Cannes Diary #7: Park and Cronenberg are back with incredible movies

by Elisa Giudici

The masters are back with masterful movies! Seeing Park Chan-wook’s Decision to Leave followed by David Cronenberg’s Crimes of future with only a 20 minutes break between them seemed almost a waste. These two are among the most (rightfully) hyped movies of the entire year and of this Cannes edition. I really wanted some time after the first especially to think fully on what I had just seen, savoring the first impression instead of deep diving into an equally immersive but radically different film experience. Especially considering that one of the two is a perfect movie, a rare five out of five stars, 10 out of 10, or whatever other token of appreciation you can imagine.

Those two films and a new French movie after the jump...

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Cannes Diary #6: Something weird this way comes

by Elisa Giudici

This (unconscious?) cosplay of Jesse Buckley doing Paul Verhoeven’s The 4th Man during the Q&A session for Men made my day!  After the jump some surreal comedy, a horror oddity, a terrifying thriller that might contend for awards, and a directorial debut... 

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Cannes Diary #4: Narcissism at its finest and worst

by Elisa Giudici

Today is the day in which we explore collateral selections, not that willingly. As mentioned in Cannes Diary #1, this year the Festival organization changed the ticketing system. This ended the long lines (a win) but the downside is that the more hyped movies are harder to get into. Nevertheless, I'm happy to report my experimentation went very well! Truth be told, the Un Certain Regard section can be barely considered a “collateral” section, since it famously offers high-quality selections from soon-to-be major auteurs. The major letdown of the day, was ironically, the only title from the Main Competition I was able to get a ticket to on day four...

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Cannes Diary #3: A stubborn wife, a great grandpa and... a donkey?

by Elisa Giudici

While I was on screening duty, Hollywood glamour was on shift-change with Tom Cruise out and Julia Roberts in. Roberts was here to hand the Chopard Awards to new promises of world cinema (Jack Lowden and Sheila Atim) and to enjoy a marvelous party, as I've heard from friends that witnessed it firsthand. But as for the movies, I am happy to report that on the second day of the competition (the third since opening nightl) we already have a soon-to-be infamous scene with the immense Isabelle Huppert as a momentary protagonist. Some weird festival stuff is coming, brace yourself...

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Cannes Diary #10: Au Revoir, Cannes!

Another round of applause, please, for Elisa Giudici for giving us such great on-the-ground Cannes coverage this year. She reviewed the entire Competition slate! Can you believe it? What follows are her last two reports, condensed into one - Editor

by Elisa Giudici

I will miss the French summer -- hot and breezy. Yes, it is time to say goodbye to the Cannes Film Festival. Already? Finally! A little bit of both. My first time here was incredible but I think I am quite close to the limit of my cinematic intake without compromising the ability to enjoy the films. After years of enviously reading reportage by friends and colleague, this was everything I thought it would be. I fear I was even spoiled. There were no infinite queues where I thought I might be shut out and (a little brag is coming, but please allow it) I was able to see the whole competition lineup despite having a yellow pass! Insanity.

It was amazing being able to write this diary every day and read the comments from such a passionate audience. I hope I was able to give you a little glimpe into the movies that are coming as well as the feeling of seeing them at this majestic Festival. It was all quite demanding (I covered the Festival for a couple of italian magazines, too) but I am incredibly happy as a completist that I never skipped a day's entry. A lot of these diary entries were written in the middle of the night or near dawn so a huge thank you to Nathaniel for the editing to make them comprehensible to you; After 2 AM my English tends to be even more convoluted than usual.

So final round. SEVEN movies! Ready?

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