Contest Winner: "I Know Where I'm Going"

Eeep! I forgot to announce the contest winners for this new Katharine Hepburn "I Know Where I'm Going" bio from Charlotte Chandler. I asked participants to name their favorite performance from "Kate the Great" and I just now pulled the winners randomly from those contest entries.

Which Hepburn performances are favored by our three winners? Read on!

Annie in New York. She writes...

My favorite Katharine Hepburn performance is in Bringing Up Baby (1938). Reasons: The improvised line, "I was born on the side of a hill" when the heel on her shoe broke; the glorious close-up of her smiling face that brings the film to a complete halt just to luxuriate in it; "Did we get to the other side?".  It's her full commitment to every aspect of the funniest movie ever made that makes this my favorite Hepburn performance.

Seisgrados in Spain. He writes...

Leonor of Aquitania in The Lion in Winter (1968). Her character is talked about like a bigger than life figure, strong, conniving, powerful, long before she enters the movie.



It's so hard for an actor to live up to those expectations in any film but when Hepburn shows up in this, she manages to be all that. An irresistible force.

Kimberly in Massachussetts. She writes..

Growing up Katharine Hepburn was the first real "actress" I knew of save my fathers obsession with Vivien Leigh (and all things Gone With The Wind). Living in New England she's considered a treasure. I could easily rattle off a specific reason, scene, or line that make each of these performances my favorite: Stage Door - I long to have a real life dialogue where I can use a few of the gems her and Ginger Rogers spout at one another; Bringing Up Baby for the early scene in the restaurant when her dress is ripped; The Philadephia Story drunk in Jimmy Stewarts arms...

But, my favorite would be in Desk Set (1957). Besides being the most often quoted film between my father & I, the performances are pitch perfect. It makes me sad that so many people haven't seen this film. As a woman this film has always stood out to me because Bunny Watson never tried to dumb herself down for Richard Sumner - he came to love her because she was smart. Hepburn also plays off of Joan Blondell in a fantastic way - Kate was rarely given girlfriends in her films - she was tough and always sparred with the boys, so it's fantastic to see her be a girls girl. This is one of my all time favorite films and I watch it every single time it's on. 

Congratulations to the winners! Your books will be in the mail soon.

Was your favorite Hepburn performance duly noted?

Pssst. Mine is Bringing Up Baby with Alice Adams as runner up but I am far from a completist.

Reader Spotlight: K.M. Soehnlein

Are you still enjoying the reader spotlights? I hope you've found a few kindred spirits in the featured readers thus far. Today, I'm talking to K.M. Soehnlein in San Francisco who is a longtime reader and also a novelist. Discovering that novelists read you is a bit humbling. Anyway... let's talk!

Nathaniel: So... earlier this year you received the Warren Beatty book "STAR" from a Film Experience contest. What's your favorite nugget so far?
K.M. SOEHNLEIN: There’s a nugget on every page of “Star,” if by nugget you mean hot steamy chunk of gossip: “He made love to [Joan] Collins relentlessly, although every now and then he would accept calls while he was inside her.” In the Introduction to the book, Peter Biskind, the author, says he’s interested in Beatty as “one of the foremost filmmakers of his generation…at the intersection between politics and culture.” But he also talks about how difficult Beatty was to get interviews with, and you start to suspect, as the negative characterizations of Beatty pile up, that maybe Biskind is enacting some kind of revenge on his “star.”

But! There are absolutely page-turning stories about film production. I just finished reading the chapter on Bonnie and Clyde. I had no idea it was so difficult to get this film or that it was the vehicle that saved Beatty from a string of flops that would have sunk his career before he was 30.
 
You've written books yourselves and graciously sent me two. I'm really enjoying "The World of Normal Boys" and especially love the movie references, duh! How autobiographical are they?

Soehnlein's book references three huge musicals of its era

I’m glad you like the book! The scenes in my novel are mostly fictional – I never went to a drive-in to see Saturday Night Fever with the sexy older boy next door – but the music, the setting, the flavor of the times, that’s all from experience. Yeah, I’m a child of the 70s which meant we had one “stereo system” in the house. My parents had lots of soundtrack albums, so that was the first music I listened to as a kid: The King and I, Funny Girl, Godspell (we were Catholic), and the one I got completely obsessed about, West Side Story. I had every lyric memorized before I'd ever see these movies. I don’t think I could overstate the phenomenon of Grease when it came out in 1978. Kids were OBSESSED with it. I used to walk around with the girls in my neighborhood playing the soundtrack on portable cassette player, acting like the Pink Ladies.
 
Your three favorite actresses. Go.
Old school: Natalie Wood would be my first answer but that’s not because she was the best actress – in fact she’s often pretty terrible – but just because of my West Side Story obsession. When she cries those tears of injustice at the end of the film – “How many bullets left in this gun? Enough for you, and you, and you?” – I think some kind of tragic template lodged in my blood that has never quite left. Reigning queen: Julianne Moore. It might be a redhead identification thing, but I love her in everything. I especially like her in comedies, from The Big Lebowski to The Kids are All Right, though my favorite performance is in Far From Heaven. Rising star: Give me more Michelle Williams. (Meek’s Cutoff recently opened in San Francisco.)

Take an Oscar away. Give it to someone else.
Only one? Didn’t one of your recent readers get six? OK let’s take away Cate Blanchett’s Oscar for that hammy imitation of Katherine Hepburn in The Aviator and give it to any of the four women she was nominated against: Laura Linney in Kinsey, Virginia Madsen in Sideways, Sophie Okonedo in Hotel Rwanda, or Natalie Portman in Closer. (Maybe if Natalie had won that year we could have seen Michelle Williams win this year… Sorry, wishful thinking.) Just for the record I love me some Cate Blanchett but I’d have given her the statue all the way back for Elizabeth. Sorry, Gwyneth.

Supporting Actress 2004

Name your favorite in each of the following 4 genres: Drama, Horror, High School, Woody Allen.
Drama Something by Mike Leigh, probably Naked or Secrets and Lies. Horror Carrie. High School The Incredibly True Adventures of Two Girls in Love, which was my good friend Maria Maggenti’s debut back in the mid-90s and which I have a huge sweet spot for. (Plus: Dale Dickey in an early role.) Woody Stardust Memories.

They put you in charge of the movies. How do you wield this awesome power?
Well if I can be completely self-interested the first thing I’d do is green-light the film adaptation of The World of Normal Boys which I’ve been trying to get made for ten years.

Then I’d wield my awesome power to dump money on all the filmmakers I love: Mike Leigh, Todd Haynes, John Cameron Mitchell, Kelly Reichardt, Spike Lee, John Waters, etc. etc. etc. I’d put limits on the amount of money any single film could cost. I’d set up some kind of incredibly well-funded National Film Agency, maybe run by a cabinet-level Secretary of the Arts, (how about Meryl Streep?). I’d make sure artists had health care. Socialism. Yes please.

previous spotlights

Sal Mineo and Gay Hollywood

My friend Matthew, who wrote the book Boy Culture (which his blog is named after), recently interviewed the late Sal Mineo's boyfriend Courtney Burr, who is an acting teacher, in connection with a newish book on one of the most important Young Hollywood stars of the 1950s and 60s. The book in question was written by Michael Gregg Michaud. Burr had previously declined requests to help with other Mineo related books because he felt they were just after the sensationalistic aspects of the actor's legend (his sex life or his murder in the 70s -- famously none of the legendary trio from Rebel Without a Cause lived long enough to die of natural causes).

It's a lengthy interview for those of you who are interested in Sal Mineo or the difficulties for "exotic" actors or queer actors in showbiz history. The bit where Burr talks about Sal's career choices and if a comeback would have been in the cards if he hadn't been killed was interesting.

He was a wonderful director, but I think if he’d gotten the roles he wanted, like in The Godfather, which Al Pacino, a young, unknown, up-and-coming actor—it was certainly a role he could’ve played, and he said, "I’m ideal for that!" Midnight Cowboy...he was devasted—they wouldn't even see him. There were other roles he could’ve done and instead they started casting him as drug dealers…that Pancho Villa thing...I don’t mean that against Pancho Villa, but it just was not a great look for him.

He goes on to talk about those all-star epics of the time that faltering stars would appear in for the exposure and money not thinking about how it would damage their career. He likens it to has beens doing Dancing With the Stars today. Heh.

Sometimes Burr is quite honest and revealing. For instance he has a lot of interesting things to say about how Sal viewed himself (he preferred "artist" to "actor" because he also directed and drew and sang) and whether or not he would have come out in the modern era of stardom. He also claims that Sal Mineo's relationship with his Exodus co-star Jill Hayworth was an actually close friendship and sexual relationship though it's sometimes been described elsewhere as one of those infamous Old Hollywood publicity-created "relationships".

Other times the interviewee is frustratingly opaque with his stories. There's a confusing bit about Natalie Wood that makes her sound a bit homophobic though her friendships with gay men, famous and otherwise, are well known and documented. 

Farley Granger, Jane Powell, and Roddy McDowell. Old Hollywood pool party?

Though Burr didn't like the sensationalistic tone of most Sal Mineo books, he's okay with serving it up himself: Roddy McDowall in particular gets verbal smackdowns for being an evil "suburban" closet queen. Roddy is no longer around to defend himself of course but one this is factually certain from the stories: these two men CLEARLY did not get along.

There are also stories about working with Janet Gaynor and Rock Hudson in the interview so if you're interested in Old Hollywood, check it out.

Contest: Win a Katharine Hepburn Bio

My reading habits are very schizophrenic. I won't read anything but blogs for a long time and then suddenly I'm a voracious reader. I blame "What You See in the Dark" which got me back into a fiction mood. I just finished "The World of Normal Boys" today (total page turner) and I may start the newest Katharine Hepburn bio. Who knows. I have so many actress bios that are sitting here unread. As many of you know (and are perplexed by) Hepburn is far from my favorite actress but I am as ever willing to try. 

I can't vouch for the book as I have not read it. Apparently Charlotte Chandler, known for writing bios about deceased celebs, sometimes gets flak for quotes that are contradictory of previous quotes from other biographies, auto and otherwise. But what can you do about celebrity:What life, in the telling, is not a mix of fiction and truth, even if the person doing the telling is the subject!?

Anyway, I have two copies to give away. To enter the contest, email me before Thursday night at filmexperience (at) gmail (dot) com with "Hepburn" as the subject line and include the following.

• your name and address
• your favorite Katharine Hepburn performance and why*

* I might quote you on this last part so be forewarned

"What You See in the Dark" Giveaway

If you don't love Alfred Hitchcock's Psycho, and much to my surprise I heard from two readers who don't at all, this past week has probably been a bit of a "???" on the blog. So much Psycho excitement. And all on account of a book. You know those, right? It's the oddest thing but they're made of paper and they have no moving pictures! 

If you missed my interview with "What You See in the Dark" author  Manuel Muñoz it's here. I had three copies to give away and entrants had to name their favorite thing about Psycho. I drew the winners randomly from the entries.

Congratulations to...

Lindsay in Oregon who loves Psycho because it always scares her.

Dan in Michigan considers himself a musicologist. His favorite thing about Psycho?

I've always obsessed about the meaning of that shot of the Beethoven Eroica Symphony.  That and the resemblance between Herrmann's score and the Shostakovich 8th Quartet.

I do know who Beethoven and Shostakovich are but otherwise I'm lost. I am unschooled in music.

And the third winner Joel in Illinois wrote simply...

REE-REE-REE-REE-REE!

LOL. I hope by 'favorite thing' he meant the score and not the stabbing. God, that score. A lot of people mentioned it actually. Because our "best shot" series is so much about the visuals Wednesday was a rare instance of a lot of Psycho talk that barely ever drifted to that indelible and influential score.