The Furniture: Brazil's Pungent Pot of Duct Soup

"The Furniture," by Daniel Walber, is our weekly series on Production Design. You can click on the images to see them in magnified detail.

Hi there! I want to talk to you about ducts.

I mean that quite seriously, though I’m also quoting the opening lines of Terry Gilliam’s wacky and wonderful Brazil. It’s a film with a lot of unique production design, for which art director Norman Garwood and set decorator Maggie Gray received an Oscar nomination. They lost to Out of Africa, but I find it helpful to pretend that didn’t happen.

It’s nearly impossible to choose a single element to feature. I’ve half a mind to simply post all of the bleakly hilarious propaganda posters that clutter the walls of the film’s dystopian metropolis. Another option would be the design of the dream sequences, which become increasingly majestic as Sam Lowry (Jonathan Pryce) loses touch with reality.

But I still want to talk to you about ducts...

Click to read more ...

Interview: Director David Schurmann on How 'Little Secret' Became Brazil's Oscar Submission

Jose here. After a complicated, slightly controversial, submission process that saw several filmmakers remove their name from consideration, Brazil selected David Schurmann’s Little Secret as the film that would represent them at the 2016 Academy Awards. The real life drama is based on the life of Schurmann’s adoptive little sister, who went from anonymity to becoming one of the most notorious people in Brazil. Needless to say so this means that it takes an easy Google search to find out where the film goes and how some plot twists end (i.e. spoilers await). This is Schurmann’s first feature film, but not the first time he’s featured stories about his family in his work. The Schurmanns are famous in Brazil for their maritime adventures, as well as their books and documentaries. I spoke to David about working so close to his family, adding dramatic turns to reality and being part of the Oscar race.

So, here’s another less subtle spoiler warning before the full interview...

Click to read more ...

NewFest: "Don't Call Me Son", "Esteros", and "Paris 05:59"

NewFest, New York's LGBT Festival, runs through Tuesday. Here's Chris on three of the festival's foreign selections...

Don't Call Me Son
Anna Muylaert continues to explore complex family dynamics in Don't Call Me Son, her follow-up to last year's Brazilian Oscar submission The Second Mother. Teenage Pierre (Naomi Nero) and his younger sister have their lives upended when their mother is jailed for stealing them at birth, thrusting them apart and into the homes of their birth parents. Further complicating the film's identity politics is Pierre's burgeoning gender dysphoria...

Click to read more ...

NYFF: Sonia Braga in "Aquarius"

Manuel here reporting from the New York Film Festival and reminding you that Sonia Braga is a goddess of cinema 

Aquarius is the name of a building in Recife where Doña Clara (a resplendent Sonia Braga) has made her life. The apartment she lives in, which is littered with books and old LPs (she was once a famed music journalist), once belonged to her aunt. Indeed, Kleber Mendonça Filho first introduces us to the Aquarius and to the apartment back when Clara was a young woman who’d recently battled breast cancer, a key detail her aunt brings up in the midst of a birthday celebration. In this lively opening sequence, the camera pauses on an old furniture piece before giving us a glimpse of even livelier days of the older woman celebrating her birthday surrounded by family. We see a memory flash before us of a heated sexual encounter, her lingering gaze having triggered an old but cherished memory...

Click to read more ...

Why Aquarius's Trouble in Brazil Could Bolster Its Oscar Chances (and other foreign film Oscar buzz)

It's that exciting time of the year again when we start hearing the names of the films selected to compete in this year's Oscar race for Foreign Language Film. It's our signature category at TFE (outside of Lead and Supporting Actressing of course and arguably the eye candy tech categories). All four of the foreign charts are now up and will be frequently updated when news comes in. We currently have 9 official submissions but dozens more will be named in the next three weeks. 

Current Predictions
100% likely to change since only about 10% of the field is known at this point.
Chart 1 (Afgahnistan - Finland)
Submissions from Australia, Croatia, and Cuba. Finalists from Brazil and Denmark
Chart 2 (France through Morocco)  
Submissions from Georgia & Germany. Finalists from Israel.
Chart 3 (Nepal through Vietnam)
Submissions from Romania, Saudi Arabia, Switzerland, and Venezuela. Finalists from The Netherlands and Spain.

Last year Jose and I interviewed representatives from 17 films and the team reviewed another dozen still and we hope to provide similarly extensive coverage again this year. Check out the charts above and do share with your friends and countrymen! 

the great Sonia Braga at Cannes in May

Germany's Toni Erdmann is currently leading the Oscar buzz but the other topic on everyone's lips in this category is what will happen with Brazil's Aquarius. More on that and a couple of other speculative bits after the jump...

Click to read more ...