AFI Diary #3: "Parallel Mothers" and "Petite Maman"

Christopher is covering the 2021 AFI Fest Film Festival. Follow along for his reviews.

The hits just keep coming during AFI Fest. Two renowned international filmmakers screened their new films this weekend - Pedro Almodóvar and Celina Sciamma. Check out the latest reviews below:

Parallel Mothers (Pedro Almodóvar)

Pedro Almodóvar is a genre unto his own. The legendary Spanish director has made dramas, comedies, thrillers and everything in between over his forty-plus year career. No matter the tone of the movie, there are certain colors, beats and stylistic choices that are undeniably Pedro. We don’t look at a bright, dark red color the same thanks to his work in cinema. One of the great joys in watching a Pedro Almodóvar film is watching the plot change from what you expected it to be and what it actually is. Parallel Mothers is top-tier Almodóvar, particularly because it subverts one’s own expectations and becomes a much more emotional, haunting and political picture...

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AFI Diary #2: "Red Rocket" and "The First Wave"

Christopher is covering the 2021 AFI Fest Film Festival. Follow along for his reviews.

It's hard not to be reminded of COVID as we return to festival season. It's a terrific pleasure to be back in theaters again (even in masks). However, it also makes me recall fighting with virtual platforms last year so I could watch movies alone in my living room. Day Three of the festival brough us two films that, directly and indirectly, were born out of the COVID-19 pandemic. The First Wave obviously covers the harrowing first months of the pandemic in New York. Additionally, Sean Baker's Red Rocket stands as a testament to the nimble, persevering nature of art under lockdown, as the film was shot in August of last year. From searing documentaries to comedies about porn stars, two films could not be more different. So which was the best of the day? Let's dive in!

Red Rocket (Sean Baker)

With the success of Tangerine and The Florida Project, writer/director Sean Baker has found himself in a new echelon of indie filmmakers. What makes him such an interesting director is his ability to naturalistically present subcultures as they are without the artifice that comes from a more stylized director. The location and the people within it are the core of Baker’s projects. Each film represents its own strange ecosystem that we get to study. With Red Rocket, Baker has made his prickliest film yet. Even with that said, the film cares for its subjects, even if the subjects don’t care for one another...

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AFI Diary #1: "The Worst Person in the World," and More

Christopher is covering the 2021 AFI Fest Film Festival. Follow along for his reviews.

The 2021 AFI Fest Film Festival began Wednesday, November 10th with the World Premiere of Netflix’s Tick, Tick... Boom! (which got raves from Nathaniel). My festival began on Thursday with three films: one documentary feature, one international Oscar contender and a romantic anthology that had a splashy Cannes debut. It already feels great to be back in-person at a film festival. AFI is doing a hybrid of in person and virtual screenings this year, offering a nice variety for festivalgoers.

Without further ado, the reviews:

The Worst Person In The World (Joachim Trier) - Norway's Official International Feature Film Oscar® Submission...

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Doc Corner: 'Listening to Kenny G' and 'Jagged' at DOC NYC

By Glenn Dunks

DOC NYC starts today. The festival runs for in-person screenings from November 10–18 and then continues online until November 28. I have a Twitter thread covering what I am watching, but here we are looking at two music docs about artists from very different ends of the spectrum: Kenny G and Alanis Morissette.

Trust director Penny Lane to make a biographic documentary about a musician and have it not be the same old same old. The American filmmaker has been on a tear lately with Nuts! (about goat testicle charlatans), The Pain of Others (about Morgellons disease), and Hail Satan! (about the Satanic Temple). This run continues with the wittily assembled Listening to Kenny G, which plays today as the opening night film of DOC NYC.

Lane’s film isn’t the standard musician bio-doc, although it does chart his career from the early days discovering music in school and does make a spotlight out of his career highs and lows. What makes Listening to Kenny G so invigorating of a watch is because of the greater story within which this narrative is placed. One that interrogates the controversial anti-populous appeal of the multi-instrumentalist’s smooth jazz stylings from all angles.

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NewFest: Two very different international lesbian romances

By Abe Friedtanzer

Part of the appeal of the programming at NewFest is that it spotlights multiple perspectives slightly outside mainstream society, suggesting a universality to the way in which so many feel like they’re not accepted by society. The grouping of these two films in one review has a little to do with their subject matter but much more to do with the fact that I happened to screen them back-to-back and found some unexpected connections and contrasts. Let’s look briefly at Bliss and Sweetheart…

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