Review: The Last Vermeer

By Abe Friedtanzer

I know that 2020 has felt like an eternity for a number of reasons, but how is it possible that this never-ending year has given us not one but two lackluster movies about art starring Claes Bang?

The Burnt Orange Heresy, about an art critic and a reclusive painter, was released in theaters by Sony Pictures Classics right before the pandemic hit and then rereleased in August since it barely had any time to make an impression (not that the experience of seeing it does that either). Now, Bang is back as a Dutch Jew investigating the actions of an eccentric artist accused of collaborating with the Nazis in the immediate aftermath of World War II in The Last Vermeer…

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such wonderful things surround you, what more is you linkin' for 🎵

• /Film Why Lulu Wang turned down a huge streaming offer for The Farewell to go theatrical with A24
• Vulture ranking the Spider-Man villains -- Into the Spider-Verse villains ought to be flipped and Far From Home's big bad is a spot or too low but otherwise a very correct list! 
• The Atlantic good piece on the possibly self-parodic elements of Spider-Man Far From Home
• The Guardian an interesting but depressing report on directors getting away with making LGBTQ films in homophobic countries 

After the jump The Little Mermaid, The Lost Boys, Toy Story 4, and Be More Chill...

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Interview: Claes Bang on 'The Square,' the Monarchy and Being Starstruck at the Governors Awards

By Jose Solís.

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Like Christian, his character in The Square, Claes Bang speaks with impressive assertiveness. Even when he’s poking fun at himself, he sounds like a man who’s never had any doubts or gotten himself into something he couldn’t get out of. Perhaps it’s this quality that makes his performance in Ruben Östlund’s award winning film so magnetic, and has also raised comparisons to Jon Hamm and James Bond. At age 50, the Danish actor who has mostly worked on stage and television, finds himself in the unlikely position of movie star. Position which he’s filled extraordinarily, having become the sensation of the Cannes Film Festival, as well as a dark horse for the European Film Awards where he’s competing against Colin Farrell and Jean-Louis Trintignant for Best Actor.

Watching Bang (even his name’s cool!) in The Square one gets the sense of both knowing Christian, but also feeling like he could deceive you at any moment. He’s the kind of man who seems so secure of his position in the world, that he could drag you with him without you realizing it. When I spoke to director Östlund he explained that he saw Christian as a man who, despite appearances, isn’t as free as we’d think. Earlier this fall, Bang took a break from his publicity tour to do a play in Denmark, and he also makes New Wave-like electronica - think darker Depeche Mode - under the moniker This Is Not America, making him the ultimate renaissance man. If awards season wasn’t so partial to English speaking roles, Bang would be a serious contender for Best Actor, since he delivers the kind of performance that combines unique thespian talents, with pure star power. I spoke to him about taking on a character as complex as Christian, his thoughts on the monarchy, and his favorite part of awards season so far. Read the interview after the jump...

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