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Entries in drive-ins (2)

Tuesday
Mar312020

You Will Be Linked

The Atlantic drive-in movie theaters are having a moment. Not that there are many of them around. 
Variety Anne Hathaway to star in the adaptation of the memoir French Children Don't Throw Food
The New Yorker "pandemics and the shape of history"
MNPP Dolly Parton will be reading to children every Thursday on YouTube
Variety in the land of stars getting creative during the shelter in place, Emilia Clarke is offering a virtual dinner for charity for coronavirus relief. You get to cook with her and eat with her if you're selected.
/Film Genius: Queen of Soul starring Cynthia Erivo as Aretha Franklin delayed til later this year (in related news Respect starring Jennifer Hudson is moving to 2021. I think we know who loses in an acting cage match between the two, even if they won't be competing at the same awards show.)
Boy Culture the last time various household name artists charted on the top 40
Coming Soon remember the days when Netflix never cancelled any of their shows? Those days are long gone. October Faction and V Wars are both cancelled after their first seasons (though Locke & Key gets to stay for a second round)
Deadline Sony moves all their big ticket 2020 movies to 2021 in one swoop. 
Deadline Oscar-nominated songwriter Adam Schlesinger ("That Thing You Do") of the band Fountains of Wayne in a medically induced coma due to coronavirus

Exit Music
James Corden gathered up Ben Platt and the current touring company of Dear Evan Hansen to sing "You Will Be Found". Lovely song. It starts around 2:30

Tuesday
Jun052018

Doc Corner: Dances with Films Festival

by Glenn Dunks

The spectre of films past linger over two documentaries at the Dances with Films independent film festival (June 7th-17th at the TCL Chinese Theaters in Los Angeles). Their ability to bring an audience back to something more innocent is perhaps one of the strongest elements of this festival that prizes the atmosphere of a summer camp rather than a crazed film festival in the snowy mountains or on the sunny beaches.

The more obvious of the two that I was able to sample is Alexander Monelli's At the Drive-In, a film that you could glimpse at a pass and suspect you have already seen a dozen times at other festivals. Film festival audiences are, after all, more naturally disposed to watch a documentary about a venue like a drive-in or a classic movie palace or a dying/dead/forgotten part of the filmgoing experience. The inherent nostalgia and cinematic reverence of these topics make them solid programming on any festival’s behalf...

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