Interview: Aly Muritiba on Brazil's queer Oscar submission "Private Desert"

by Nathaniel R

Sometimes the long lead up to a movie's release can alter a story. In the case of Aly Muritiba's Private Desert, most people who come to it will already be aware of its central premise though the movie treats that as a "reveal". Happily the film works either way. Crossing the border can also change how a movie feels. The initial protagonist, Daniel (Antonio Saboia) is viewed sympathetically but his offscreen history (police brutality) is likely to spark different reactions from country to country, depending on societal views on policing and masculinity.  In the minimalist but never simple story, a lonely cop spontaneously drives several hours to finally meet the woman he's been romancing online. She abruptly ghosts him after an implicit request for reciprocal nudes and we glean, quite a long time before he does, that he's fallen for a queer person. 

We had the pleasure of talking to the director Aly Muritiba about the film, the careful casting of his second lead, and Brazil's contentious history of Oscar selections...

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Best International Film: Brazil's "Private Desert", Iceland's "Lamb" and more...

Since I last piped up on the Best International Feature Film race at the upcoming Oscars, Italy released their finalist lists, and the following five countries have also picked their ponies:

BRAZIL
They're sending Aly Muritiba's Private Desert about a suspended policeman who is looking to meet his internet love. She's vanished but he finds a man who offers to connect the would-be lovers. It premiered at Venice...

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Brazil's Cinematic History Aflame

by Camila Henriques

It wasn't even a month ago when Brazilian director Kleber Mendonça Filho made a plea at the Cannes Film Festival for people all around the world to discuss what was happening to the Cinemateca Brasileira (or Brazilian Cinematheque, if you will). As the Bacurau helmer mentioned the 500,000 lives that our country lost due to COVID-19 and how the Jair Bolsonaro administration (if you can even call them an administration) is truly responsible for those deaths, it was inevitable that that neglect would extend to other parts of the society. Which brought him to talk about the Cinemateca. In fascist governments, culture and knowledge are threats, and yesterday, the whole world saw just another chapter of this horror fest as some of our most precious memories caught on fire.

For the past year, the Brazilian Cinematheque, in São Paulo, has been closed. The archives that held more than 240,000 film reels were left to their own luck, as all the workers who took care of that historic treasure were fired...

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Fernanda Montenegro should have won!

by Cláudio Alves

Glenn Close was right. During her latest awards campaign, AMPAS' favorite also-ran recalled the 1998 Best Actress race, concluding that the rightful winner wasn't Gwyneth Paltrow but "that incredible actress that was in Central Station." While that year's Oscar champion gets a lot of undue vitriol –she's excellent in Shakespeare in Love – it's hard to disagree that the trophy rightfully belonged to the great Brazilian thespian Fernanda Montenegro. The only Portuguese-speaking performance to be recognized by the Academy, this star turn has a special place in my heart. So much so that I feared my love was a product of nostalgia goggles. A re-watch disabused such notions. Montenegro's nominated work remains a towering achievement…

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SXSW: The dystopian visions of Executive Order & Witch Hunt

By Abe Friedtanzer

 

It’s sadly not all that difficult to imagine our society slipping into dystopian territory, and while that might have seemed impossible here in America, recent events have suggested we’re not that far away from authoritarian misery. Cinema has long explored such inevitabilities, and it’s those “very near future” concepts that don’t look so different from what we know today that can be especially terrifying. They can also be insightful, strong pieces of filmmaking, and SXSW has two this year that are indeed frightening and thought-provoking...

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