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Entries in Broadway and Stage (408)

Tuesday
Jun142011

Biopic Request: Boy George For His 50th

On this, the day of Boy George's 50th birthday, we propose a biopic. After all, Hollywood is quite fond of musician biopics what with their formulaic three act story beats: rise from talent-individuality-chutzpah, fall from drugs and debauchery, miniature or major comebacks as the performer finds themselves again.

So why is it that someone as fab and movie-character ready as Boy George doesn't have his own biopic? He's already written all of the wittiest lines for some future screenwriter, being one of the quippiest of '80s icons. He's already conjured the movie's most memorable costumes. He's already even provided a rough draft blueprint with his own autobiographical musical, Taboo (2004).

Now, Taboo was historically not a success on Broadway but we chalk this up to its difficult developmental period, clashing egos and press animosity (sometimes the media just turns on something and there's only a war zone from there). It's not that the show wasn't entertaining enough to be a success. It was actually a fierce show, just an intermittently clumsy overstuffed one. But my oh my the music was good. In addition to Boy George's own discography (formidable, duh) he wrote new songs for the bifurcated musical, which managed to be two biopics in one by juxtaposing Boy's rise with the life of performance artist Leigh Bowery .

The pop star did star in his own biopic but he cheekily played Leigh Bowery instead, so here's a press clip below of the show and his title track performance. [Note: I meant to write about the documentary about this very lively Broadway season Showbusiness: The Road to Broadway (2007) which also charts behemoths Wicked and Avenue Q and the wondrous Caroline or Change but the DVD didn't arrive in time, damnit.]

I remember sitting in the audience in a very cramped Broadway house. The tourist to my left turned towards me at intermission.: "IT'S OVER?!?!?" she said, panicking, clearly new to seeing live theater and there for Boy George himself (she was wearing an old Culture Club t-shirt). I pulled her back from the edge "there's more Boy to come."

For all of Boy George's personal problems, he's a smart enough star to understand his own rise and fall. There's a heartbreaking number in the show called "Out of Fashion" and, yes, Boy George still is. But in this Age of Gaga, maybe pop culture out to rediscover the gonzo theatrical originals that paved the way? There's a long line of "what will they look like next?" superstars before her: Bowie, Boy, Madonna, etcetera...

For extro-music here's Boy's video from pop culture / Oscar milestone The Crying Game (1992).

 

(That would've have so won the Oscar for Best Original Song had it not been a cover of an oldie.) I haven't seen The Crying Game in far too long, how about you?

Sunday
Jun122011

The 65th Tony Awards - Live Blog Song & Dance!

UPDATED WITH VIDEO

6:33 I feel like a 14 year old Michigander again, all excited for the Tony Awards to start despite not having any access to the shows. It's so masochistic, loving the theater! See, this has been my most poverty stricken year yet, so all I've seen is Catch Me If You Can, The Normal Heart, Bloody Bloody Andrew Jackson (which didn't get the main nomination it deserved in Best Actor) and Women on the Verge of a Nervous Breakdown which was kinda terrible but still got some nominations.

6:35 Norbert Leo Butz arrives. He's nominated for Catch Me If You Can in the Tom Hanks role. Tom Hanks couldn't catch him if he tried Butz is so great in it. He says he's feeling...

joyous, celebratory, triumphant.

He also reveals that he met his wife while doing Wicked, a "showmance" that lasted and he says he filled out Fiyero's super tight pants better than his current Catch Me co-star Aaron Tveit

I couldn't find good pictures so you'll have to imagine the captain tight pants competition.

Norbert (original cast) & Aaron (one of many replacements)

 

 

6:52 My showmance with the theater, like Butz's, also lasted. Obviously due to my masochism.

6:53 They're talking to John Benjamin Hickey, who is the frontrunner for Featured Actor (i.e. "Best Supporting") for The Normal Heart. He is quite incredible in it -- easily best in show -- but he says he won't be doing much celebrating tonight because he has an early morning call on The Big C. From Tony to Linney... nice work if you can get it !

7:00 Sutton Foster and Bobby Cannavale we're just introduced as 'theater's new "It" Couple' and this was their reaction. Heh. Sutton Foster has been "it" for some time but Bobby is welcome to join.

Bobby & Sutton

The reporter is IN LOVE WITH THEM  even commenting on how "in shape" they are? Lol. (Keep it in your pants, Donna!!!) but that love is going around. It's what happens to it couples, don'cha know.

7:11 Harry Connick Jr has just announced that he is going to star in a revival of ON A CLEAR DAY YOU CAN SEE FOREVER. Good luck finding a Barbra Streisand level co-star, Harry!

7: 15 Victoria Clark from Sister Act says...

God is front and center this season, I'm happy to say.

Huh. I don't remember seeing him in the nominee list. Was he even eligible? 

More after the jump including VIDEO plus Vanessa Redgrave, Hugh Jackman, Neil Patrick Harris. And Frances McDormand is on the way to a triple crown, you betcha!

Click to read more ...

Friday
Jun102011

Stage Door: Ghost Musical, War Horse, Sandra Bernhard, Tony Predix

Future Live Blog Alert! The Tony Awards are this Sunday evening, June 12th on CBS with Neil Patrick Harris hosting. We'll do a live blog even though we haven't seen most of the productions. It's still the Tonys which means: song, dance, celebrity, weird gaffes that you'd think wouldn't be possible in a show celebrating LIVE performances... i.e. shouldn't they know how to handle live events?

So be here if you're so inclined. Now on to our four theater topics with film tendencies.

1. GHOST THE MUSICAL 
Since all hit films (from 1984 and onwards) are now required to become stage musicals at some point, this had to happen. Should we predict right now that whoever plays Oda Mae Brown wins the Tony when this hits Broadway? 

I was going to write up this "preview" embedded below but sometimes you gotta admit that there's no topping another write up. I challenge anyone to beat Movie|Line's headline... "YOU IN DANGER, LEGIT THEATER"

2. WAR HORSE THE PLAY / MOVIE
I've been a bad Oscar pundit and haven't yet picked up the novel on which this hit play and Steven Spielberg's upcoming movie are based. From what I've gleaned about the show and its competitors, I can see where Michael Muston at ArtsBeat is coming from when he says:

“War Horse” is a children’s story. It’s not a remarkable piece of dramaturgy. It’s all in the staging. People are going to conflate in their heads the play with the staging, and it’s going to win the Tony.

As for Steven Spielberg's film version... there hasn't been all that much news yet but when I saw this tweet from MTV's Josh Horowitz I initially interrupted it as "he's seen the movie!". Overexcitability much, Nathaniel?

One assumes, after smelling salts, that Josh meant the play and has already imagined its suitability for hankies, Oscars, and iconic bearded auteurs.

3. SANDRA BERNHARD
For my birthday celebration my friends took me to see Sandra Bernhard's new show "I Love Being Me, Don't You?" which was indecent with 'look how many famous friends I have!' shenanigans: Justin Bond, Rufus Wainwright and Liza Minnelli came out for duets and Chaddo Ralph Rucci designed her stunning wardrobe.

Though thrilling on paper, the guest appearances were too unrehearsed to be the highlight of the show. The best moments were 100% undiluted Sandy... (More Sandra --with video -- and the Tony Award Predictions)

Click to read more ...

Saturday
Jun042011

Links: Dracula, Werewolf, Alien, Bridesmaid

My New Plaid Pants Oooooh Asia Argento and Thomas Kretschmann to star in Dario Argento's Dracula 3D.
Blastr the creator of MTV's new series Teen Wolf claims it's inspired by Spider-Man and Buffy. Ugh. I hate that "it's just like everything else" pitch approach to advertising but in this case it worked on me as Spidey and Buffy are two of my very favorite things. Damn you, man.
Ultra Culture "a review of Bridesmaids that's mostly just a rant about marketing."
Deviant Art
Princess Leia drawn in  Alphonse Mucha style. Love it.

Last Exit to Nowhere look at this amazing fan photo to your right, in homage to Aliens.

Off Cinema
Socialite Life Glee's Naya Rivera got a record deal.
Boy Culture Do you remember these 70s and 80s tv shows? I had totally forgotten about most of these. A few I do remember vividly (It's a Living, Square Pegs)
La Daily Musto The Normal Heart stars get age-shaving portraits at Sardis. Ellen Barkin thinks she looks like ScarJo
After Elton chooses the 39 Hottest Guys in New York Theater. Thankfully there's something for everyone.
Hark a Vagrant "Brown Recluse Spider-Man" I lol'ed and lol'ed at this webcomic. Please to enjoy.

Tuesday
May312011

Stage Door: "The Normal Heart" (Plus Feisty Divas, McDormand and Chenoweth)

Time for your semi-weekly theater fix. This one's about a famous play that has (thus far) eluded movie adaptations, the most publicized of which was Barbra Streisand's attempt to have a go at it in the late 1980s.

A new Tony nominated Broadway revival of Larry Kramer's psychic scream The Normal Heart opened recently to absolutely ectastic reviews. The play is very much a product of its time and place, AIDS ravaged 1980s New York. The original play premiered in 1985 Off Broadway, with film star Brad Davis in the lead role. (Davis was diagnosed with the disease himself that same year though this wasn't revealed to the public until 1991 before his death) The play must have been an absolutely defiant shock to the system at a time when people were still struggling to even say the word "AIDS" out loud. Though Kramer's best known work has been revived a few times since, this is its first Broadway run.

It's a strong play, even accepting that it errs always on the side of pedantics, but I'm afraid I wasn't nearly as taken with the new production as most have been. I'm assuming most of the enthusiasm for this production would have been a bit more muted if the 2004 Off Broadway revival which starred the great Raul Esparza as "Ned Weeks" aka Larry Kramer, had been a bigger success. The play's bristling humanity and hammered messages were somehow both easier to take and harder to stomach (if that makes any sense) in the intimacy that the Off Broadway stage provided.

a starry cast for the 2011 revival

It's the scale that's often the issue here. Tony nominated Joe Mantello is a fine actor but it was difficult (for me at least) to wipe Esparza's quieter and more nuanced portrayal from memory as I watched him. Ellen Barkin, who may win the Tony for her very aggressive and crowd-pleasing second act monologue as "Dr. Death", has Mantello's same problem of scale. It seems to be a question of direction since nearly everyone in the cast is constantly shouting at the top of their lungs. Anybody would given the narrative proceedings but the play is so innately blistering that actors who trust that ravaged vocal chords could never grant it more potency than it already has fare better; best in show is Tony nominated featured actor John Benjamin Hickey as Ned's lover "Felix Turner", who both admires and is perplexed by his partner's constant shouting and fighting.

[Tangent: Though it's neither here nor there, Lee Pace, who plays Ned's antagonist, the handsome but closeted "Bruce Niles", is AMAZINGLY TALL. He towers over the rest of the cast, which I wouldn't have guessed watching Pushing Daisies (Did everyone stand on boxes around him?) He is so imposing physically, live on the stage, that I was forced to check his height on IMDb on the way home: 6'3"]

Mantello and Hickey in "The Normal Heart"This production's white and boxy stage design is both weirdly offputting and far too-static in the first act and emotionally right and eerily tomb-like in the play's much stronger second act. The final moments, aided considerably by Hickey's performance and inspiring lighting, do stun. But I have to confess: I never once cried though I was a bawling mess through the entire second act of the 2004 revival.

Tony Kushner's Angels in America, which arrived a half decade after Kramer's play, has long since been canonized as one of The Great Masterworks of American theater. Angels has held tight to the unofficial title of the AIDS play. But in its own particular personal way, The Normal Heart is its angrier cruder earth-bound cousin. The Normal Heart doesn't bother with symbolism or poetry -- whether that's through lack of ability or easily imagined bilious rejection of escapism is up to you -- and generates all of its admirable potency from its fragile impotent humanity, raging against the powers that be, from within its diseased bodies. Everyone should see both plays in their lifetime.

This production of The Normal Heart: B
The 2004 revival: an easy A

Stage People
La Daily Musto
Frances McDormand stopped the show (literally!) during one of the last performances of Tony nominated Good People (from the Rabbit Hole author David Lindsay-Abaire)
Awards Daily
David Mamet's turn to the dark side, politically speaking.
Playbill Composer David Yazbek (of The Full Monty fame) talking about Pedro Almodóvar and the adaptation of Women on the Verge of a Nervous Breakdown for the stage.

Busy Broadway Baby: Kristin's new CD and new TV show

Finally...Just Jared spoke with Kristin Chenoweth who will try to tour for her new CD around her schedule for her new TV series "Good Christian Belles" and, one presumes, eventual future Glee cameos because who doesn't love "April Rhodes"? Busy busy!

I love the Cheno as you know so I'm thrilled by her ever increasing fame, but I can't imagine buying her country CDs and this lead off single sounds very generic. Her first CD "Let Yourself Go" is glorious fun but it's all show-tunes which is just where she shines. Personally I only listen to country music if it leans towards bluegrass or folk and stays far from generic "pop" unless it's just straight up A+ music like the Dixie Chicks. How will Kristin marry her different personas in a tour. I've seen her live five times now and while she is amazingly charismatic on stage and I've never regretted a ticket purchase her concerts seem increasingly schizo as her fanbase expands. Will country fans be able to deal with her comedic/operatic  "Glitter and Be Gay" moments... or will she just dump all the showtunes / opera to appease mainstream fans?