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Entries in Broadway and Stage (407)

Friday
Mar092018

Stage Door: "My Fair Lady" through the Years

by Nathaniel R

Tony season is (nearly) upon us so we're reviving the Stage Door column toward the end of March. But before we start reviewing shows, a history lesson.

Julie Andrews and Audrey Hepburn as Eliza Dolittle

My Fair Lady began its classic life in 1956 as a Broadway musical. No, that's not quite right. It began its life as George Bernard Shaw's play Pygmalion, which premiered way back in 1913, over a century ago! That play inspired the stage musical by Lerner & Loewe. On March 15th previews will begin for the latest Broadway revival. Lauren Ambrose (Six Feet Under) headlines as Eliza Dolittle, with Harry Hadden-Paton as Professor Henry Higgins, two time Tony winner Norbert Leo Butz (♥︎) as Eliza's father, and showbiz legend Dame Diana Rigg (The Avengers, On Her Majesty's Secret Service, Game of Thrones, etc...) as Higgins' mother. 

This will be the sixth major incarnation of the hit musical. Let's recap...

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Wednesday
Mar072018

Lesley Manville isn't done with awards shows just yet. 

by Nathaniel R

Did you know that Lesley Manville (Phantom Thread) is currently treading the boards in London? She's nominated for a Best Actress Olivier Award for playing Mary Tyrone in the Eugene O'Neill drama Long Day's Journey Into Night (a classic role which already scored an Oscar nod for Katharine Hepburn and a Tony for Jessica Lange). Her last performance is the day of the Oliviers (April 8th) after which she presumably gets a wee break before coming back to America in May. She and Jeremy Irons will do the same show again at BAM in Brooklyn for American audiences. 

Lesley's "Mary" is up against Imelda Staunton's "Martha" in Who's Afraid of Virginia Woolf?! CLASH OF THE EPIC ROLES. If Imelda loses that contest to Lesley (they've both won Oliviers before) she still has another chance to win. She's double-nominated as she's also up for Best Actress in a Musical for Follies. Complete list of Olivier nominations here

Wednesday
Feb212018

Soundtracking: "All That Jazz"

by Chris Feil

These days we don’t get many musicals brave enough to buck genre comforts and form as Bob Fosse’s autobiographical All That Jazz. The director/choreographer transplants himself onto Joe Gideon (Roy Scheider), a highly regarded and sexually cruel master of the stage on his way to untimely demise. It’s a masterpiece to shame other masterpieces.

There’s a reason that the film isn’t remembered for its songs - musical pleasantry is low on his priorities, as the film is an uncompromising character study of the visionary creator’s weakest impulses...

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Saturday
Dec232017

My link runneth over

Vanity Fair Carrie Fisher's best lines in The Last Jedi come from the actress/writer herself
• Rolling Stone David Fear's 25 reasons to love the movies in 2017
Variety a "tsunami" of change in Hollywood. Netflix, MoviePass, sexual harrassment scandals, low box office. What's next?
Vanity Fair Annette Bening, Whisper campaigns, The Last Jedi and more
AV "TV Club" a lengthy but always engaging 17 part lookback at the year in culture and the small screen 

 

Much more after the jump including more "best of the year" lists, Strictly Ballroom, Hamilton, and female directors...

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Sunday
Nov262017

Stage Door: The Hilarious Cast of "Desperate Measures"

by Nathaniel R

Before we plunge into the deep end of movie awards season, which tends to consume our every waking moment from right now through Oscar night each year, a wee theater break.

Though we love movies with all our hearts, the one thing live-action movies don't really have an equivalent of is the grand theatrical tradition of the musical comedy. I'm talking inspired silliness as goddamn raison d'etre. I recently fell hard for Desperate Measures, a hilarious wild west riff on Shakespeare's Measure for Measure. The show has now been extended three times at the York Theatre in Manhattan and will close on New Year's Eve so get to it! (The York specializes in helping develop new musicals and I'm happy to call attention to this noble cause as a bonafide fanatic of the genre.)

I sat down recently to talk to with two of the musical's stars, strapping Peter Saide and rockstar feisty Lauren Molina, who both really "outta be in pictures" as they say though we're happy they're killing it on stage, don't misunderstand! The interviews are after the jump... 

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