Doc Corner: 'Brainwashed: Sex-Camera-Power' and the Male Gaze

By Glenn Dunks

Hmm. This is a curious one, isn’t it?

Brainwashed: Sex-Camera-Power is a cinematic adaptation of an on-stage presentation by filmmaker Nina Menkes on the male gaze. Originally titled “Sex and Power: The Visual Language of Oppression”, Menkes has reworked the live show into a curious hybrid that deconstructs the way many movies are shot and framed in a way that subjugates the female characters. The first image we see is of Ana De Armas as the nude advertisement in Blade Runner 2049 before dissecting over 170 films in one form (very briefly) or another (more up close and personal).

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Rome Diary #1: 'Robbing Mussolini' and digging graves

by Elisa Giudici

It’s not a Festival, it is a party! So please be my guest on a short journey to Festa del Cinema di Roma (Rome Cinema’s Party). This is my first year in Rome for this strange festival which is now in its 17th year. Rome Film Festival wants to be something different from its older sisters in Europe (Berlin, Cannes, and Venice), yet it seems unable to let go of the old dream of becoming as big and relevant as them.

A Rome Film Festival in 2022 will be a strange combination of leftovers from festival season, Hollywood latecomers hoping for Oscar traction, and a place for smaller films to shine alongside the more popular, acclaimed ones that have already premiered elsewhere. And Apple Originals likes this Festival a lot. Let’s discover some titles, shall we?

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'Fire of Love' and 'Good Night, Oppy' lead the Critics Choice Documentary Nominations

by Nathaniel R

Seven years ago documentaries got their own division of Critics Choice Awards with multiple categories and thus departed the main show where they were restricted to just one. For the seventh anniversary edition the box office hit Fire of Love (read Glenn's review) about married volcanologists and the space exploration doc Good Night Oppy (for which we just led a Q&A at Middleburg) lead the nominations in 17 categories. The ceremony will be held on November 13th at the Edison Ballroom in Manhattan.

UPDATED 11/14/22 What follows is the full list of nominees AND WINNERS with links going to reviews if we've done them. Thanks to Glenn's expert "Doc Corner" column and various festival peeks, we've reviewed quite a few of them...

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Doc Corner: The female rockers of 'Nothing Compares' and 'Sirens'

By Glenn Dunks

Showtime's Sinéad O'Connor documentary, Nothing Compares, much like the artist herself, is at its best when it is prickly and confronting the hard truths of the world. It is less interesting when conforming to now well-worn standards of this sub-genre, distilling information like a Wikipedia profile. The Irish singer, known for a shaved head and distinctively accented vocals, has had a hard life of struggle and sorrow amid mega-selling hit singles and critically acclaimed albums. In short, she's perfect fodder for a documentary. Director Kathryn Ferguson and editor Mick Mahon find their strongest rhythms when observing the singer’s career through the prism of her homeland and the pull-and-tug of Catholicism, which lingers over her music like a haunting spectre...

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NYFF: The Human Body tenderized in 'De Humani Corporis Fabrica'

by Jason Adams

Do you ever find yourself zoning out to one of those surgery shows they sometimes have on basic cable? Titles like Botched or Plastic Surgery: Before and After where they stick their reality-show cameras into people’s literal guts and poke around? Yeah me neither. A lurid dramatization like the series Nip/Tuck I could handle, but the real stuff’s always been a bridge too far. But then I’ve always had that line drawn in the sand when it came to Horror Movies as well – I’ll watch all sorts of gruesomeness as long as I know it’s fake but you’d have to tie me down to get me to watch one of those Faces of Death videos. 

So why then did I find myself so lulled into hypnotic contemplation by directors Véréna Paravel and Lucien Castaing-Taylor’s surreal-ish surgery documentary De Humani Corporis Fabrica (meaning “Of the Structure of the Human Body” and named after the legendary 1555 anatomical texts) at the New York Film Festival this week?

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