Box Office: The Accountant and Certain Women

Though awards season has started outside of movie theaters it definitely hasn't started within them (a flaw of the system as we continuously bemoan) and The Birth of a Nation took another campaign hit this weekend dropping a rough 61% in its second weekend while its competition last weekend dimmed by only 38 to 50% in round two. This week was a battle between two films from reliably bankable stars without awards gold on their mind -- Kevin Hart's Kevin Hart: What Now? and Ben Affleck in the thriller The Accountant. The latter surprised by slightly outperforming the successful opening weekends of both Argo and The Town despite having nothing like their enthusiastic reviews. 

TOP TEN WIDE
01 The Accountant $24.7 NEW 
02 Kevin Hart: What Now? $11.9 NEW
03 The Girl on the Train $11.9 (cum. $46.5) Review
04 Miss Peregrine's Home for Peculiar Children $8.9 (cum. $65.8)
05 Deepwater Horizon $6.3 (cum. $49.3) 
06 Storks $5.6 (cum. $59.1)
07 The Magnificent Seven $5.2 (cum. $84.8) Review
08 Middle School: The Worst Years of My Life $4.2 (cum. $13.7)
09 Sully $2.7 (cum. $118.3) Review
10 Birth of a Nation $2.7 (cum. $12.2) More

TOP TEN LIMITED
01 Priceless $703K NEW 
02 Desierto $450K NEW Mexico's Oscar Submission
03 Denial $398K (cum. $839K) Review
04 A Man Called Ove $205K (cum. $436K) Sweden's Oscar Submission
05 The Dressmaker $171K (cum. $1.3) 
06 American Honey $142K (cum. $362K) Review
07 The Beatles: Eight Days a Week $123K (cum. $2.5) Review
08 No Manches Frida $110K (cum. $11.3)
09 M.S. Dhoni: The Untold Story $80K (cum. $1.7)
10 Certain Women $65K NEW Review

In limited release Certain Women, just off of its NYFF festival bow, posted the strongest per screen average (albeit only on 5 screens) with the animated feature Miss Hokusai (part of a very competitive Best Animated Feature race this year) not far behind on just two screens.

What did you see this weekend?

NYFF: Certain Women

Here's Jason reporting from the NYFF on Kelly Reichardt's latest.

Think of it as Pulp Fiction's second cousin, a wallflower who stands blushing at the side of the dance-floor - Kelly Reichardt's Certain Women does command swirling depths from its three interconnected stories; you've just got to take the time and have the patience to suss them out. But man, she dances if you do...

Click to read more ...

Yes No Maybe So: Certain Women

by Laurence Barber

Premiering at Sundance to a wave of critical acclaim, Certain Women was later picked up by IFC for distribution and they've recently released the first trailer. Written and directed by Kelly Reichardt, whose patient portraits of the American northwest tend to inspire either passionate love or cool indifference, it stars acting goddesses Laura Dern, Michelle Williams and newly-minted demi-goddess Kristen Stewart. Reichardt's last film, Night Moves, was more on the propulsive side but Certain Women scales things back, adapting three stories from Maile Meloy's collection Both Ways Is the Only Way I Want It.

Having seen Certain Women back in June at the Sydney Film Festival, I can tell you that this one of those movies concocted in a laboratory just for your enjoyment. Collating and cross-charting the experiences of four women under different kinds of duress, the film is impressively performed and crafted. On the awards side though it isn't going to gain much traction outside of the Independent Spirit Awards. It's not that it's difficult, but it definitely asks you to fall into its river and let the current take you. 

Le's break down the trailer after the jump...

Yes

Guess we'll just start at the beginning.

Click to read more ...

IFC Films Acquires Kelly Reichardt's Certain Women

Daniel Crooke here, with the news that Kelly Reichardt’s sixth feature film, Certain Women, has found a home at IFC Films after screening at this year’s Sundance Film Festival to great acclaim but no immediate buyer. While some of her (unnamed) louder, male peers from the American indie scene of the ‘90s have gone on to beat their chests across multiplexes with Great Big Cinema, Reichardt has kept fixing nitrogenous empathy to her storytelling roots over the years and elevated them into a premiere form of living, breathing naturalism. Certain Women stars Laura Dern, Michelle Williams, and Kristen Stewart as an intersecting triptych of Montana ladies, whose “performance style is as casually organic and democratic as in any of her more scrappily cast early projects,” according to Guy Lodge at Variety.

For longtime fans or recent converts evangelized by Wendy and Lucy, Meek’s Cutoff, or Night Moves, this distribution partnership is a particularly exciting one as it promises Reichardt her largest release platform to date – with no offense to sage curatorial lookouts Oscilloscope Laboratories and Cinedigm, this is a big bump in maximizing eyes on the screen and seats in the theater. IFC Films has yet to announce a specific release date but assures that it will hit theaters at the tail end of 2016.

As if upping the ante for exposure weren’t enough, this puts Certain Women in the excellent company of other, ahem, certain exemplary women from female-forward stories in the IFC Catalogue. At their poker table of daring heroines with complex agendas, you find no less than: 45 Years’ shatter-glass Kate Mercer holding a royal flush (which she’ll soon discover is actually just an Ace high); Maria Enders and Valentine of Clouds of Sils Maria bluffing one another under the table; and the ultimate in unpredictable poker faces, Phoenix’s Nelly. So welcome to the IFC Films party, Certain Women, and know going in that Two Days, One Night’s Sandra has already paved the way in pressuring them to sacrifice a little extra dough when it comes to Oscar campaigning for a critic’s favorite. But above all else, per Amelia, watch out for The Babadook!

Sundance Buzz Pt 2: Certain Women, The Intervention, Christine, More...

Robert Redford wanted this Sundance season to be about diversity of voices and young voices, too. We covered some of that in the last buzz installment but this here's installment of buzz is mostly about women. Well, and Logan Lerman. He's one of many stars hoping to up their game and thus career by way of indie drama success. That is a quick way to up your cred as an actor -- look what it's done for Kristen Stewart recently -- but its weird that it works so well to keep careers going since box office is so rarely part of the equation. At least for festival pick-ups in the increasingly fragmented post-festival market. Do you go video on demand, streaming, theaters, or some weird ass combo of both?

The trick for actors is being great in a movie and also lucking out and having that movie around you be up to your level or at least accessible enough to provide you a nice showcase. 

Christine, Certain Women, and more female led films after the jump... 

Click to read more ...