The 2018 Animation Contenders: Tito and the Birds
Every Saturday this month, Tim will be taking a look at one of the films submitted for the Best Animated Feature Oscar.
First things first: the Brazilian Tito and the Birds, a newly-minted Annie Award nominee for best animated independent feature, is a preposterously beautiful motion picture. The film's style is perhaps best described as looking like a digital oil painting, with swirling smears of color defining every background and character. It is not by any stretch of the imagination looking to present a realistic vision of the world, creating spaces defined only in outlines and crude shapes, and then filled in with dramatic swatches of barely-motivated reds and yellows and blues that function expressively and emotionally rather than to build out the narrative. It is, at an absolute minimum, one of the most eccentric, distinctive animated features released in 2018, but it's not just eccentric: the aesthetic is thoughtful, consistent, and pairs elegantly with the film's thematic concerns.
As for those thematic concerns, they're pretty overt, to the point that it almost feels like the film is a bit of a diatribe. Tito fashions itself as something of a Young Person's Guide to Media Skepticism...