First glimpse of "Dune"

by Nathaniel R

If we're already getting the first promotional image of Denis Villeneuve's take on sci-fi literary classic Dune than the movie must still be aiming for its December 18th release date. We find that highly plausible since the movie wrapped its filming in 2019 and movie theaters are going to need some big ticket items when they reopen.  Our friend Boyd Van Hoeij describes Timothée Chalamet's costume like so...

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Posterized: The Wondrous Work of Ruth E Carter

For today's Posterized, a special birthday treat. We've only covered themes, sub-genres, directors and actors in this series so today a first... a costume designer. Today is the 60th birthday of Oscar winner Ruth E Carter (Black Panther) and she's designed so many important pictures over the years (including multiple Spike Lee classics) that she's definitely worth celebrating in this form.

We're still not over her bizarre Oscar snub for Dolemite Is My Name last season but let's look back on the whole feature film career in movie poster form.

How many of her 51 feature films have you seen? 

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The Fantabulous Style of "Birds of Prey"

by Cláudio Alves

There was a time when super-hero movies were colorful circuses of artifice and joy. Remember the pop iconography of Christopher Reeves' Superman, Tim Burton's Batman or the Punk stylings of Tank Girl? It all changed with the dawn of the 21st century. X-Men brought on an era of heroes dressed in many tedious iterations of leather jumpsuits, while Christopher Nolan's Dark Knight trilogy made grittiness cool again. Explosions of poppy color were out and grim pseudo-realism was in.

The DC Comics flicks took the trend to its desaturated limit, but even the MCU is guilty of indulging in this aesthetic stagnation. Fortunately, some films break the convention, be it the Afrofuturistic haute couture of Black Panther or Aquaman's glitzy excess. We can add Birds of Prey to that elite club of stylish super-hero flicks…

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Crimson Peak: An Ecstasy of Gothic Style

by Cláudio Alves

Some films age like fine wine, others like milk. Guillermo del Toro's predecessor to one of the weirdest Best Picture winners ever is closer to grape juice than dairy. If you don't believe it, check out Crimson Peak, which is newly available on HBO Now. The film wasn't particularly well-received upon its 2015 release, but the years have been kind to it, highlighting its best elements while dulling the impact of its less impressive aspects. Its intoxicating visuals are of particular magnificence, resurrecting the iconography of classic Hammer-style horror philtered through the showmanship of Guillermo del Toro's imagination. Some may say this is a case of style over substance, though nothing couldn't be farther from the truth. After all, Crimson Peak is a production where style is substance…

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The modernity of Little Women's costumes

by Cláudio Alves

Last Sunday, the great Jacqueline Durran became a two-time Academy Award winner thanks to Little Women. As the umpteenth costume designer to tackle Louisa May Alcott's classic tale, Durran had the challenge of dressing these well-known characters in a bold reinterpretation. Eschewing the strict historical accuracy with which Collen Atwood tackled the subject in 1994, Jacqueline Durran evoked the fashions of the 1860s by infusing them with character-specific idiosyncrasies and a general sense of 21st-century modernity.

Her designs are not as bound to their filmmaker's contemporary styles as the Little Women of 1933 or 1949. However, there's no denying that the current iteration of the March sisters is filtered through the sensibilities of artists living in the 2010s… 

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