5 Things I Learned From Bob Mackie

SPECIAL GUEST STAR DAY. Please welcome Costume Designer Daniel Orlandi (Ford V Ferrari, Trumbo) who has taken over the blog for the day -- Editor

Bob Mackie (left) and me at the 1981 Oscars

by Daniel Orlandi

Let's start at the beginning! About a year after graduating from Carnegie Mellon a couple of college friends and I drove to LA from NYC because it seemed like our friends in LA were working a lot more than we were. A month later I got a call to work in Bob Mackie's shop for two days to help with a Las Vegas show. I ended up making G strings! After I finished, the head of his workroom asked me to organize all of Bob's trims and fabrics that had been neglected for awhile. I guess Bob was impressed. He was looking for an assistant on Pennies From Heaven (1981) and he hired me with no film experience at all.  I ended up staying for 8 years. To watch he and his partner Ray Aghayan work was an invaluable education. It seemed like every star walked through the doors of their studio. 

 Here are five things I learned in those earliest years of my career that are my best advice for young professionals...

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Adrian, God of Glamour

by Cláudio Alves

Born Adrian Adolph Greenberg, the designer best known as Adrian was one of the most influential costumers in Hollywood history. After working in his family business of millinery, Adrian went on to study costume design in New York and Paris and later found work dressing the starlets of Broadway. His talents soon took him to Hollywood, where he found a home from the mid-1920s to the 1940s, designing the costumes for many an MGM classic. Throughout his tenure in Tinsel Town, Adrian perfected the on and offscreen looks of such great divas as Greta Garbo, Norma Shearer, Myrna Loy, Jean Harlow, Vivien Leigh, Ingrid Bergman, Lana Turner, Judy Garland, Hedy Lamarr, and others. Among them, his most essential collaborator and muse was the one and only Joan Crawford…

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Ryan Murphy's "Hollywood" (Episode 1)

by Eric Blume

Our hero, the dreamer, hoping to be picked

We’ll be covering the latest Ryan Murphy show Hollywood for you, now streaming on Netflix. Instead of a retread of the plot each episode (because, who cares?) we thought we’d treat you to a succinct look at the Good, the Bad, and the Ugly of it all each week.  And, because the show features a lot of beautiful eye candy, include the 'Not So Ugly' as a digestif.  Let’s take a look at Episode One…

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70s Fashion on Criterion

by Cláudio Alves

The relationship between fashion and cinema is a complex one, with influence going both ways. Sometimes, runway shows take their cues from the glory of the silver screen, while costume designers can find inspiration on the pages of Vogue. In cases such as the collaboration between Audrey Hepburn, Edith Head and Hubert de Givenchy, it's a multifaceted symbiosis where couture and cinema walk hand in hand to the benefit of both. These dynamics aren't exclusive to the Golden Age of Hollywood and the big studios, of course. Just look at the great style icons of the 70s moviedom...

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The best-looking Coen flicks

by Cláudio Alves

The Coen brothers are some of the most acclaimed American directors of our days. While many celebrate their ability with witty dialogues and violent storylines, a worldview rich in irony and nihilism, parts of their cinematic genius remain a bit underrated. For instance, their works are always beautiful, carefully composed and shot, full of inspired design choices and homages to the classicism of Old Hollywood filmmaking. Few would put them in the same ballpark as contemporary directors like Luhrmann or del Toro when it comes to the consistent creation of lush visual feasts, but maybe we should reconsider that…

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