Stage Door: Steve Martin & Edie Brickell's "Bright Star"

In Stage Door we talk theater, usually making some form of movie connection because that's how we do things...

I don't know anything about Bluegrass music but I wouldn't have connected it to the Melodrama form. If I tried to tell you the plot of Steve Martin's Broadway show "Bright Star," you wouldn't even believe it, so I shan't. Let's just say that if the plot were a movie it would be a silent film with wild eyed pantomiming it's so BIG with oversized emotional rug-pulling. I was just crazy about the music but the book not so much. (On the night I attended it was all worth it because Steve Martin made a surprise appearance. There he was as the curtain raised for Act 2, playing on his banjo. He was loving it and so was the very very appreciative crowd. How lucky that he picked our night to show up!)

Aside from the Original Score which just won the Drama Desk Award, the show's MVP is its Tony nominated lead actress Carmen Cusack who plays her character, beautifully, at two separate ages as a gangly uninhibited teenager and a much stiffer heartbroken woman in her 30s; when she fuses their temperaments at the end into the same woman, it's divine. Her voice can soar gorgeously and crash down to earth with equal potency. The Original Cast Recording is now available which might be the best way to experience the otherwise uneven night of theater. The highlight of this particular lucky night out on Broadway was the surprise appearance of Steve Martin playing his banjo as Act 2 began. He was loving it and so were his appreciative surprised fans in the theater that night. I was lucky enough to be among them. 

Bright Star is up for 5 Tonys: Musical, Book of a Musical, Score, Actress, and Orchestrations. 

More Theater
54 Below Molly Pope is doing a one night show in July based on A Star is Born. She's a stunning live performer -it's pricey but I have to be there
NY Times An ode to Broadway replacements Heather Headley & Marin Mazzie
NY Post Michael Riedel predicts a mini Hamilton backlash at the Tonys. It will lose in at least a few categories 
Theater Mania Once frequent Oscar nominee Marsha Mason is directing a production of Steel Magnolias in Pennsylvania (now running through June 18th). Jessica Walter is playing Ouiser which is great casting, don't you think? 
Broadway Blog Cheyenne Jackson has a new album out "Renaissance"

SEEING @APtheMusical AND THIS LOVELY LADY CAME PRE-SPLATTERED @dorsia_BATeMAN pic.twitter.com/5NULUdeJ4w

— Bryan Fuller (@BryanFuller) June 4, 2016

P.S. Jason and I also caught American Psycho again the day before it closed and during intermission, while chatting with Pushing Daisies / Hannibal TV genius Bryan Fuller (who also enjoyed the show) we all met a crazy fan who was wearing an American Psycho dress . A second time through I'm even more convinced of its brilliance. The Tonys really stiffed it but at least it picked up 3 well deserved Drama Desk Awards (Lighting, Projections, Design) 

The Furniture: Decorating Madness in A Streetcar Named Desire

"The Furniture" is our weekly series on Production Design. Here's Daniel Walber...

The 70th Tony Awards are in just a few days. I certainly can't be trusted with predictions, but I’ll make one guess. The award for Best Performance by a Leading Actress in a Play probably won’t be split three ways. That sort of near-impossible result has only occurred once, all the way back in 1948. The 2nd Tony Award for Best Actress in a Play was shared by Judith Anderson, Katharine Cornell, and Jessica Tandy. Tandy won for the original broadway production of A Streetcar Named Desire.

Of course, she didn’t get to be in the movie and so we will leave her behind. Elia Kazan’s film of Tennessee Williams’s masterpiece premiered less than two years after its Broadway run ended. Its success was that instant. It won four Oscars, though all but one was for acting. That fourth prize, of course, was for production design. [More...]

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Barbra Streisand Returning to The Tonys after 46 Years

Streisand 1970 Tony was for “star of the decade”

46 years is a long time. Richard Nixon was president in 1970 when Barbra Streisand last appeared at The Tonys. She’s coming back this year as a presenter. Who knows why? Maybe she has Hamilton fever like the rest of the world. Maybe she has a tour to promote (she does). Whatever it is we will get to see Streisand on The Tonys stage.

And we can’t wait. No details have been provided about her appearance. So let the speculation begin about which category she will present. The obvious choice is the night’s biggest category - best musical. But just saying "Hamilton" might rob us of her great Oscar ad libs. “I’m so happy to give this to you again, Clint”. “Well the time has come”. 

And as monumental as this news is, Barbra can't do it all alone. So there will be other presenters on the big night. Here are our category suggestions for a few of them:

Cate Blanchett - 'Lead Actress in a Play' because of her Oscar connection to the two frontrunners. She won her second on the same night as Lupita Nyongó (nominated for "Eclipsed") and, like Jessica Lange, Blanchett won Oscars on her 2nd and 6th nominations. Their second wins even share the same first word in the title, “Blue”. This would be a gift for Oscar nerds.

Oprah Winfrey - Any category that Lin-Manuel Miranda might win. Imagine Oprah saying his name the same way she says "JOHN  TRA-VOL-TA”.

Audra McDonald - 'Lead Actress in A Musical'. It might be mean to ask her to present the category for which she was snubbed, but she IS musical theater’s most honored leading lady. It fits.

Saoirse Ronan - 'Featured Actress in a Play' just because we need to hear her say “Pascale Armand, Saycon Sengbloh and Jayne Houdyshell” in her lilting Irish accent.

Carole King - 'Original Score'. Duh.

Other presenters announced include Steve Martin, Nathan Lane and Patina Miller. The Tonys will be broadcast on Sunday June 12th and we'll undoubtedly celebrate here.

Which category would you like to see Barbra present?

Stage Door: American Psycho The Musical

In the Stage Door column we review theatrical productions, often with one eye on their movie origins or connections.

We first alerted you to the glorius full bodied talent of Benjamin Walker way back in 2011 writing:

You're in for such a treat when you see him on the big screen. Major charisma he has. Big stardom awaits.

The movie career didn't happen quickly in the way we imagined despite a couple of lead roles (The Choice, Abraham Lincoln Vampire Hunter) but that major charisma is still blinding on stage. It's impossible to miss even when the strobe lights are flashing. And flash they do in his latest show. He's recently returned to Broadway as soulless Patrick Bateman in American Psycho the Musical. Yes, that American Psycho. The best selling 1991 novel turned initally troubled 2000 arthouse horror flick turned cultural mainstay and now a Broadway musical. We recite all the history to remind ourselves that American Psycho has never been a property to elicit universal praise in any iteration. Instead, it's always greeted with a mix of  "worst ever" / "how amazing!" And so it's gone with the Broadway musical...

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Stage Door: The Father

Frank Langella is an imposing figure. Standing 6'4" tall, with a countenance absolutely befitting a man who has played both Dracula and Richard Nixon, the man simply looks like a force to be reckoned with. His sense of gravitas demands attention and respect. All of which makes what he does in Manhattan Theater Club's Tony-nominated production of Florian Zeller's play The Father even more impressive.

Langella plays André, an elderly man living in Paris with his daughter, Anne (Kathryn Erbe). At the start of the play, Anne is explaining why she has to get him a new helper: The last one apparently quit after André called her "a little bitch" and threatened her with a curtain rod. For his part, André at first denies the incident, then laughs it off, saying that he is perfectly competent to care for himself.

And here is where talking about the play gets difficult...

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