A Proposal For Kathryn Bigelow's Next Picture

I snapped this pic in my last hotel room and forgot to share it.

I lol'ed like a crazy person at the time alone in a hotel bathroom because my brain immediately went here:

Breaking: KATHRYN BIGELOW to direct Invitation To Tea starring Dame Maggie Smith, Dame Judi Dench, Dame Helen Mirren, Dame Eileen Atkins, Dame Joan Plowright and Dame Julie Andrews. 

No matter what the plot is. I'm in.

Oscar likes to reward people for 'playing against type' but they wouldn't reward Bigelow for doing so in a million years. There's a reason she's the only woman who ever won Best Director (Jane Campion & Sofia Coppola movies are way too girly for Oscar wins) and will be the first to win a second directing nomination as soon as this Thursday.

The Producers Guild Nominees. Which Film Would Be The Hardest To Get Made?

I thought it might be interesting to look at tonight's Producers Guild nominations NOT as Oscar predictions -- they're always that since the industry end game is the Oscars -- but as what they're ostensibly intended to be: awards honoring producers who shepherded certain movies to the screen. The nominees...

Grant Henslov and Ben Affleck working on "Argo"

The Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures

• Ben Affleck, George Clooney, Grant Heslov for ARGO
• Michael Gottwald, Dan Janvey, Josh Penn for BEASTS OF THE SOUTHERN WILD
• Reginald Hudlin, Pilar Savone, Stacey Sher for DJANGO UNCHAINED
• Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh for LES MISERABLES
• Ang Lee, Gil Netter, David Womark for LIFE OF PI
• Kathleen Kennedy, Steven Spielberg for LINCOLN
• Wes Anderson, Scott Rudin, Jeremy Dawson, Steven Rales for MOONRISE KINGDOM
• Bruce Cohen, Donna Gigliotti, Jonathan Gordon for SILVER LININGS PLAYBOOK
• Barbara Broccoli, Michael G. Wilson for SKYFALL
• Kathryn Bigelow, Mark Boal, Megan Ellison for ZERO DARK THIRTY

Producing is a very mysterious job from the outside looking in. Every film's producers have different jobs ahead of them based on a) what kind of project it is, b) how much fighting they'll have to do to get it made creatively and financially and c) whether they'll be separate from or very tied to the artistic decisions -- notice that only 50% of the nominated teams include the director of the film in question so some of these producers have far more influence on the final product than some of the others.

Barbara Broccoli with her Skyfall talent

No film has an easy road to movie theaters but if you remove your feelings about which of these ten films is "the best" from an artistic and/or entertainment standpoint and start thinking about what the particular challenges might have been, it feels like a different contest altogether, right? more...

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Les Linkábles

Auteuse Theory has co-written a book on Mamma Mia! of all things "Mamma Mia! The Movie: Exploring a Cultural Phenomenon"
Gawker Audrey Plaza has a nude painting of herself on full display in her home 
The Wrap the best and worst performances by the same actor this year. Interesting concept but SO annoying to pretend Anne Hathaway is anything less than stupendous in Les Misérables 
Badass Digest Here's something unexpected. A piece on the vineyards of France and drinking in the time of Les Miz.

My New Plaid Pants obsession with Amanda Seyfried's 'magical slutty powers' is one of my favorite things on the internet, month in and month out.  I know everyone was excited to read me interviewing my Nicole but I'd honestly pay good money to watch a sit down with JA & Amanda
ME Says is disappointed with Jessica Chastain in The Heiress. This seems to be going around! That won't hurt but can't possibly help her Best Actress bid in Zero...
Awards Daily Sasha crunches numbers on Best Director and predicts doom for Tom Hooper without the Globe nod. Which might well be the case. But the thing I don't quite get, from other pundits, is why everyone has such sudden enthusiasm for Quentin Tarantino's chances. Tarantino movies ALWAYS open with a flurry of people crying "masterpiece" but that's because critics and bloggers are big stans of Quentin (with good reason but I hope you here my point.) Is this "late surge" for Django Unchained real or just a product of Weinstein Co's goodwill with the Globes?

The Playlist The NRA is blaming the movies again for all these gun massacres. I'd LOL if it weren't so terrible. Way to hang on to your destructive agenda in the face of ever more damning proof that it's just that! They are seriously a hideous blight on America. Speaking of...
Penny Arcade has a fine comic about this

Click on the image for more of the comic...

List-Mania
Pop Matters I am embarrassed for all my film friends who love Cloud Atlas but I have to link to Matt Mazur's top ten anyway because otherwise it's interesting!
Critic Wire asks film critics to share the best pieces of film criticism they've read this year. Lots of articles name-checked worth checking out
AV Club best scenes of the year
Pajiba has a great list of enjoyable supporting performances that won't win any awards... let alone Oscars
Screen Crave on the most disappointing films of the year from Django Unchained to The Avengers
Slate ten best of 2012 from How To Survive a Plague through Zero Dark Thirty 

And here is Kevin B Lee's 12 Best of the Year Video Essay from Fandor. (I keep meaning to do more video work and never get around to it. Argh.)

Even most of my critic friends love Silver Linings Playbook. I just don't get the love! But at least it's not a hideous bloated blight on the good name of cinema like Cloud Atlas. 

Life of Link

GQ John Smedley's Ian McLean has really good taste. Check out his shoutouts to Michael Fassbender and Cate Blanchett
Stale Popcorn Jean Valjean and Fantine strike a pose 
In Contention on the various screenplays that are ineligible for the WGA and can't therefore get the Oscar bump. As usual there are a lot of them rendering the WGA fairly ineffective as both a predictive precursor and as a competitive prize since it's dealing with so few of the year's movies!

Cinema Blend Alicia Vikander (A Royal Affair, Anna Karenina) is a starlet in demand now. Once you've seen both of those movies, you'll demand her too!
Jean-Pierre Jeunet shares his storyboards from Life of Pi back when Fox was considering him to direct it years and years ago. Interesting inside glimpse of filmmakers grappling with movies they didn't make.
NPR on the hunt for Bin Laden and the accuracy of Zero Dark Thirty. Was it really a woman at the center?

"I think it's a literary device. It's not inaccurate, but it's not wholly accurate," says writer Peter Bergen, who himself has spent many years tracking bin Laden. 

Movie|Line turns out that a very disturbing NC-17ish scene towards the end of Django Unchained (MILD SPOILER: Django is hung upside down completely naked and receives two malevolent visitors) was even more cruel in an earlier cut --  Samuel L Jackson says his character burned Foxx's nipples off.
Celebuzz celebrates the shortest male stars from Jason Statham to Daniel Radcliffe in an infographic
Fox Searchlight you can pretend you're an awards voter by downloading FYC booklets! 

Interview: Michel Franco, Director of Mexico's Foreign Film Submission "After Lucia"

Amir here. This year’s foreign language film race at the Oscars is so unusually packed with auteur names and festival successes that the typically middle-brow branch will really have to try hard not to get things right. Among this wealth of possibilities, one of the titles we haven’t heard much about is Mexico’s submission, After Lucia. I recently had the chance to watch the film and I was blown away by it. So much so that it now sits at the number one spot on my favourites of 2012.

It’s a confidently directed, outrageously frank study of bullying in the schools of Mexico through the experience of a teenager named Alejandra (brilliantly played by newcomer Tessa Ia). The richly conceived film reveals much while saying very little. Economically filmed and sharply edited, After Lucia is a devastating experience but an absolutely vital one. Yet, it’s too easy to see why Oscar pundits haven’t given it much thought. The voters in this branch have often preferred their social commentary sugar-coated and this type of brutality can make them feel like they’re subjected to the Ludovico technique. But before we write off its chances, let’s remember that Greece’s Dogtooth, winner of the Un Certain Regard award at Cannes -- which After Lucia also won,  found its way to the ceremony. And After Lucia might benefit from its tender subject matter and the delicate story of Alejandra and her single father who are dealing with death of the family's mother (the titular Lucia).

On the occasion of the film’s submission to the Academy, I spoke with the film’s director, Michel Franco, who took time off from post-production work on his next film to chat about After Lucia, the issue of bullying and his cinematic influences.  

AMIR: What was the starting point of the project for you? The family angle or the bullying angle?

MICHEL FRANCO: The point of the project, at first, was to deal with a father and daughter coming to terms with the death of the family’s mother. It had nothing to do with violence or bullying. As the project developed the bullying story became more important. The thing is, in life you always deal with a lot of things at the same time. The way each of these characters dealt with grief led me to the violence that exists in our society on a daily basis. Those things combined, and that’s what I thought was worth making this film about. [MORE AFTER THE JUMP]

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