Algeria, Brazil, Bulgaria, and Greece join the Oscar race

by Nathaniel R

MAGNETIC FIELDS is the Greek entry for the Oscars this year

An exciting morning for Best International Feature Film followers. Just after Sweden and Denmark both announced their Oscar finalists list, four more countries have announced their official submissions. (Each country can submit just one film, though not all of the participating company's name finalist lists) The films are as follows.

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Brazil & Czech Republic's Oscar submission finalists

by Nathaniel R

The Czech Republic Oscar committe is considering 14 films while in Brazil the Academia Brasileira de Cinema have announced 6 films being considered for their Oscar submission.  They are as follows...

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"Rule 34" and "Tengo Suenos Electricos" win big at Locarno

by Nathaniel R

the sexually charged "Rule 34" wins Locarno

Our favourite film festival correspondent, Elisa Giudici, couldn't make it to Locarno this year so we are here to just report on the winners! The top prize went to a sexually provocative drama from Brazil called Rule 34 (only the second Brazilian film to ever win Locarno) while a Costa Rican film called Tengo Suenos Electricos won three prizes from the jury.

Will any of the following titles show up as Oscar submissions for International Feature Film? Who can say. A little bit about each winner after the jump...

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Sundance: 'The Territory' is a winner!

by Cláudio Alves

Settlers fight their way into the land. Inspired by colonialist ideals of manifest destiny, they go on a journey of discovery and conquest. This is how new countries are born, with blades cutting down the wilderness and burning paths. However, the settlers are not alone. Deep in the mysterious unknown, indigenous people reside in a land that's been their home for millennia. These adventurers wear cowboy-like hats while their enemies, abstracted into an exotic other, fight with feathers in their hair. The two forces clash, but theirs is not a fight of equals. Invaders calling themselves heroes have numbers and firepower on their side, centuries-old systems built to perpetuate violent domination. Even their bodies carry weapons, sicknesses they spread to the natives, killing them in active genocide. 

No, this is not an old-fashioned western of less enlightened days nor a chronicle of historical crimes. This is the story of our days. This is The Territory…

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Sundance: 'Mars One' is a Brazilian gem!

by Cláudio Alves

Looking over the city she calls home, Tércia lingers and, in turn, the camera lingers on her. It's a beautiful, if humble, image, her silhouette against a celestial painting. The twilight sun makes watercolors out of the skyline, yellow bleeding into blue, gray buildings falling into the cold penumbra. The contemplative frame can contain many meanings, and director Gabriel Martins doesn't force the audience's hand. We're free to surmise what we want from the picture. Speaking from a personal place, I couldn't help but feel a melancholic kinship. Maybe it's projection, but I recognized myself in Tércia, looking at a seemingly peaceful world I thought I knew until it proved me wrong...

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