Justice For Horror Movie Costumes!

by Jason Adams

Outside of the sort of sex parties lovingly depicted by Stanley Kubrick in Eyes Wide Shut the majority of us only get to dress up in costumes once per year, on the high unholy night of Halloween. And like Lindsay Lohan in Mean Girls I am personally of the mind that bloody brides are the only way to go -- forget Sexy Pirates or Princess Dresses, I wanna be Frankenstein's Monster! I wanna be Freddy Krueger. I wanna be the May Queen from Midsommar or the Untethered from Us.

Which brings me to a realization I had during last night's Oscar ceremony's opening number with Janelle Monae... 

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Defending The Irishman's costumes

by Cláudio Alves

While we may love to criticize the Academy, sometimes we're also a little bit to blame for the perpetuation of their prejudices. For instance, Oscar watchers love to deride the way voters confuse "Best" with "Most". This is especially true in Best Costume Design, where period work rules and contemporary styles are locked out. Still, when a movie is nominated for a wardrobe that's not very glamorous or showy, that prioritizes male attire instead of women's fashion, the grumblings take on another color. Suddenly, it's as if such design work is lesser because it isn't showy.

It's not erroneous to criticize the costume branch for being so myopic this year, having only singled out Best Picture nominees. However, to look at the costumes of The Irishman and say they're unworthy of praise is utter nonsense…

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Interview: Joker's Costume Designer Mark Bridges

by Nathaniel R

Mark Bridges with Joker costumes

Mark Bridges film career began, as so many have, rather inauspicously. His debut was a now forgotten horror film called Waxwork II: Lost in Time (1992) but there's no keeping talent like his down... though it never hurts to attach yourself straight away to a future god-level auteur like Paul Thomas Anderson. Bridges was on board for Anderson's feature debut Hard Eight (1996) and the celebrated auteur wisely never let go of him thereafter. Inbetween Anderson films (and on them in point of fact) Bridges established himself as a world class costume designer of tremendous versatility, with a gift for not just memorable clothing but character-building.

His latest film, Joker, became his most widely viewed work and then an Academy favourite. We had a chance to talk to the two-time Oscar winner (Phantom Thread, The Artist) this past week about his design process, his favourites from his own filmography, and why he loves his job so much...

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Tarantino's Best Costumes

by Cláudio Alves

Despite some misgivings regarding this year’s highly unimaginative Best Costume Design line-up, there's much to rejoice about that Oscar category. One of the biggest reasons to celebrate is Once Upon a Time… in Hollywood's deserved nod for Arianne Phillips’ designs. As it happens, this is the first time any Quentin Tarantino film has been nominated for this particular award. Considering the director's ability to create memorable images and influential bits of cinematic iconography, this is somewhat preposterous. Better late than never.

Still, to shed light on the many costume delights of Tarantino's colorful oeuvre, here's a list of the ten best costumes in this director's films…

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Alternative Best Costume Design Ballots

by Cláudio Alves

The Best Costume Design category at the Oscars tends to be a place where one can find idiosyncratic choices. While it's true the Academy has a taste for the extravagant and period-looking, the Costume Branch is usually unafraid of celebrating films otherwise ignored. That's how we get such wonderful nods like those for Bright Star's Regency fashions, I Am Love's early aughts glamour, Jane Eyre 's Victorian severity, and Mirror Mirror's fairytale lunacy.

This year, for the first time in the category's history, all five nominees are Best Picture contenders. The arguable quality of the designs aside, this is a sad state of affairs that makes the usually cool Best Costume Design category look tediously similar to all the others. In an attempt to right the Academy's wrongs and offer a more varied look at 2019's achievements in film Costume Design, here's an alternative set of nominees, none of which were shortlisted by the Academy...

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