Foreign Oscar Race Begins: Australia, Brazil, Croatia, Cuba, Denmark

Over the next couple of months we'll be hearing the names of the 70ish films that will be competing for Oscar's coveted shortlist as Best Foreign Language Film. So far nine countries have selected their films and other countries have begun the winnowing to get to their top choice.

Our charts are now in progress with posters, info, and links to official sites and such as well as links back to highlights from last year's global class. 

The Companion forces a boxer and a soldier with AIDS to spend lots of time together

Chart 1 Afghanistan to Finland

Denmark and Brazil have narrowed it down to three films each with Brazil's choice already embroiled in a lot of controversy due to political fighting in regards to Aquarius (starring Sonia Braga which hits TIFF & NYFF shortly and which was very well received at Cannes) though I have to admit it's hard to make sense of the turmoil from an outsider's perspective given the Google translate limitations. Thank to Jon in the comments for alerting us to this brewing controversy but if someone can sum it up for us in brief that would be appreciated. But on our first chart we have three official submissions

CUBA - THE COMPANION
Cuba's submission is about a boxer accused of doping who is forced to become a companion to a soldier who has contracted AIDS. Cuba has only been nominated for the LGBT drama Strawberry & Chocolate (1994) in the past but I maintain that Behavior (2014), their most recent submission, would have been a worthy nominee. Here's the new film's trailer with subtitles:

CROATIA - ON THE OTHER SIDE
There is a trailer available but not subtitled. It's about a mother who's kept a secret for a very long time.

AUSTRALIA - TANNA
Australia's entry takes place on a remote island and is performed by the Yakel tribe. This one opens in New York City and Los Angeles in September so cross your fingers that it wins further expansion. Here's the official site and the trailer. Our own Glenn Dunks wrote about it for Paradise magazine. It won two prizes at Venice last year and it looks potentially exciting...

Tanna - Trailer - All parts performed by the people of Yakel from Lightyear Entertainment on Vimeo.

Q&A: I'm Not There. I'm Right Here With My Cat(s)

Your questions a few days back really got me going so you're getting two weeks of Q&As out of them. Here's the first episode with eight questions answered on Hamilton, I'm Not There style biopics, dinner with movie characters and more... 

IBIS: Cast This! The film version of Hamilton

NATHANIEL: Since they'll surely make us wait another 10 years for any movement on the film we'd have to suggest actors we've never heard of who maybe even haven't started acting yet so we can't think on this. I will say though that when everyone was so sad that the original cast was leaving the show I felt like hugging everyone and going "it'll be fine if you see replacements!" because the star of Hamilton is really the musical itself, if you ask me. Yes, the actors were great but it's one of those things that's so perfectly calibrated to be its best self, that the show is really the star. I swear to you. So please enjoy it when it goes on tour somewhere near you.

Plus the wait for a Hamilton movie gives Hollywood time to invest in some actors of color as future stars so that they don't panic when it's time to cast the movie and realize they don't know enough of them to fill this sprawling movie. 

my favorite western RED RIVER (1948)SONJA: What is your least favorite genre?

I try to love all genres since they're all capable of greatness. My answer to this when I was younger would have easily  been "westerns" or "horror" but I've seen enough classics now from each of those genres that I have newfound respect. I guess I will say "war films" in general. Yes, there are great ones... but too often it's just an excuse to indulge in manly violence for manly violence's sake, which is never really a thrill for me.

But if I can extend to television throw out that entire answer and just say "medical procedural". While watching TV the other night I saw a commercial for Chicago Med which I guess is a new show? And I was like REALLY? ANOTHER MEDICAL PROCEDURAL? AND ALSO: ANOTHER MEDICAL PROCEDURAL SET IN CHICAGO WHERE HALF OF THEM HAVE BEEN SET?!?" It actually made me angry. The showbiz community is sometimes just entirely allergic to trying new things... which is strange considering it's a profession which can only exist by harnessing creativity.

RYAN T: Since the Olympics is happening in Rio, do you have a favorite Brazilian film, actor, or filmmaker?

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Red Carpet Lineup: Cannes Best Actress Watch

We'll update the Oscar charts when Cannes wraps up but for now let's talk about the buzziest actresses of the festival. We should note, however, that Cannes juries are notoriously hard to predict and there are still a few competition films left to premiere. What's more, every year people say "this is a shoo in for that!" and it does not come to pass -- especially when it comes to the acting prizes.

But here are five gorgeous and talented actresses at their premieres* who have garnered enough buzz to make us go "hmmmmm"

From left to right...

Sandra Hüller stars in the nearly 3 hour comedy Toni Erdmann about a prank loving father and his overly serious daughter. The film comes from German director Maren Ade who had a critical hit several years back with Everyone Else (2009). Hüller's chief claim to fame is the drama Requiem (2006) for which she won Best Actress in Germany.

Ruth Negga, best known to date for her television work in the UK and in the US, definitely has Oscar buzz for the 50s interracial marriage drama Loving (alongside screen husband Joel Edgerton) but Oscar buzz is only rarely equivalent to Cannes buzz so only the jury knows if this is one of those times. Loving comes to US theaters in November.

Isabelle Huppert stars in Paul Verhoeven's revenge thriller Elle (*which has not yet premiered from my understanding). But ahead of its premiere Sony Pictures Classics picked it up for distribution and word on the performance is hot. That said, until tastemakers truly get a look at it we can't know if that's just PR buzz or something deeper, like another milestone in her legendary career. Huppert has never been Oscar nominated -- she probably frightens the Academy -- but it may surprise you to hear that the equally controversial Verhoeven has, for all intents and purposes. One of his earliest films, Turkish Delight (1973) was nominated for Best Foreign Language Film. Yes, yes, technically that nomination belongs to the Netherlands rather than to Verhoeven himself but we think of it as also belonging to the director since generally speaking the directors are the ones that pick up the statue and say their thank yous. Verhoeven hasn't made a full length feature since his terrific uncomfortably sexy World War II thriller Black Book (2006) so we'll await this with eager eyeballs.

Kristen Stewart starred in the opening night film Café Society (reviewed here) but she's also the lead of the polarizing ghost story of some sort (we're trying not to read reviews) called Personal Shopper. It's been both booed and raved. Will the jury love it or hate it? It's worth noting that her last duet with Assayas (Clouds of Sils Maria) nabbed her the best reviews of her career, multiple awards notices, and the French César. 

the ever gorgeous Sonia Braga

Finally, there's the enduring 65 year old star Sonia Braga who headlines the Brazilian picture Aquarius. It's getting the kind of reviews that leave us salivating, both because of a juicy lead role for this fine actress (who Oscar totally stiffed in 1985 for her prismatic fascinating star turn in Kiss of the Spider Woman), and for the possibility that Brazil could make some headway in the Oscar race. Consider this tweet from our friend Tim Robey:

AQUARIUS: so moving, deepens so intelligently, ends so brilliantly, and has an exact moment when you see Sonia Braga get Oscar-nominated.

— Tim Robey (@trim_obey) May 17, 2016

Brazil hasn't received a foreign language film nomination since Central Station (1998, a category they should have won) and they've yet to win the Oscar. The director of Aquarius, Kleber Medonça Filhou was previously submitted by Brazil for Neighboring Sounds (2013, reviewed).

Do you want to place any bets on the Jury prizes this year?

Interview: The Actress & Director of "The Second Mother," Brazil's Oscar Hopeful

As 2015 winds down, let's turn a spotlight on one of the year's best foreign films, Brazil's Oscar submission The Second Mother. After a successful limited US release in late summer, it's now available to watch on VOD. And watch it you should. The film centers on a housekeeper named Val (a terrific Regina Casé) who is reunited with her estranged teenage daughter after many years apart. The daughter's sudden presence wreaks havoc on the the dynamics of Val's relationship to the family that employs her. It's a rich film with humor, sadness and insight.

This interview with writer/director Anna Muylaert and the film's star Regina Casé is edited for clarity because some of it was conducted through a translator. I hope you'll be intrigued enough to check out the film.

NATHANIEL: Anna, since you wrote and directed, let's start with you. What prompted you to do this? Was it personal interests in these topics like parenting, and socioeconomic divisions

ANNA MUYLAERT: It started with me when I had a son. I was interested in talking about the importance of the work of motherhood, and at the same time how it was not valued in our society. And then character of the nanny came about, and then of course, the socioeconomic issues came.

NATHANIEL: Was it hard to find Val? Did you have Regina in mind when you were creating her?

more after the jump...

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The Animated Feature contenders: Boy and the World

Tim here, to spread the Good News about the best animated feature of 2015. Though for everybody in the U.S. outside of New York and Los Angeles, it's not coming until 2016, and anyway it first premiered in 2013. The point being, this weekend marks the Oscar-qualifying release of Boy and the World, an astonishing, crazily inventive, unnervingly thoughtful fable from Brazil and the hands of director/animator Alê Abreu.

It's a wholly idiosyncratic vision of childhood and globalization, and a film with no clear target audience - there's nothing kid-unfriendly here, but I also can't imagine a kid understanding any of what's going on. Nevertheless the self-selecting population of adults willing to watch a cartoon that looks for all the world like a video for pre-schoolers is in for a rare treat.

more after the jump...

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