HOT TOPICS


NOW PLAYING

in theaters


all reviews

new on dvd


 

 

Welcome

The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

Powered by Squarespace
Comment Fun

COMMENT(s) DU JOUR
Back to Back Oscars for Eddie?

""The Molly Ringwald Story"?." -Rick

"I can't help but think there is going to be significantly more backlash here after Dallas Buyers Club. Also, is trans the new Oscar-bait? I don't know how to feel about that." -BD

 

Beauty vs. Beast
Keep TFE Strong

Your suscription dimes make an enormous difference to The Film Experience in terms of stability and budget to dream bigger. Consider...

I ♥ The Film Experience

THANKS IN ADVANCE

For those who can't commit to a dime a day, consider a one time donation for an article or a series you are glad you didn't have to live without.

Subscribe
What'cha Looking For?

Entries in Chicago (23)

Friday
Apr252014

Will Renée Zellweger Ever Achieve 'Comeback' Status

We welcome back Matthew Eng (who has been studying abroad) with a response of sorts to yesterday's Smackdown just in time for the Zeéeeee's 45th birthday today.

Renée Zellweger at an Armani show in October last yearWhat is there left to say about Renée Zellweger that hasn’t already been said by nearly every snarky film blogger since the Oscar win that ignited an entire anti-actress fatwa? Of course, you can’t really blame those who vehemently turned against Renée based solely on the performance that won her what has to be—give or take Crash—the most-maligned win of the Aughts. But surely there were other forces at work here that contributed to Zellweger’s descent from perennial A-list awards darling (an astounding three Globes in three years) to seemingly-unemployable former ingenue.

Is it the implied greediness for awards, signaled not by the type of overly-gleeful, wild-eyed, “wanting it too much” acceptance speeches that have been catnip for the Hathahaters, but rather by a clear preference for shameless Oscar vehicles that initially worked in her favor (ChicagoCold Mountain) before the vehicles themselves soon revealed their own inadequacy and consequently watched their awards chances (and hers) all but fizzle out (Cinderella ManMrs. Potter)?

Or is it something else...?

Click to read more ...

Sunday
Oct202013

Podcast: 12 Years A Slave To Horrors

Nick and Joe join Nathaniel to discuss the Chicago Film Festival where they're catching movies like August: Osage County during the day and falling asleep watching old Oscar broadcasts chez Nick (1991 and 2006 make vital cameo appearances in this 'cast). That's our kind of weekend!

We all share the love for Steve McQueen's amazingly powerful 12 Years a Slave which Nathaniel has just seen a second time. Then we're on to discussing some horror classics which we've been thinking about due to our recent Team Top Ten lists of the best of that genre. Horror films briefly discussed include: Carrie, Rosemary's Baby, The Night of the Living Dead, Carnival of Souls, Misery and Suspiria

You can listen at the bottom of the post or download it on iTunes. Join in the conversation in the comments.

12 Years a Slave to Horror

Monday
Jul292013

Stage Door: "The Pride" and "The Explorers Club"

In 'Stage Door' we share our live theater adventures... 

Hugh Dancy & Ben Whishaw in "The Pride" back in 2011

If you noticed the blog was far from fruitful this past week in the posting it's because I was in Chicago visiting Nick and Tim. Nick and I took in the play "The Pride" on its closing weekend in the Windy City. His partner had worked on it as dramaturg and Nick thought I'd like it. He was right...

Click to read more ...

Thursday
Jul252013

Shot in Chicago: Movies that capture the spirit of the city

Tim here, rejoicing over the fact that our good host Nathaniel is in my very own Chicago this weekend – we have a movie night planned tomorrow! – and to celebrate, I wanted to showcase some of my city’s best and most dubious moments in the cinematic spotlight. Therefore:

Three Chicago-based movies that truly "get" the city
(no documentaries; that would be cheating, no matter how much Hoop Dreams and The Interrupters are 100% essential Chicago movies)

Mickey One (1965)
The film that Warren Beatty and director Arthur Penn made right before Bonnie and Clyde is even more besotted with the French New Wave, but stylistic excess doesn’t get in the way of a really special hyper-naturalistic depiction of the city streets as they existed almost half a century ago. I cannot, of course, speak to the veracity of what’s onscreen, but the film’s documentary aspects shine through even under the sordid thriller aspects of the plot and Penn’s fractured filming style. Of all the classic movies filmed in Chicago – and there are a few – none do such a great job of suggesting what the neighborhoods looked like way back when, before building and gentrification made their mark.

Click to read more ...

Wednesday
Apr242013

Tilda Swinton is Perfect. Episode #1,043,579

Ebertfest 2013 Dance Along from Ebertfest on Vimeo.

last week at Ebertfest...

[more Tilda]

Sunday
Mar242013

Link Be a Lady Tonight

Film.com Excellent piece on the online coverage of Lynne Ramsay's no-show on Jane Got a Gun. There's just so much default anti-woman rhetoric online. Crazy that this rarely ever improves.
Slant Magazine Our friend Kurt recently visited Las Vegas and its glorious gawdy movie memories came with
AV Club Might HBO let people buy HBO Go without a cable subscription? That's such a good idea. A ton of people I know have dropped cable (too expensive) altogether since they use their computers more than their TVs. I would if I could, too.
Film.com strong list of 50 best opening sequences in movies ever. Love the inclusion of Cabaret, La Dolce Vita, and Manhattan. Bonus points: you don't have to click 50 times or even 5 to see the whole list.

MovieLine the opening credits of Oz: The Great and Powerful. I knew these would show up soon. Best part of the movie, easily showcasing charm, creativity, and wit.
CHUD "Hey girl... NO GIRL, PUT DOWN THE GUN!" Ryan Gosling is quitting acting for awhile
Empire Robert Redford could join the Marvel Universe starting with Captain America 2. (He would'a made such a great Captain America back in the 60s)
Timothy Brayton adss another toughtful thumbs up review to No's increasingly large critical pile. Seriously, what are you waiting for? Best movie of 2013 thus far. 
Coming Soon Wentworth Miller conitnues on as a screenwriter post Stoker. He'll adapt the thriller novel Scare Me

Art & Toons
Wimp.com a really amazing video about early animation process at Fleischer Studios. It's so crazy how much factory like manpower and technical innovation went in to things that are so computerized now.
i09 a neat very short animated cartoon on Marvel iconography from X-Men to Captain America

And... How webcomix make money, illustrated with 8 bit animation - thanks to Drawn for pointing it out

Saturday
Mar232013

10th Anniversary: That Jazzy "Chicago" Win

[Editor's Note: You know "Denny" well from the comments section. Since he's a choreographer by trade, I asked him to sound off on Dance in film. Particularly on Chicago since its win was so strangely celebrated at this year's Oscars making the show a weird mix of 2012 & 2002. Take it away, Denny. - Nathaniel R.]

a happy night for CZJ & Friends, March 23rd, 2003

Oh, how I remember the cheers.

I was at an Oscar party with a group of theater friends ten years ago when Rob Marshall’s Chicago became the first musical in thirty-five years to win the Oscar for Best Picture. It’s easy to see why everyone was excited: Following Moulin Rouge! (and to a lesser extent, Hedwig and the Angry Inch) the year before, it was clear that Hollywood was finally interested in live-action musicals not aimed at children again. There hadn’t been a major live-action Hollywood musical aimed at adults since 1996’s divisive Evita, and before that the last one was 1986’s Little Shop of Horrors. The last to receive major awards attention was 1982’s Victor Victoria (or 1983’s Yentl, depending on your definition of “major awards attention”), and a musical hadn’t won the Oscar for Best Picture since 1968’s Oliver!, a much-derided winner in a year that actually saw two musicals nominated for Best Picture (the other being Funny Girl), if you can believe it. more...

Click to read more ...