar's Best Picture Nominees: 
In the mid-Aughts the Oscars were veering away from big hits in their Best Picture lineups (to eventually rule-changing results) but Brokeback Mountain was the most successful of the lot with $178 million globally...

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The New Classics: Capote

Michael Cusumano here to celebrate a film that is so much more than just another "based on a true story" prestige pic. I have noticed that Bennett Miller’s Capote is often shoved into the biopic genre in a way that diminishes the film’s achievements. 

Lesser biopics bask in the glow of reflected importance coming off their subjects. Significance through osmosis. They value the flush of recognition over insight, and the accumulation of incident over meaning. Capote on the other hand is crafted with a stark, unwavering discipline. It has more in common with a portrait of artistic self-destruction like Black Swan than with Walk Hard inspirations like Ray...

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