Cannes Diary #1: The festival opens with zombies... again

Elisa Giudici reporting again from Cannes!

Cannes is back again trying to rewrite its new normal. After the skipped 2020 edition and the anomalous summery one in 2021, the 75th Cannes Film Festival is has kicked off with the Croisette in full blossom. Masks are almost gone in theatres (even if before every movie a recorded voice “strongly suggests” to wear one), Marché du film (the huge Film Market's event in Cannes) has ended a period of crisis and low presence. COVID-19 changed the French festival and some changes are here to stay...

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Drive My Cannes: The New Competition Lineup!

Direct from France, please welcome longtime reader / first time contributor Arnaud Trouvé to talk about the Cannes festival and share the new lineup... uPDATE 04/23: new additions indicated below under red headlines

Ruben Östlund's "Triangle of Sadness" © SF Studios

by Arnaud Trouvé

My first encounter with the Cannes Film Festival was in 1998, when Roberto Benigni kissed Martin Scorsese’s feet after winning the Grand Prix for Life is Beautiful (which he mistakenly took for the Palme d’Or). Cannes ceremonies are always broadcast live on French TV and my interest grew rapidly over the years. Flash-forward to 2009: the Paris visual effects company I’m working for had to deliver over a hundred shots for an upcoming production destined for the Croisette. "It has to be ready for Cannes," was the motto as we worked on a very tight schedule. This production happened to be Gaspar Noé’s Enter The Void and we managed to screen it in Competition at the last minute, with no opening or closing credits!

A decade later, the announcement of the Cannes lineup is still an annual event for cinephiles around the world. And after a bonkers ceremony in the summer of 2021 that saw the victory of Titane, the festival is ready to get back to its usual May slot. Let’s have a look at its anticipated official selection unveiled today by artistic director Thierry Frémaux...

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SXSW: Andrea Riseborough Shines in ‘To Leslie’

By Abe Friedtanzer

 

It's an unwritten rule that every festival must include at least one movie starring Andrea Riseborough, sometimes as many as four (that was Sundance 2018). While I’ll note that I haven’t seen one of her more recent entries – Brandon Cronenberg’s Possessor – most of her turns in the past few years have been very subdued in lackluster films like Nancy, Luxor, and Here Before. I fondly remember her standout performances even with minimal roles in Birdman and The Death of Stalin, and I’m pleased to report that her latest effort, To Leslie, gives her a superb platform again in a leading part…

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SXSW: Exploring Volcanoes in ‘Fire of Love’

By Abe Friedtanzer 

I’m grateful that SXSW includes a “Festival Favorites” section that includes titles that have played elsewhere and been popular since it’s often not until a festival has ended or all of its screenings have concluded that I hear about something I’m told I have to see. Fortunately, the documentary Fire of Love which was acquired by National Geographic (for quite a sum), meaning that those without access to film festivals will be able to see this inventive and visually striking film soon enough…

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Winners of the 4th annual Meihodo Festival

by Nathaniel R

You may recall that in January we shared the news that Michael Douglas was the guest of honor at this year's "Meihodo International Youth Visual Media Festival". (That's quite a mouthful of a title to try to say. Perhaps they need an acronym or nickname?) But their core team this year actually had three Oscar winners on it, Douglas, Binoche, and composer Tan Dun. This year the festivalhad 2431 contestants from 110 countries. The winners (which were unfortunately awarded in crypto and NFTs -- agh stop the madness) are after the jump...

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