Doc Corner: 'Retrograde'

By Glenn Dunks

Retrograde is the best movie that Matthew Heineman has made. At least from those I have seen. I’ve been critical of this American director in the past for taking the somewhat lazy non-fiction critical expression “it plays like a real-life thriller” too literally, making movies like Cartel Land and City of Ghosts that put themselves above the subject. I never saw his dramatic feature A Private War with Rosamund Pike, but it didn’t surprise me that Heineman had made that leap.

This film, his third in as many years, thankfully takes something of a step back from what appeared to be his natural directorial instincts. For the most part, Retrograde is in service of its subjects and not the filmmaker.

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16th Annual Cinema Eye Honors nominations

by Nathaniel R

"The Territory" led the Cinema Eye Honors nominations

EDITOR'S NOTE: This article now contains ★ to represent the winners, announced on January 12th. The rest of the text is from the original article.

The Oscar race for Best Documentary Feature didn't use to have so many 'precursors' to consider but interest in and awards for documentaries have grown considerably in the 21st century. The Cinema Eye Honors, which began in 2007, were the first awards organization to recognize documentaries above and beyond "Best Documentary" by honoring them for several craft achievements too in multiple categories. They've just announced their nominees for their 16th annual NonFiction Film Awards. The nomination leaders are the box office hit Fire of Love and critical darling The Territory...

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AFI Fest: “Selena Gomez: My Mind & Me” shows the star up close

by Eurochees

This year’s AFI Fest opened with a spotlight on pop star Selena Gomez under the direction of Alek Keshishian, who famously brought us Madonna: Truth or Dare (1991). The film kicks off promoting Gomez’s music and telling the audience her backstory, walking us through a career she began at 7 years old on the show Barney & Friends. She has been consistently working since that time, turning 30 this past summer. We learn about the physical toll lupus took on her, an emotionally exhausting period which led her to a breakdown stemming from her bipolar disease. Her decision to go public with her diagnosis ties into her statement later in the film that she is driven by her focus on what to do next when facing hurdles... 

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Chart Updates: Best Animated & Documentary Features

by Nathaniel R

"All the Beauty and the Bloodshed" won Venice, but nothing is ever locked for the Documentary nominations as they pass over many frontrunners.

Happy weekend, Oscar fantastics. Figured it was time to finally put up the Documentary Feature chart now that we know several of the potential biggies. How do we suddenly know them given that documentaries arrive each and every week with little indication of whether they'll be Emmy or Oscar fodder? The answer is three key buzz-boosting factors...

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Doc Corner: Dustin Lance Black and 'Mama's Boy'

By Glenn Dunks

Good intentions can take a movie a long way. Who doesn’t like good intentions?! The problem with good intentions is that they can too often mask deficiencies. And in the case of Mama’s Boy, those good intentions suffocate director Laurent Bouzereau’s ability to tell a story that might venture outside of the lines of the one its subject has a firm and unwavering interest in telling. It’s a lovely story of empathy, compassion, a mother’s love for her son (and vice versa) that nonetheless suffers from rudimentary structure, unadventurous editing, and is built around one talking head interview in particular that lacks spontaneity, as if reciting from a script. Considering it's adapted from a memoir, that probably makes sense.

The central figure here is Academy Award-winning screenwriter and social activist Dustin Lance Black and the film is about him more than the more interesting figure of his mother. Your mileage about that will vary...

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