Best International Film Reviews: Armenia, Canada and Paraguay

by Cláudio Alves

Submitting a documentary is a risky strategy in the Best International Film race. Since Waltz with Bashir in 2008, only four other non-fiction features have been able to score nominations in the category – Cambodia's The Missing Picture, North Macedonia's Honeyland, Romania's Collective, and Denmark's Flee. None of them won. Still, hope is everlasting, and one often finds that some of the year's most fascinating submissions happen to be documentaries. The same is true for our current season, with two titles going as far as incorporating animation, like Waltz with Bashir and Flee. Mayhap they can repeat their antecessors' success at getting nominated. It's unlikely but not impossible…

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144 Films Eligible for Best Documentary Feature for the 95th Oscars

by Nathaniel R

The Academy has revealed the list of Eligible films for the Best Documentary Feature Oscar. There are 144 in total. Next week the Academy will vote in the preliminary round which will narrow down the titles to 15 (announced on December 21st, 2022) from which they'll choose 5 nominees (announced January 24th, 2023). In other words this month is the last hurrah (Oscar-wise) for 90% of the contenders. After the jump the full list, where you can see the films, and our reviews if we've done them...

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Linky Chatterley

• Cartoon Brew the long awaited animated feature adaptation Nimona is back on. Now at Netflix since Disney shuttered it mid production. It was first announced way back in 2017.
• Out Pedro Almodóvar's gay western short Strange Way of Life will premiere at Cannes in May
• AV Club RIP documentarian Julia Reichert (American Factory)

NIMONA

More after the jump including Paul Mescal's taste buds, Amazon Prime numbers, Lady Chatterley's Lover sex scenes, and a tribute to a movie poster giant...

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Doc Corner: Laura Poitras with 'All The Beauty and the Bloodshed'

By Glenn Dunks

There is a line early in All the Beauty and the Bloodshed where somebody describes the film’s subject, photographer and activist Nan Goldin, as somebody who “knew how to use her power.” I found it appropriate that the director of this movie is Laura Poitras, somebody to whom you could also say knows how to use their power. Poitras is, after all, the filmmaker who has been at the centre of multiple political stories—I mean, it’s rare for a documentarian to be a character in a dramatization of a major news story (she was portrayed by Melissa Leo in Oliver Stone’s Snowden). And to watch a Poitras film is often to be swept up in a swirl of chaos and pain.

Unlike Risk (about Julian Assange) or her Oscar-winning Citizenfour (about Edward Snowden), Poitras herself is not a part of the story here. Nevertheless, her latest is the thrilling and involving work of a filmmaker whose skills feel almost unparalleled. There’s a quiet, almost sneaking, grandeur to her work here as a filmmaker, directing the viewer down the many paths of Goldin’s story with grace, humility and intrigue, and with a technical finesse that is subtle yet entirely specific from one cut to the next.

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Doc Corner: 'Bad Axe'

By Glenn Dunks

With a name like Bad Axe, it was only a matter of time before somebody made a movie about this town in Michigan. Bad Axe isn’t necessarily about the entire microcosm of this small town, preferring to focus on a single family (the director’s own) and their experiences within it. This isn’t Our Town; I mean, come on. You can’t pass up that title!

In telling the story of the Siev family in the town of Bad Axe, first-time filmmaker David Siev lands upon potent ideas of the political divide across America (it’s not as blue state/red state, or even blue county/red county state as some may like to conceive it...

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